I grew up being exposed to gross-out comedies, so even though I can’t remember specific movie titles, the opening sequence to “Freddy Got Fingered” feels extremely familiar and tired. It’s almost laughable how lame the movie’s beginning is, and I was concerned this bad movie wasn’t going to reach a level where it was so bad it became good. I’m not surprised that there is debate over whether or not the movie is parody. However, I’m convinced this is intentionally left unanswered because the movie is satire. The man-child cartoonist called Gord who is unfortunately the protagonist of the film put my concerns to rest 30 minutes in, right when he begins to spread pain and suffering on a wider scale in his quest to have his cartoons adapted into a TV show.
Gord (Tom Green) storms an animation studio by force, bypassing security and harassing a secretary in an effort to meet the TV executive who runs the company (Anthony Michael Hall). When informed that the executive is at lunch, the public nuisance goes to the restaurant and harasses diners until he finds the person able to turn his dream into a reality. While this is off-putting to Hall’s character at first, he immediately listens when Gord begins to sell his comics.
This is amusing to me only because Gord had a hard time finding the exec after running into many men who look and are dressed like the one from the animation studio. The fact that Hall is just one of many blond-haired, blue-eyed men eating at Movers and Shakers restaurant is transparent criticism of the lack of inclusion in Hollywood and, by extension, powerful institutions in America. The way the TV executive turns away in disgust from Gord’s ridiculously unprofessional proposal but automatically turns around again to give the desperate cartoonist a chance when Gord starts to beg to sell his cartoons suggests that influential people in the media are more open to giving opportunities to some people more than others, even when it is undeserved…
Despite his generosity, the TV executive is not blind to how talentless Gord is. He tells the artist that while the art of the comics is good, the stories and humor behind them are awful and would never sell. This pushes Gord over the edge, making him pull out a gun and lament that his characters are losers so he is a loser. He threatens to kill himself right then and there, which is shocking and completely unexpected if not for how this situation would be played straight in a normal comedy movie with the hero getting the job and the girl at the end. It is extremely funny to me how the stepping stone of Gord’s career is when our protagonist declares he needs to die, because this is the most illustrative way possible for Tom Green to scream about how much he clearly hates gross-out comedy movies and explains why the 90 minute run-time is used to push tropes of the genre to their most grotesque and absurd limits in order to make a point.
The infamy of “Freddy Got Fingered” reminds me of the reputation of “School Days”, an anime that I think wasn’t intentionally satire but ended up criticizing the short-comings of harem animes anyway. The formulaic show is based on a video game where a painfully average young man named Makoto suddenly finds himself becoming the most eligible bachelor in his high school after creating a love triangle. The video game has many endings determined by how well you navigate having multiple girlfriends, and the majority of the outcomes are good. However, “School Days” is infamous for its few bad endings that depict the absolute worst possible consequences of someone playing with the affections of a group of people.
The value of this criticism I think is highlighted in the anime when Makoto goes from being too shy to talk to an attractive girl in the first episode to having romantic encounters with three girls in one day by the end of the show. He is warned by his latest conquest, Otome, that problems will arise if the fact he is seeing several women at the same time becomes known. He tells her what he has already told his other girlfriends, that she is as responsible for the delicate situation as he is and that she should just let things happen. The anime adapts the worst possible endings of the game and illustrates that in real life it would take someone to be extremely narcissistic and emotionally abusive to sustain a harem like in anime.
I think these two works were poorly received because fans of these comedy genres weren’t expecting the deconstruction of the tropes they have come to love. The shocking violence and overall bad taste is only believable as the work of professional writers if the intention is to show how ridiculous the cliches expected from viewers are. It is difficult to make a parody or satire of something, especially with film, without being mistaken for the real deal, but as someone who thinks they’re in on the joke I think I have the right to laugh along.