November 30th -0001
Aaryan Shah, Wolveraas

This event is a school-wide Garba/Raas. A Garba is a traditional dance event, commemorating the 9-day festival of Navarātrī. It involves several people making concentric dance circles around a lamp/table and moving forward and backward with the music. Wolveraas celebrate Indian heritage at the Garba with fellow students performing their dance style in a more casual setting.

October 5th 2019
Semia Clay, Sister 2 Sister

Sister 2 Sister throws an annual ball to recognize and celebrate African-American excellence at the University of Michigan. This year, to honor the 20th anniversary, the gala was hosted at UMMA. The goal was to open the museum to members who would not normally experience it, the main focus being the exhibition “Pan-African Pulp: A Commision” by Meleko Mokgosi, a powerful exhibit examining the complexity of blackness and connects to a deep history of activism in Detroit. The evening also featured student performances and a spoken word exhibition.

October 5th 2019
Daniel Kumapayi, Images of Identities

Images of Identities provides free improv comedy shows on campus that create an opportunity to escape school life and relieve stress through laughter. They hosted an open mic open to poets, singers, dancers, comedians, or anyone who had something to share!

October 6th 2019
Karalyn Schubring, Front Porch

With "Our Place," Front Porch celebrated incredible composers from the University of Michigan's composition program with four world premieres by Douglas Hertz, Nina Shekhar, Corey Dundee, and Jung Yoon Wie alongside additional works from their ever-expanding repertoire. This concert was made possible thanks to a generous grant from the University of Michigan's Office of Diversity, Equity, and Inclusion and co-sponsored by the University of Michigan Museum of Art.

October 24th 2019
Noah Eisenberg, 3AM Productions

The musical DADDY LONG LEGS follows teen orphan Jerusha Abbott, who is spotted by a young benefactor, Jervis Smith. He sees her potential and anonymously pays for her to have a proper education, the only stipulation being that she write him a monthly letter of her progress, to which he will not reply. The two quickly become enamored with each other's mystery and intellect, and we take a hard hitting look at the motivations for generosity, finding the secret of happiness, early feminism, and the uses and lies that come with connection and knowledge. The set was made of a large number of books (resulting from a book drive), which were later donated to Kids Read 2 Kids and Reading is Fundamental. The performance occurred in the Duderstadt Video Studio, and featured a final filmed product as well.

November 7th 2019
Victoria Briones, Arts in Color

A World Beyond: Re-Imagining Activism Through Performance was a curated student choreography showcase featuring original works created by undergraduate dance majors. “The choreographic theme of the showcase is “World-Making: How Can We Create the World We Want to Live In?” World-making is a powerful technique commonly used in arts activism. It encourages both the artist and audience to imagine and hope for a better reality. We hope that we can expand the audience’s conceptions of dance performance. The performance will provide a platform for artists to explore their own relationship to social justice issues and - most importantly - their power to be agents of change.”

November 8th 2019
Rajeswari Balasubramaniam, SPICMACAY

UM SPICMACAY's fall concert this year was a Kathak presentation by Prashant Shah and troupe titled "Let It Be". Kathak is the Hindustani name for one of the eight major forms of Indian classical dance. Kathak dancers tell various stories through their hand movements and footwork, but most importantly through their facial expressions. ‘Let it be’ – is a collection of few short choreographies presented in both, traditional and contemporary Kathak forms. It is an effort to bring in these timeless flow of changes in traditional technique and presenting them in solo and group presentations emphasizing the balance of power and grace.

November 8th 2019
Kavyapranati Pratapa, Michigan Sahana

Sahana performers expressed the aura of the elements through their avenues of the Indian classical arts. The audience saw musicians create wind and dancers create fire; Hindustani and Carnatic music was presented, as well as Kathak, Bharatnatyam, and Kuchipudi dance styles. The show was free and open to all audiences.

November 9th 2019
Zoha Bharwani, independent project

Displace was a student-written, student-directed street theatre one-act that confronts the reality of police brutality in refugee camps through the eyes of two siblings residing at the re-populated camp in Calais, France towards the end of 2018. The audience was invited to sit on makeshift seats of cardboard and tarp to watch the action unfold all around them. They were invited to participate and change the course of the performance at several points. In this way, Displace not only tells the story of the migrants who have been displaced from their homes, but it also displaces the audience and forces them to confront their comfort and complacency. The performances took place at 8pm on November 7, 8, and 9 in the Newman Studio of the Walgreen Drama Center. The production was a collaborative effort between representatives from Arab Students Association, Muslim Students Association, Michigan in Color, Michigan Refugee Assistance Program, and the School of Music, Theatre, and Dance.

