{"id":7043,"date":"2015-12-07T03:04:07","date_gmt":"2015-12-07T07:04:07","guid":{"rendered":"http:\/\/arts.umich.edu\/ink\/?p=7043"},"modified":"2015-12-08T20:17:33","modified_gmt":"2015-12-09T00:17:33","slug":"weekend-watch-the-color-wheel","status":"publish","type":"post","link":"https:\/\/artsatmichigan.umich.edu\/ink\/2015\/12\/07\/weekend-watch-the-color-wheel\/","title":{"rendered":"Weekend Watch &#8211; \u201cThe Color Wheel\u201d"},"content":{"rendered":"<p>Movies don\u2019t really hit me very hard typically, which might sound weird coming from a person who adores movies. It\u2019s not that I don\u2019t feel emotions while watching them; I tear up pretty frequently when I\u2019m in the middle of a movie, or watching an emotional episode of a TV show. But usually, once a movie ends, it drifts from my mind. Even the movies that I love.<\/p>\n<p>It\u2019s only been half an hour since I watched \u201cThe Color Wheel,\u201d but the fact that I can\u2019t stop thinking about it is unusual. The last time I experienced it, in fact, was watching \u201cListen Up Philip,\u201d one of Alex Ross Perry\u2019s other two movies (I\u2019m not counting \u201cImpolex,\u201d which is relatively unseen, the one movie I\u2019m not super interested in watching of his). But as I stood up after \u201cThe Color Wheel\u201d ended, I felt like I was leaving my bedroom in a daze. I went downstairs and talked to my roommates, but whenever we were talking, there was this nagging in the back of my mind, this background rumination about the movie.<\/p>\n<p>It\u2019s really hard to ignore what happens at the end of \u201cThe Color Wheel.\u201d Really, really hard. Writing this shortly after it ended, it\u2019s pretty much the only thing I can think about. And, I mean, you can\u2019t really blame someone for that. It\u2019s an unusual ending, to say the least. But what\u2019s most brilliant about the ending is that it\u2019s <em>not<\/em> out of nowhere. The rest of the movie foreshadows it pretty heavily. I knew the twist beforehand, which is maybe why I picked up so much on the weird foreshadowing, but I don\u2019t think that really diminished from the effect (though I do wonder how I would\u2019ve reacted going into this cold).<\/p>\n<p><a href=\"http:\/\/media1.fdncms.com\/pittsburgh\/imager\/the-color-wheel\/u\/slideshow\/1542162\/film2_colorwheel_28.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/media1.fdncms.com\/pittsburgh\/imager\/the-color-wheel\/u\/slideshow\/1542162\/film2_colorwheel_28.jpg\" alt=\"\" width=\"600\" height=\"338\" \/><\/a><\/p>\n<p>Let\u2019s start at the beginning, though. Colin (Perry himself) and JR (co-writer Carlen Altman) play a brother and sister in a very stereotypical-sounding indie comedy plot. They don\u2019t get along very well, but Colin is the only one JR has left; she\u2019s failed in her professional life, neglecting to find a job in broadcasting, and she\u2019s failed in her personal life, breaking up with her pretentious professor boyfriend. So they have a fun sibling road trip where they bond and get over their differences.<\/p>\n<p>Summing up the plot (prior to the \u2018twist\u2019 at the end, at least) tells next to nothing about the movie, though, because it\u2019s so filtered through Alex Ross Perry\u2019s uniquely strange style. I don\u2019t even know how to describe it. It doesn\u2019t have the same weird narrator as \u201cListen Up Philip,\u201d but maybe it\u2019s the beautifully grainy black-and-white cinematography. Maybe it\u2019s the acting styles; Perry and Altman have kind of weird and unnatural line readings, and in any mainstream movie (like \u201cTrainwreck\u201d or something) it would come across as extremely stilted, but it just <em>works<\/em> here. And, like, it\u2019s not genuinely terrible acting; they each have some flat readings, but they\u2019re capable of doing really specific things well, like Altman\u2019s mumbling imitations of Colin that are so perfectly sisterly. And their dynamic is so genuine and recognizable that they\u2019re doing something right. Despite all of that, though, I\u2019m not sure what makes this feel so specifically like an Alex Ross Perry movie (and how I\u2019m able to conclude that after having only seen one of his). All I know is that he makes every other indie auteur seem unimaginative by comparison.<\/p>\n<p><a href=\"http:\/\/i0.wp.com\/freshfromthetheatre.com\/wp-content\/uploads\/2014\/11\/4162.original.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/i0.wp.com\/freshfromthetheatre.com\/wp-content\/uploads\/2014\/11\/4162.original.jpg\" alt=\"\" width=\"1920\" height=\"1080\" \/><\/a><\/p>\n<p>Having a really strong script also helps ameliorate the sketchy acting. I mean, I was laughing almost constantly, and this isn\u2019t the kind of movie that I would expect that from (though I laughed pretty consistently at \u201cListen Up Philip,\u201d too). The jokes often feel improvised, though the movie was 0% improvised; the dynamic between Perry and Altman is just so strong and the scenes have clearly been meticulously rehearsed, so everything feels natural, despite the unnatural delivery.<\/p>\n<p>I expect the polarizing aspect of the movie comes from that undeniably weird ending. It\u2019s no use hiding it any longer: the movie ends with Colin and JR, the biological brother and sister, having sex.<\/p>\n<p>I honestly didn\u2019t know how to feel while watching it. It was uncomfortable, and shocking, of course, especially the way the kiss\/sex itself is shot, with the camera extremely tight on their faces, so that\u2019s all you can see. You\u2019re forced to experience it with them.