{"id":6894,"date":"2015-11-09T01:09:52","date_gmt":"2015-11-09T05:09:52","guid":{"rendered":"http:\/\/arts.umich.edu\/ink\/?p=6894"},"modified":"2015-11-09T01:09:52","modified_gmt":"2015-11-09T05:09:52","slug":"weekend-watch-funny-ha-ha","status":"publish","type":"post","link":"https:\/\/artsatmichigan.umich.edu\/ink\/2015\/11\/09\/weekend-watch-funny-ha-ha\/","title":{"rendered":"Weekend Watch &#8211; \u201cFunny Ha Ha\u201d"},"content":{"rendered":"<p>My first introduction to the \u2018mumblecore\u2019 movement, popularized by filmmakers like the Duplass brothers and Joe Swanberg, was Swanberg\u2019s \u201cDrinking Buddies.\u201d Wikipedia calls mumblecore \u201ca subgenre of independent film characterized by low budget production values and amateur actors, heavily focused on naturalistic dialogue.\u201d I\u2019ve always been intrigued by the genre, so I was excited to kick off the weekend by sitting back and watching \u201cFunny Ha Ha,\u201d the debut of writer-director Andrew Bujalski, the so-called \u201cGodfather of Mumblecore.\u201d<\/p>\n<p>I\u2019m very susceptible to the charms of mumblecore; based on the two Swanberg movies I\u2019ve seen, the other one being \u201cHappy Christmas,\u201d I\u2019m always instantly enchanted by the improvised dialogue and striking <em>realness<\/em> of the style, so much so that I\u2019m able to easily overlook the movies\u2019 flaws. Comments I read online about \u201cHappy Christmas\u201d criticized Anna Kendrick\u2019s <em>overly<\/em> improvised dialogue, the way she constantly stammered \u201cum\u201d as if the actress genuinely didn\u2019t know what to say, and others criticized the thinness of the plot. For me, these things worked fine. What can I say? The style just doesn\u2019t work for some people, and I can totally understand why. But these movies seem to be tailor-made for my tastes.<\/p>\n<p><a href=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-3.JPG\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-3.JPG\" alt=\"\" width=\"496\" height=\"332\" \/><\/a><\/p>\n<p>Still, I wasn\u2019t prepared for quite how low-budget, how awkward, how mumble-y \u201cFunny Ha Ha\u201d was. The film has been called the first mumblecore movie, and after only a couple minutes, I could see that that was true. The movie takes the \u2018rough around the edges\u2019 style of the genre and really abides by it. The sound design is, frankly, terrible; when characters off-camera speak to characters on-camera, their voices are very visibly coming from different directions, and dialogue during crowded scenes is difficult to make out. The camerawork, too, is so shoddy. The movie is shot on 16mm, and it benefits from the lush texture of film, but the whole thing looks like a student film. I was expecting low-budget indie movie, but I wasn\u2019t used to <em>this<\/em> low-budget.<\/p>\n<p>The first few minutes, I thought, <em>Oh god, this might actually be a terrible movie<\/em>. The technical shoddiness was hard to get past, and the acting was pretty bad in some spots. I mean, a lot of the awkwardness of the movie is intentional, but especially at the beginning, some of the line readings and expressions just looked too unnatural to even be real. One character in particular, a friend named Rachel, is just so uncomfortable to watch, especially because the camera hovers on her for a strangely long time. All her jokes are lame, and she kind of laughs as she tells them as if they should be funny, but I had no idea if I was supposed to laugh at her or if the actress was just really bad at delivering the jokes.<\/p>\n<p>After I sank in and got used to the style of the movie, though, I was able to go along with it. After half an hour or so, I thought, <em>Okay, I like this movie. It\u2019s clearly very early in the evolution of the movement, so it makes sense that it\u2019d be like this. But it has something to offer<\/em>. And then, by the time I reached the end, I adored it.<\/p>\n<p><a href=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-1.JPG\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-1.JPG\" alt=\"\" width=\"496\" height=\"313\" \/><\/a><\/p>\n<p>To begin with, the lead actress, Kate Dollenmayer, is really great as Marnie. Aside from a very minor role in one other Bujalski movie, this is her only credit as an actress, and she knocks it out of the park. There\u2019s nothing showy about it, nothing extremely dramatic. Everything is subtle, like the way her face changes when she\u2019s annoyed that her friend Mitchell (played by Bujalski himself) wants her to be so perky all the time. Even her physical look, though, is perfect for the part. Though she is thin and white, she doesn\u2019t have the conventional Hollywood beauty that people expect from a character like her. Still, you\u2019re inclined to believe Mitchell anyway when he assumes that 90% of the men she knows are in love with Marnie, because there\u2019s something so endearing about her. She\u2019s not babbly and \u2018adorkable\u2019 in the Anna Kendrick\/Jennifer Lawrence sense, or even in the Greta Gerwig sense (<em>Frances Ha<\/em> is one of the many movies that, technically speaking, has basically the same plot as this one). She\u2019s just kind of quiet, and when she gets angry she almost immediately feels bad for being angry and takes it back. She\u2019s so averse to confrontation because she just doesn\u2019t want to cause any trouble, and you can see her frustration when Alex confronts her on the phone about her feelings for him.<\/p>\n<p>There are so many minor characters that are great. Mitchell is one of the most awkward characters I\u2019ve ever seen in a movie, and you both feel bad for him and want him to just leave Marnie alone sometimes. Marnie\u2019s friend Dave has a funny bit about how people love sitting on his lap. And awkward, aloof Alex can be a pretty big asshole, but it\u2019s easy to get a sense for his chemistry with Marnie. The movie ends on a perfect note, with them as friends, but with Marnie refusing to play his games and fall for his charm anymore.<\/p>\n<p><a href=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-2.JPG\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/mmimageslarge.moviemail-online.co.uk\/19922_Funny-Ha-Ha-2.JPG\" alt=\"\" width=\"496\" height=\"307\" \/><\/a><\/p>\n<p>When it comes down to it, though, what made this movie so special to me, what made me sit there in silence for a few seconds afterward, is the sheer realness of it all. Anger is rendered as passive-aggression and quiet irritation rather than explosive rage. Sadness is silent observation and quiet utterances of \u201cfuck.\u201d Happiness is small smiles and wistful gazes and short little laughs. What interests me about these movies\u2014and what will keep me coming back to them, both in these Weekend Watches and long into the future\u2014is how it feels like I\u2019m sitting in on an intimate gathering of characters who are real people I could easily meet tomorrow. Sometimes, being able to recognize the humanity in a film is enough.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My first introduction to the \u2018mumblecore\u2019 movement, popularized by filmmakers like the Duplass brothers and Joe Swanberg, was Swanberg\u2019s \u201cDrinking Buddies.\u201d Wikipedia calls mumblecore \u201ca subgenre of independent film characterized by low budget production values and amateur actors, heavily focused on naturalistic dialogue.\u201d I\u2019ve always been intrigued by the genre, so I was excited to [&hellip;]<\/p>\n","protected":false},"author":2178,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/6894"}],"collection":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/users\/2178"}],"replies":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/comments?post=6894"}],"version-history":[{"count":2,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/6894\/revisions"}],"predecessor-version":[{"id":6896,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/6894\/revisions\/6896"}],"wp:attachment":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/media?parent=6894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/categories?post=6894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/tags?post=6894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}