November 15th 2019
Harsh Jhaveri, Indian American Student Association

“Every year, the Indian American Student Association puts on a Cultural Show, featuring 10 different student planned and choreographed dances of various styles, showcasing the rich and multi-faceted nature of Indian American Culture. Various exhibition acts from other South Asian-aligned performance organizations on campus were invited in order to showcase the full range of artistic prowess in the South Asian community at Michigan. From classical North Indian styles such as Bhangra to South Indian styles such as Village to modern fusion dances, the event allows members to express themselves and their connection to Indian American culture and share this culture with everyone else.”

November 22nd 2019
Jordan Stanton, Michigan Electronic Music Collective (MEMCO)

This event was a 5-hour live DJ event hosted at Club Above, an Ann Arbor music venue. MEMCO collaborated with fellow on campus music orgs (Maize Collective and WCBN FM) to bring out a special guest, DJ Minx. Minx is an internationally acclaimed techno and house DJ hailing from Detroit. She played the first ever Detroit Electronic Music Festival (now called Movement), established female DJ label Women on Wax, and has gone on to play clubs and festivals around the world.

November 23rd 2019
Skylar Siben, Basement Arts

This project was a weekend of performances of Kenneth Lonergan's play "This Is Our Youth" produced and performed entirely by students under the leadership of student theatre group, Basement Arts. The play deals with forty-eight hours in the lives of three very lost young souls living on the Upper West Side at the dawn of the Reagan era.

December 10th 2019
Maria Velasquez-Lopez, Latinidad Magazine

Latinidad Magazine is an online and print magazine that serves as a platform for Latinx artists and writers to reclaim their voice and foster an accurate representation of the Latinx community at U-M. There are opportunities for contributors to submit their work monthly, these individuals may be from any and all communities at UM. The launch event was banquet rounds style where board members, artists, and community members are able to openly talk about their own experiences in regard to their identities and how art may influence it. There was an online issue of October’s theme chosen by the Art Committee members; who also have the opportunity to be speakers and share about their own involvement with Latinidad Magazine. The launch event aimed to re-introduce Latinidad magazine to the U-M community

December 11th 2019
Kellie Beck, Blank Space Workshop

Blank Space Workshop was a Fall 2019 recipient of a mini grant that funded a brand new program called Playwright in Residency! Emma Ashford, senior Musical Theatre major, was the inaugural playwright! A reading of her musical, "Heartbeats", performed in the Newman Studio Wednesday, December 11th to full audiences for both the 7:00 and 11:00 performance! Telling the story of a not so far away future where young women who attempt abortions are sent to prison "New Life Units", Heartbeats shadows one young woman, Ava, and her journey at the hands of the state.

December 20th 2019
Shira Baron, independent project

Alleycat is a short film that tells the story of two college-aged, black, male friends who stumble upon an assortment of old lingerie and other clothing left out by a neighbor in their alley. The clothing that they dig through challenges each boy to explore how masculinity, sexuality, and desire impact the way that they engage with their findings. The larger goal of the film was to invite viewers to enjoy an artistically composed short film, while opening the floor for dialogue about how sexual desire and race are often represented in pop culture.

January 11th 2020
Lindsey Smiles, What the F Magazine

The purpose of What The F Magazine is to provide Michigan students with a form of art and media that will give them a voice and treat them as intelligent individuals as opposed to shallow consumers; we seek to empower the female population of campus by offering factual information about their health and other issues they face. We promote healthy and happy lifestyles and allow women to share their stories and experiences. What The F gives all students the opportunity to publish their writing and artwork.

January 24th 2020
Sydney Prince, Basement Arts

"​Falsettos"​ brings together two installments of the trilogy by William Flinn, March of the Falsettos and Falsettoland to create a musical about love, family and loss through the lens of the 1980’s AIDS epidemic. Basement Arts brought together queer creators to put on a small, intimate performance.

