What a night. I started walking over to the Power Center with my friend five minutes before the concert started to find a building packed with students. Before the first group took the stage, the organizers announced that this was the second sold-out concert in a row.
Some sold-out concerts don’t feel sold out. You can spot empty seats and the audience is tame. Not so for this young, rambunctious crowd that hooted and hollered names of friends in the dance groups all throughout the event. Between the energy of the audience and the students moving around on stage, the 2.5 hour event felt like taking a shot of espresso.
First off, I have to apologize at not being able to keep track of the names of the groups. Every group that took the stage was incredibly talented in their own unique way. Alas, I did not have a program with me during the concert so I could not tell exactly which group was on stage at a particular time.
I can’t imagine it’s easy to fit a wide variety of student acts into one concert, but Dance Mix 17 pulled it off through smooth transitions between more traditional ballet (top left picture) and decidedly modern hip-hop (top right picture), as well as dancers that both to the melodies of ballads and rock songs alike.
One of the highlights of the group was Revolution and their stringless yo-yo performance. Countless students walked across the stage slinging their plastic yo-yo’s like divine beings levitating rocks. Those plastic yo-yo’s flew across the stage and around the slingers and every trick drew fresh cheers from the crowd. Even the tricks that failed still felt like successes, and I was definitely not the only one entranced by the performance.
Later, Photonix performed in the dark with glow sticks, producing images like the one you see in the header photo of this blog. Towards the end of the performance, they unleashed hundreds of mini glow sticks into the audience.
The audience being composed almost entirely of students, everyone went wild.
Another highlight of the night was a Bollywood rendition of Top Gun (by Michigan Manzil I think). The story was a cliche telling of a young fighter pilot who loses his friend in a fight, but this isn’t a Hollywood film and the performance was one of the standouts of the second half of the night.
The Bollywood-esque peformance went through half a dozen wardrobe changes without a hitch, in addition to props and set pieces, and above all it was entertaining as heck.
Rounding out the rest of the night were performances by EnCore (picture below), Outrage, and FunKtion again.