OTM #4: March

Hello again, hope you’re all well!

I’ve been taking a lot of walks as of late to cool me down from schoolwork, and I can’t help but notice the liminal beauty of March. Every day the air feels so heavy, the earth looks muddy and gross, yet there’s a sense of wonder about it to me. The weather almost heats up for just a moment, and I find myself wanting to spend more and more time in the gloomy nature. For this piece, I realized how much I wanted to draw the March landscapes around campus! It was really fun to work with mostly grays and browns, for any artists reading I highly recommend doing a study yourself. I hope you can all find some time to enjoy the weird air of March, have a great week!

The Rise and Fall of Picture Books

If a picture is worth a thousand words, then why don’t books have more of them?

Books that aren’t intended for fourth graders, I mean.  Seriously, in the early dating/infatuation phase of books and humanity, the uppercrust was obsessed with pictures books, which scholars refer to as “illuminated books”.

Just take a gander at some of these beauties from the early history of books, when they were codexes, barely out of their puberty papyrus phase….

This page is from the ‘Vienna Genesis’, which scholars date to mid-sixth century Syria.  It is a gorgeous  PURPLE dyed codex with silver writing.  It demonstrates how sixth century books were not merely illustrated, they were also color coded!   Purple meant that you were rich and brown meant that you had spilled beer on your book during the last round of Byzantine festivals.  This page shows the temptation of Joseph with that slut Potiphar’s wife, which landed him in prison :/  And then landed him in the position as Pharaoh’s go-to Grain Guy, which eventually led him to place a silver cup in one of his brother’s sacks (which is less weird than it sounds…).  If you don’t know the story, you should read it!  In terms of biblical narratives, it takes up thirteen chapters in the book of Genesis and sets up the conditions of the Israelites in Egypt which forms the kickass sequel to Genesis….the book of Exodus!!

But moving on in our history of awesome picture books….

Chi Rho Page from The Book of Kells
Chi Rho Page from 'The Book of Kells'

This is the ‘Chi Rho’ page (the two Greek letters that spell the nomina sacra for ‘Christ’) of the Book of Kells which dates to roughly 800 AD (or possibly earlier).  In addition to beautiful Chi Rho pages such as this, the entire work contains other similarly adorned pages full of animorphic figures and colorful Celtic interlace designs.

Jumping ahead six-hundred years, we stop upon a book of hours, which was a type of devotional book used by medieval Christians.  This one is from Valencia, but was most likely produced in a French workshop in the fifteenth century.

I have GOT to get me one of these!
"I have GOT to get me one of these!"

Jumping ahead three hundred years, we come upon the watercolor poetic works of William Blake, who was not merely a stellar poet and storyteller, but was also an excellent watercolor artist as well.

Poem and accompanying illustration for The Lamb from Blakes Songs of Innocence
Poem and accompanying illustration for 'The Lamb' from Blake's 'Songs of Innocence'

Yet another instance where illustration meshes with text in a beautiful way.

There are countless other instances of illustrated works throughout the history of manuscripts, print, and literature.  My charge to you (if you think you are currently creating the next great piece of literature) is to take the pictorial plunge and add illustrations!  We live in a visual culture.  And who knows?  Maybe now that we’re out of the prime age of watercolor and illuminated manuscripts, perhaps it’s time we started using vectors and programs like Photoshop to make our literature both intellectually and visually appealing again.