February 2nd 2020
Pei Ying Goh, Malaysian Students' Association (MiMSA)

Malaysian Cultural Night (MCN) is organized annually to showcase the diversity of Malaysia. It brings Malaysian culture to life through stage acts, songs, dances, and foods. The 2020 MCN included a light-hearted play and traditional dances from different ethnic groups in Malaysia.

February 3rd 2020
Maryam Masood, Michigan Refugee Assistance Program

The Michigan Refugee Assistance Program collaborated with four other student organizations (The United Nations Children's Fund, the Yemeni Student Association, the National Arab American Medical Association, and the Arab Student Association) to host a bracelet-making event to raise money for the humanitarian crisis in Yemen. They opened the event by having a Yemenis collaborator speak from personal experience about the crisis, followed by a second educational brief on the topic. The remaining time was dedicated to bracelet-making while enjoying Middle Eastern pastries. These bracelets were made from red, white, and black beads - the color of the Yemeni flag - to symbolize solidarity and support for Yemen.

February 9th 2020
Thani Brant, independent project

The Color Cabaret is a biennial cabaret put on by the students of color in the Department of Musical Theatre. Students from a plethora of backgrounds and cultures come together for two nights to perform songs and dance numbers from the musical theatre canon, in celebration of the growing diversity in the department and in a push for greater diversity in the musical theatre industry. They hope to showcase the progress our industry has made so far in diversifying the stories we tell, while also calling attention to the stories they could give life to if given the opportunity.

February 14th 2020
Alyxandra Ciale, We the People Representing Our Unifying Diversity (PROUD) Polycultural Productions

Written and performed by Alyxandra Ciale Charfauros and Michael Yuchen Tong, WHAT WAS + MAY BE is based on Charfauros’ and Tong’s longstanding relationship as strangers, long-distance lovers, and creative partners. This multimedia performance explores the interwoven dimensions in which Ciale and Michael meet to defy and define human connection working within the fabric of our lives. It is an expression of love as a form of celebration and resistance.

February 14th 2020
Alyxandra Ciale, We the People Representing Our Unifying Diversity (PROUD) Polycultural Productions

Written and performed by Alyxandra Ciale Charfauros and Michael Yuchen Tong, WHAT WAS + MAY BE is based on Charfauros’ and Tong’s longstanding relationship as strangers, long-distance lovers, and creative partners. This multimedia performance explores the interwoven dimensions in which Ciale and Michael meet to defy and define human connection working within the fabric of our lives. It is an expression of love as a form of celebration and resistance.

February 16th 2020
Jordan Stanton, Michigan Electronic Music Collective

To accompany their annual black history month party, MEMCO hosted a 2-hour speaker event in accordance with the party to delve deeper into the party's themes of music, community, and DIY activism. Guest speakers included Stacey Hotwaxx (the local DJ and activist behind Sheometry Music Festival in Detroit), “Mad Mike” Banks (DJ and cofounder of Detroit’s notorious Underground Resistance group), and Ron Johnson (owner of Spin Inc).

February 22nd 2020
Rafaela Sabino Hasner, Bronze Elegance Fashion Show

Bronze Elegance Fashion Show brings together hundreds of students, parents and local residents to experience a show celebrating fashion, art, culture, and originality. The event begins with a pre-performance of local musicians and an exhibition of models (“living sculptures”) to showcase student art that promotes social consciousness. On the elegantly designed runway, models of diverse body types and ethnicities present unique designs through the lens of their own identities and artistic vision. The show is composed of several “scenes” inspired by the past Met Gala events, each of them with their own creative choreographies, themed designs, and performances, which include singers, dancers, and instrumentalists.

February 27th 2020
Yicong Sun, Thus Spoke Ann Arbor

“Hello Insanity,” originally a Chinese comedy movie from 2016, tells a story of a girl who is unaware of her own multiple personality disorder, how she gradually realizes she is the one who is ill, and how she finally overcomes her disorder and accepts herself.

March 28th 2020
Karla Wong, Uncover: A/PIA

Uncover: A/PIA is a student organization on campus that provides a platform for Asian & Pacific Islander Americans (A/PIA) individuals to tell their own story. Their mission is to promote connection and understanding while challenging stereotypes associated with the A/PIA identity by showcasing the diverse narratives. This project, the Annual Spring Video, deals with political engagement and voting throughout the A/PIA community.