<\/p>\n<p><a href=\"http:\/\/dl9fvu4r30qs1.cloudfront.net\/92\/d814306f8a11e1bcc4123138165f92\/file\/THE%20COLOR%20WHEEL%20HQ%20STILL%202.jpeg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/dl9fvu4r30qs1.cloudfront.net\/92\/d814306f8a11e1bcc4123138165f92\/file\/THE%20COLOR%20WHEEL%20HQ%20STILL%202.jpeg\" alt=\"\" width=\"1773\" height=\"1000\" \/><\/a><\/p>\n<p>But it\u2019s also weirdly natural. There have been so many scenes of strange sexual tension throughout the movie, something that undoubtedly would\u2019ve puzzled me if I went in without knowing where it was all heading. There\u2019s the scene when Colin buttons up JR\u2019s shirt, mimicking \u201czip up my dress\u201d scenes from countless rom-coms. There\u2019s the fact that the motel owner makes them <em>kiss<\/em> to prove that they\u2019re not faking being brother and sister. There\u2019s JR walking in on Colin making out with his old childhood crush and freely interrupting it without apologizing or stepping out to leave them be. There\u2019s the overall dynamic of playful antagonism that fits with the brother-sister relationship but which also feels oddly at home in a budding romantic relationship.<\/p>\n<p>Even aside from the apparent sexual tension that has been simmering throughout the movie, though, there\u2019s the <em>emotional<\/em> weight of it. It feels genuinely cathartic, in a way, because each of them has discovered that the other is the only person who will truly understand them. I doubt that in real life JR would find <em>no one<\/em> who\u2019d actually be sympathetic to her lack of professional and personal success, but still, in the context of the movie, it\u2019s fair that JR would feel like Colin is the only one who\u2019s there for her.<\/p>\n<p><a href=\"http:\/\/themissingslate.com\/wp-content\/uploads\/2014\/04\/cw1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/themissingslate.com\/wp-content\/uploads\/2014\/04\/cw1.jpg\" alt=\"\" width=\"1360\" height=\"766\" \/><\/a><\/p>\n<p>To be honest, I wasn\u2019t grossed out by Colin and JR having sex. That\u2019s probably at least partly because incest is such an abstract concept for me, something that is so unusual and distanced from my reality that I can\u2019t even imagine it and comprehend the inherent creepiness of it. You know how sometimes the most disgusting, gratuitous violence doesn\u2019t have the most impact because it\u2019s so far from your reality, whereas seeing someone stub their toe or get a paper cut can immediately trigger a visceral reaction? That\u2019s kind of how I feel about incest.<\/p>\n<p>Watching two siblings having sex didn\u2019t gross me out, but that\u2019s also because of how the scene progresses. If, after the party, Colin and JR simply got a hotel room and immediately started kissing and stripping each other\u2019s clothes off, I\u2019d be pretty perplexed, because even though there was sexual tension throughout the film, it would just feel wrong there. The reason it works is because of that glorious single-take shot where they lie down on the couch and just talk. It\u2019s so natural. It\u2019s so well-written. And you can feel it building towards this inevitable conclusion, equal parts horrifying and beautiful. You can feel it when the camera gets closer, zeroing in on their faces, only briefly panning to show her hand resting near his. You can feel it as her story goes on too long\u2014her fantasy about Colin as a professor having a student with a crush on him drags out to almost ridiculous length, and it\u2019s clear there is something else going on here than a woman happily imagining her brother having a successful life. There\u2019s no way to describe the emotional impact of the scene without seeing it for yourself, but as I watched it, my heart started speeding up, then, oddly, it slowed down. The movie made me feel like this was how it was supposed to be.<\/p>\n<p><a href=\"https:\/\/x4ashes4ashes.files.wordpress.com\/2014\/08\/18.png?w=640&amp;h=358\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/x4ashes4ashes.files.wordpress.com\/2014\/08\/18.png?w=640&amp;h=358\" alt=\"\" width=\"640\" height=\"358\" \/><\/a><\/p>\n<p>Alex Ross Perry is the kind of writer-director who I absolutely love to find, because I can unconditionally say that I <em>adore<\/em> everything I\u2019ve seen from him. I\u2019ve only seen two movies, and he only has three notable movies overall, but just from those two, I think I\u2019ve found an artist whose work embodies all the cinematic traits that I love and challenges me to discover new ones. I\u2019m just glad he\u2019s only 31 years old. I hope I\u2019ll be watching him for years to come.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Movies don\u2019t really hit me very hard typically, which might sound weird coming from a person who adores movies. It\u2019s not that I don\u2019t feel emotions while watching them; I tear up pretty frequently when I\u2019m in the middle of a movie, or watching an emotional episode of a TV show. But usually, once a [&hellip;]<\/p>\n","protected":false},"author":2178,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/7043"}],"collection":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/users\/2178"}],"replies":[{"embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/comments?post=7043"}],"version-history":[{"count":3,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/7043\/revisions"}],"predecessor-version":[{"id":7070,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/posts\/7043\/revisions\/7070"}],"wp:attachment":[{"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/media?parent=7043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/categories?post=7043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsatmichigan.umich.edu\/ink\/wp-json\/wp\/v2\/tags?post=7043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}