{"id":14348,"date":"2020-11-02T19:03:17","date_gmt":"2020-11-03T00:03:17","guid":{"rendered":"http:\/\/artsatmichigan.umich.edu\/ink\/?p=14348"},"modified":"2021-01-04T09:22:59","modified_gmt":"2021-01-04T14:22:59","slug":"what-is-song-structure","status":"publish","type":"post","link":"https:\/\/artsatmichigan.umich.edu\/ink\/2020\/11\/02\/what-is-song-structure\/","title":{"rendered":"What is Song Structure?"},"content":{"rendered":"<p>During quarantine this summer, I had the opportunity to attend a webinar put on by Seth Mosley and the rest of Full Circle Music&#8211;a famous Christian songwriter\/producer and his record label based out of Nashville, Tennessee. This was super exciting for me because though I&#8217;d been writing songs for many years, I had never put much thought into the standard way the music industry encourages artists to put together their music.<\/p>\n<figure id=\"attachment_14349\" class=\"thumbnail wp-caption alignnone\" style=\"width: 310px\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-14349 size-medium\" src=\"http:\/\/artsatmichigan.umich.edu\/ink\/wp-content\/uploads\/2020\/11\/UPDATED-IMG_0683-1200x800-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/artsatmichigan.umich.edu\/ink\/wp-content\/uploads\/2020\/11\/UPDATED-IMG_0683-1200x800-300x200.jpg 300w, https:\/\/artsatmichigan.umich.edu\/ink\/wp-content\/uploads\/2020\/11\/UPDATED-IMG_0683-1200x800-768x512.jpg 768w, https:\/\/artsatmichigan.umich.edu\/ink\/wp-content\/uploads\/2020\/11\/UPDATED-IMG_0683-1200x800-1024x683.jpg 1024w, https:\/\/artsatmichigan.umich.edu\/ink\/wp-content\/uploads\/2020\/11\/UPDATED-IMG_0683-1200x800.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption class=\"caption wp-caption-text\">Seth Mosley: Image from Centricity Publishing<\/figcaption><\/figure>\n<p>What I learned over the course of this webinar was that the music industry is a LOT more specific about what types of songs are produced than I thought they were. The rule-breaking singer\/songwriter jams I listen to on a daily basis are definitely not the norm. In fact, as Seth said a few times, many producers and labels won&#8217;t even give a song a chance if it doesn&#8217;t meet certain specific criteria.<\/p>\n<p>To help explain the most basic song structure, here is a rough draft of a piece I was working on last year. This particular song was about living far away from home. It applies to long-distance relationships, going to school out of state, or any other situation in which you are physically far from someone or some place which means a lot to you.<\/p>\n<p>Songs start with a verse&#8211;each verse follows a similar (if not identical) melody:<\/p>\n<p>Verse 1:<br \/>\n<em>Dreaming comes easy since I\u2019ve been gone<\/em><br \/>\n<em>I close my eyes and the lights all come on<\/em><br \/>\n<em>I see your face in the back of my mind<\/em><br \/>\n<em>When I close my eyes there\u2019s no doubt what I\u2019ll find<\/em><\/p>\n<p>Then comes the PreChorus. This is a short turn which builds to the chorus.<\/p>\n<p>PreChorus:<br \/>\n<em>It\u2019s hard as hell to wait<\/em><br \/>\n<em>Feeling the worst kind of pain<\/em><\/p>\n<p>Followed by the chorus: the refrain which will be repeated multiple times. It should be clear when this starts and ends. This is often the &#8216;catchy&#8217; part of the song.<\/p>\n<p>Chorus:<br \/>\n<em>Take hold of me<\/em><br \/>\n<em>And show me the distance<\/em><br \/>\n<em>From your porch to mine<\/em><br \/>\n<em>Make it seem small<\/em><br \/>\n<em>And save me the pity<\/em><br \/>\n<em>As you write me a letter<\/em><br \/>\n<em>Show me the distance<\/em><br \/>\n<em>Like its nothing at all \u00a0<\/em><\/p>\n<p>Verse 2 follows the same pattern as Verse 1:<br \/>\n<em>Making believe like you\u2019re just down the road<\/em><br \/>\n<em>A quick walk away if I want to go home<\/em><br \/>\n<em>Fooling myself into living a lie<\/em><br \/>\n<em>No it\u2019s not working, but I thought that I&#8217;d try<\/em><\/p>\n<p>PreChorus again&#8230;<br \/>\n<em>And It\u2019s hard as hell to wait<\/em><br \/>\n<em>Feeling the worst kind of pain<\/em><\/p>\n<p>Chorus:<br \/>\n<em>Take hold of me<\/em><br \/>\n<em>And show me the distance<\/em><br \/>\n<em>From your porch to mine<\/em><br \/>\n<em>Make it seem small<\/em><br \/>\n<em>And save me the pity<\/em><br \/>\n<em>As you write me a letter<\/em><br \/>\n<em>Show me the distance<\/em><br \/>\n<em>Like its nothing at all\u00a0<\/em><\/p>\n<p>Then comes the bridge: a short section of the song that differs from all the rest. This is often where a song in a major key will include a few minor chords, or where a quick-paced song will slow down for a few moments.<\/p>\n<p>Bridge:<br \/>\n<em>Oh the miles how they add up on the dashboard of my car<\/em><br \/>\n<em>One too many state lines to cross to where you are<\/em><\/p>\n<p>Then comes the Chorus again, but twice. The first is &#8216;down,&#8217; played with less oomph, and the second is &#8216;up:&#8217; the climax of the song.<\/p>\n<p>Chorus (X2)<br \/>\n<em>Take hold of me<\/em><br \/>\n<em>And show me the distance<\/em><br \/>\n<em>From your porch to mine<\/em><br \/>\n<em>Make it seem small<\/em><br \/>\n<em>And save me the pity<\/em><br \/>\n<em>As you write me a letter<\/em><br \/>\n<em>Show me the distance<\/em><br \/>\n<em>Like its nothing at all\u00a0<\/em><\/p>\n<p>Finally comes the outro. This sometimes includes lyrics and sometimes doesn&#8217;t. In the case of this song, the outro was strictly musical on my guitar.<\/p>\n<p>If this information was helpful for you, or if it piqued your interest, I recommend looking into more song structure information online!<\/p>\n<p>To hear more specifically from Grammy winner Seth Mosley, and to hear a bunch more of his personal songwriting tips, check out this video! This advice applies to most popular genres on the radio, not just Christian rock! (Also disclaimer: I am in no way affiliated with Seth, I simply have learned a lot from him &#x1f60a;)<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=g9-grJlZkt8\">https:\/\/www.youtube.com\/watch?v=g9-grJlZkt8<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During quarantine this summer, I had the opportunity to attend a webinar put on by Seth Mosley and the rest of Full Circle Music&#8211;a famous Christian songwriter\/producer and his record label based out of Nashville, Tennessee. This was super exciting for me because though I&#8217;d been writing songs for many years, I had never put [&hellip;]<\/p>\n","protected":false},"author":2227,"featured_media":14189,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/14348"}],"collection":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/users\/2227"}],"replies":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/comments?post=14348"}],"version-history":[{"count":1,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/14348\/revisions"}],"predecessor-version":[{"id":14350,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/14348\/revisions\/14350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/media\/14189"}],"wp:attachment":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/media?parent=14348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/categories?post=14348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/tags?post=14348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}