April 17th 2020
Maite Iribarren, independent project

Referencing both the American Society of Civil Engineers’ Steel Construction Manual and the 1975 Cuban Family Code, which proclaimed the role of each family member in order to “fix” the family wherever it was “broken”, Iribarren mapped their family’s complex interpersonal relationships and translated them into a steel structure.

April 21st 2020
Seth Andrews, independent project

Drop Outs, an honors thesis project, is a student-created sitcom pilot episode about two queer college artists that decide to drop out and restart a forsaken theatre. It tackles themes including being queer in the Midwest, being an outsider in your hometown and loving it enough to stay anyway, and the role of art in making change.

November 7th 2020
Sasanka Mouli Neti, Spicmacay

Spicmacay at UM hosted a reputed Indian flautist who specializes in the bamboo flute. Mr. Raman Kallyan specializes in ragas that have the ability to manifest different emotions in listeners by re-aligning their body's chakras. Mr. Kalyan's performance was accompanied by a percussionist and a violinist.

February 1st 2021
Chieh Wen Chen, Thus Spoke Ann Arbor

Thus Spoke Ann Arbor, a student organization focused on Chinese art and live performance, put on a hybrid performance that was accompanied by a Chinese broadcast and mini movie.

February 20th 2021
Jenny Vu, Vietnamese Student Association

This is an entirely student-run show dedicated to portraying the Vietnamese-American narrative. DVN strives for participants and audience members to learn about the Vietnamese culture while also allowing members to dive deeper into their own cultural stories and narratives.

Emotional Creature

March 19th 2021
Levana Wang, independent project

Acting as director and working with FTVM students, Wang produced an adaptation of Emotional Creature, a play that follows different women and their journey to womanhood through a series of monologues. They put on this production with the goal of telling stories of marginalized communities and bringing attention to voices that are often left unheard.

March 20th 2021
Alexandra Lee, Basement Arts

This production of Slut: The Play by Kate Cappiello was filmed and streamed through YouTube. The stream was coupled with a post-show live talkback to address the portrayals of sexual violence in media. Panelists included experts from UM, the co-creator of the original production, and Dr. Ayshia Elizabeth Stephenson, an intimacy director, anti-racist advocate, and award-winning writer. This project was also a fundraiser for SAPAC and a local nonprofit that fights sexual violence, First Step.

March 25th 2021
Tahani Almujahid, Hikayat

Hikayat hosted writer and LGBTQ+ activist Zeyn Joukhadar in a reading and Q&A about his book, The Thirty Names of Night. They asked about Zeyn's personal experience as a living writer and being a trans person in Italy, as well as the LGBTQ+ experience within the Arab community.

March 30th 2021
Megan Mattichak, Korean Student Association

The Korean Student Association Culture Show is an annual not-for-profit event showcasing student organizations and performance groups promoting authentic Korean culture through traditional and modern art forms, including traditional and modern Korean dance, Korean drum performances, and Taekwondo.

Aurora: Painting Our Cultures Across the Night Sky

April 2nd 2021
Jaimie Ryou, Generation Asian Pacific American

In one of the largest pan-Asian cultural shows in the Midwest, GenAPA asks Asian or Pacific Islander-interest performing student organizations on campus to display the diversity and beauty of the AAPI community.

American Dreamin'

April 8th 2021
Meghan Chou, independent project

American Dreamin’ follows Grace, a first-generation Chinese-American investigative reporter dealing with her mother’s Alzheimer’s diagnosis and her own mental health struggles as she begins to investigate her family. As she does so, she tries to answer the question of what we owe our family. The thesis also captured an abstract understanding of Detroit to show how the setting is integral to the show itself.

April 10th 2021
Akshay Gopinathan, Michigan Sahana

Kala Sagara is a nationwide virtual conference that includes many student and professional performances and workshops to educate and expose others to Classical Indian Music and Dance.

April 29th 2021
Christian Kassab, independent project

HOME is a filmed cabaret show that showcases BIPOC students at The University of Michigan sharing what ‘home’ means to them. Through performative art, these students of various diverse backgrounds tell their stories of joy, faith, and sorrow as they navigate what it feels like to be home.

April 30th 2021
Milo Miller, independent project

In their senior BFA Directing thesis, Miller produced a performance of José Cruz González’s “The Highest Heaven,” which follows a young boy trying to find his family after the forced repatriation of Mexican Americans during the Great Depression. The story explores the fallibility of borders, the concept of home, the Great Depression, growing up, and the importance of Latinx-Black relationships.

October 28th 2021
Nina Scire, Arts in Color

Arts in Color hosts annual showcases that raise awareness for social issues and celebrate diversity. 2021's showcase, Close Is Never Close Enough, centers in on intersectional identities. The production team worked in collaboration with student choreographers and dancers to create a final show consisting of several original pieces to share with the community.

Two Mile Hollow: Senior Thesis

November 6th 2021
Samantha Estrella

Estrella's senior thesis was a production of Leah Nanako Winkler's Two Mile Hollow. She chose TMH as her thesis as it was one of the few available texts which met her standards as an Afro-Latina director: a comedic BIPOC piece written by a BIPOC playwright rooted in abundance versus trauma. This production was an opportunity for all involved to be creative and to work in an environment held by laughter.

November 20th 2021
Chieh-Wen Chen, Thus Spoke Ann Arbor

Thus Spoke Ann Arbor put on two productions titled Oppression and Saltimbank. Oppression revolves around the lives of a young man and woman trying to find their way as members of a new generation in a highly traditional world. Saltimbank's main characters are a couple who work in the circus, the circus dressing room serving as a lighthearted backdrop for their story of betrayal and conflict. Through these performances, TSAA works to tell stories of human emotion and the desire for freedom.

November 20th 2021
Chieh-Wen Chen, Thus Spoke Ann Arbor

Thus Spoke Ann Arbor put on two productions titled Oppression and Saltimbank. Oppression revolves around the lives of a young man and woman trying to find their way as members of a new generation in a highly traditional world. Saltimbank's main characters are a couple who work in the circus, the circus dressing room serving as a lighthearted backdrop for their story of betrayal and conflict. Through these performances, TSAA works to tell stories of human emotion and the desire for freedom.

Color Cabaret

February 24th 2022
Chloe Cuff

The Color Cabaret is a cabaret featuring music, dance, and spoken word to tell various narratives of students of color in the Department of Musical Theatre, celebrating BIPOC identities and exploring the intersectionalities of being a person of color with sexuality, gender, and multiracial identities. Students from a wide range of backgrounds and cultures came together for two nights to perform songs and dance numbers from the musical theatre in combination with original monologues.

Color Cabaret

February 24th 2022
Chloe Cuff

The Color Cabaret is a cabaret featuring music, dance, and spoken word to tell various narratives of students of color in the Department of Musical Theatre, celebrating BIPOC identities and exploring the intersectionalities of being a person of color with sexuality, gender, and multiracial identities. Students from a wide range of backgrounds and cultures came together for two nights to perform songs and dance numbers from the musical theatre in combination with original monologues.

Branch Out

March 1st 2022
Cortez Hill

Branch Out is a comedic-thriller written & directed by Andrew Otchere, produced by Cortez Hill, with collaboration by other amazing student artists at the University of Michigan. The story centers around what happens when three Black friends go to a house party at their predominately white college with hopes of expanding their social circle, but instead find themselves experiencing something very different.

Nyumba: African Students Association Culture Show

March 11th 2022
African Students Association

The African Students Association put on an exhibition of cultures from all over Africa, with performances from songs of various African languages to traditional dances. The show celebrated Africa's diversity, beauty, and influence on the rest of the world.

Next to Normal

March 25th 2022
We the People Representing Our Unifying Diversity

We the People Representing Our Unifying Diversity put on a production of "Next to Normal," a rock musical featuring the experience of a mentally struggling mother and the impact that her illness has on her family. Emphasizing the cultural context of the Asian family that the musical revolves around, We the People upheld a production process prioritizing Asian artists.

Chai and Chobi: Iraqi Culture Night

March 30th 2022
Iraqi Student Association

Chai refers to the traditional tea (or chai) that is served at Iraqi events or gatherings, and chobi is the name of the traditional dance performed at public events and weddings. The event was a way to celebrate Iraqi culture through the enjoyment of food, music, and dance.

April 1st 2022
Isis Joseph

Isis Joseph wrote and designed a book exploring the ways in which graphic design has been used in American history and Black identity. For Black Americans, throughout history, graphic design has contributed to death, healing, and resistance. Joseph's goal is that this book will provide context and history for graphic designers as they consider issues of race, racism, and the portrayal of Black identity in their work.

PWI

April 16th 2022
Shalini Roy

PWI is a short film. It's graduation night and Amara, Sanaa, and Kendra have the blues about what could have been and what never was. Spurred on by their friend, Leon, they cathartically express their feelings by singing about their experiences at a Predominantly White Institution as Black women. Some memories are good, some bad, and some just plain awkward, but the only constant through it all is their friendship, the hardest thing they have to say goodbye to.

October 7th 2022
Aaryan Shah, Wolveraas

This event is a school-wide Garba/Raas. A Garba is a traditional dance event, commemorating the 9-day festival of Navarātrī. It involves several people making concentric dance circles around a lamp/table and moving forward and backward with the music. Wolveraas celebrate Indian heritage at the Garba with fellow students performing their dance style in a more casual setting.

October 20th 2022
Raj Koorapaty, Empty Mug Records & Citizens’ Climate Lobby

Empty Mug collaborated with Citizens’ Climate Lobby to host a live concert on the Diag to raise donations and awareness for climate action initiatives. The event featured 3 acts consisting entirely of UM student musicians and included speeches from CCL members about the importance of climate action.

November 4th 2022
Abigail Gonzalez, Lambda Theta Alpha Latin Sorority, Inc.

The Día de Los Muertos Ball is an event with a focus on Latine culture, traditions, and customs. The event featured two speakers, one spoke about the theme which focuses on the victims of gun violence, especially school shootings with an emphasis on Uvalde. The second speaker discussed the traditions and history of Día de Los Muertos. Once the speakers had finished, there was a cultural performance put on by a local Mariachi band. Audience danced to Latin music, mingled, and learned about the culture by observing altars created by those in the community.

January 29th 2023
Shi Qi Lim, Malaysian Students Association

The Michigan Malaysian Student Association (MiMSA) hosted Malaysian Cultural Night (MCN) 2023 at the Lydia Mendelssohn Theatre, Michigan League. This event featured “Rojak”, a play centered around an interracial couple overcoming parental disapproval of their marriage through sharing and understanding of each other’s cultures.

Strangers Anthology

February 1st 2023
Timmy Thompson, SMTD

Strangers is an anthology of three short films created by students from the School of Music, Theatre & Dance and the School of Film, Television & Media. In these stories, themes of isolation, dating, superficial interactions, female autonomy and queer intimacy are explored.

February 5th 2023
Annie Huang, Chinese Student Association

University of Michigan’s Chinese Student Association celebrated the Chinese New Year of the Rabbit at their annual semi-formal, the Lunar Gala, with catered food and Chinese performances!

February 18th 2023
Reilly Buckley, The University of Michigan Men’s Glee Club

We created and exhibited a feature-length documentary film that depicts the University of Michigan Men’s Glee Club’s experiences with the choral piece "To Repair," as well as composer Tesfa Wondemagegnehu’s life changing trip that inspired it. In the Winter of 2022, the Men’s Glee Club began work on this new choral work, which is a reflection and reconciliation of America’s longstanding history of racial inequality and systemic injustices.

February 24th 2023
Cortez Hill, Impact Arts

Impact Arts produced a musical titled “Bubbly Black Girl Sheds Her Chameleon Skin,” written by Kirsten Childs. Bubbly Black Girl is a humorous and pointed coming-of-age musical that tells a story spanning from the sixties through the nineties, our bubbly Black protagonist, Viveca Stanton blithely sails through the confusing worlds of racism, sexism and Broadway showbiz until she’s forced to face the devastating effect self-denial has had on her life.

March 15th 2023
Mlaika Azhar, Dil Se

Dil Se (translation: “From the Heart”) is an organization centered on reducing stigma around mental health in the South Asian community. This year, we worked on a collective project by students around campus to highlight the themes of beauty and acceptance within the South Asian diaspora through a magazine. Our goal was to capture a diverse array of voices so that our magazine not only reflects the breadth of our themes, but also shine light on how these specific themes impact the various identities within the South Asian diaspora.

March 18th 2023
Ruby Clay, Arts in Color

The Arts in Color Showcase is an entirely student-led and student-run performance which highlights works choreographed and performed by dancers in the university community. Each year centers around a theme that is generally related to social justice activism. This year the theme we focused on is the notion of existing in our bodies versus being perceived in our bodies as it relates to self-authenticity, stereotypes, expectations, and intersectionality.

March 25th 2023
Sana Simkani, Persian Students Association

The Persian Student Association at the University of Michigan hosted their 23rd Annual Nowruz show “Simorgh” (سیمرغ): an evening filled with Persian culture, dance, music, poetry, and much more! In conjunction with the Woman, Life, Freedom revolution in Iran, the show is in support of fellow Iranians and will highlight Iranian voices through visual art and dance.

March 25th 2023
Zachary Kerholaus, Basement Arts

Horse Girls is a play about pre-teens: their obsessions, their insecurities and their desperate need to find a place in the world. The dark comedy addresses the manipulation and suppression of female identities, especially during the developmental stages of adolescence.

April 1st 2023
Eric Kumara, PERMIAS Indonesian Cultural Night

Indonesian Cultural Night is an annual tradition that presents a variety of Indonesian performances ranging from dramas inspired by local folk tales, Indonesian instrumental performances, and traditional dances from multiple parts of the country. Indonesian food was served during an intermission.

April 2nd 2023
Jack Rosenberg, In the Round

For our inaugural season, we produced three mainstage performances as well as aiming to hold many smaller performances with organizations at the University and businesses in the community. Each of these performances exists with the central focus of LGBTQIA+ voicing: Our productions aim to give our performers a chance to amplify queer stories and our audiences a chances to learn from them.

April 14th 2023
Sehrish Hussain, STAMPS

Impressions was an exhibition that showcased a series of collagraph and woodblock prints. Through the analysis of archival images, the artist explores their Muslim-American identity, changing internal representations of self, and family lineage across generations and geographies.

April 14th 2023
Elle Schwiderson

*Midwestern Last Name* Family Reunion is a multimedia stop-motion film utilizing both visual and performance art to explore how the creator’s relationship to family has changed over time in relation to how their gender identity has also changed in the form of a stop-motion animation film/performance.

April 15th 2023
Kristina Rogers, STAMPS

Dirt Considered is an exhibition that draws connections between soil degradation and histories of colonial violence. By decolonizing the audience's perspective on soils, Dirt Considered also highlights Indigenous knowledge and brings all people who are products of colonialism into conversation. This exhibition consisted mainly of a long (~30') quilted tablecloth with sewn text that unearths colonial violence. These soil samples were exhibited in a manner that subverts a traditional, colonial style museum, opting for a method of labeling that empowers dirt and the land it belongs to.

April 18th 2023
Rose Albayat

Rose Albayat's project is an integrated Film, Television, and Media honors thesis aimed at challenging the gender norms in early cinema through a creative remake of Georges Méliès’ 1905 film LES CARTES VIVANTES. The project involves a 3D model of Méliès' studio that she built based on surviving historical photographs, drawings, and published accounts. A 2D, 3D, praxinoscope, and a flip book version, all will be shot within the virtual model of Méliès' studio with an all-female cast. The project pays tribute to the many under-researched women who performed on screen and worked behind the scenes during the silent era.

April 18th 2023
Mohamed Khashafa, FTVM

Ya Satir is a short film about childhood best friends, Yasmeen and Tamara. They have an upcoming big debate competition with the reward of a large scholarship, and must work side by side to win. What Tamara doesn't know is that Yasmeen has a secret she's not quite ready to tell. Through laughter, tears and suspense, the film explores themes of friendship, girlhood, and coming of age. Ya Satir aims to represent a diverse cast in a way that is not oppressive nor degrading, but rather through light-hearted and uplifting stories.

not fast, not loud: musicking with a chronic illness

April 24th 2023
Karina Howey, SMTD

As a chronically-ill person, what Karina Howey can do looks different than the average able-bodied person and percussionist, and her time at Michigan has focused on exploring my percussive limits. Presently, she has a growing collection of pieces that she can perform, all of which are not fast and not loud. This music selection aims to make Howey's upcoming recital and subsequent album (with additional pieces) both a celebration of my newfound musical sphere and an opportunity for professional growth.