PREVIEW: IASA Cultural Show – Vistaara, an Eternal Progression

When: November 13, 2009 7pm

Where: Hill Auditorium

Tickets: $12, $16, $20 (plus a $2 service charge) sold at MUTO, which is in the basement of the Union. For the truly lazy or last minute people, tickets can be bought online at ticketmaster.com.

Vistaara, which means progression/development in Sanskrit, is the official name of the 2009 IASA cultural show. With “time” as the theme, this performance hopes to show ways the different styles of Indian dance and culture have evolved over time. Choreographed by 22 student choreographers, the program consists of 10 different dances:

Bollywood
Gypsy
Classical
Bhangra
All Girls Progression
Raas
Fashion Show
South Indian
Mens Tribal
Village

For a detailed description of the dances, see http://www.umiasatest.com/index.php?option=com_content&view=category&layout=blog&id=14&Itemid=142. With 250 performers and 4,000 people in the audience, the IASA cultural show is the largest student run cultural show in America. And all of the proceeds from the show will go to Pratham, a charity devoted to eliminating illiteracy and ensuring that poor children in India receive an education.

REVIEW: Keith Terry and the SLAMMIN All-Body Band

This unusual performance would be best described as a mixture of beatboxing, singing, stomping, and clapping, and I was quite intrigued by the different types of sounds produced by the hands and feet. Whistles, melodies, and rhythms floated from the world’s most common “instrument”—the human body. In my preview, I wrote “new form of art,” but since humans have been around far longer than any other created musical instruments, it’s safe to say that body music is one of the oldest forms of music and dance. Knowing that the violin sounds the closest to the human voice, I wonder what other instruments were created to replicate sounds made by the body.

To draw a connection between the body and musical instruments, there was an interesting diagram in the kid’s brochure which said “Your body = Drum set.” This unusual comparison drew a connection between a handclap and the high hat (similar to two cymbals), a chest strike and the highest rack tom (a drum), a thigh strike and the middle tom (another drum), and a foot stomp to the bass drum (biggest drum, you step on a lever to play it). Now I wonder if the drum set was created to amplify and prolong the amount of noise the human body can create…

While I enjoyed the performance and the improvisation, I don’t know that this is my type of art. The eclectic mix of sounds and rhythms caught my attention, but I wasn’t captivated the way I would normally be in an orchestra concert. Perhaps the little kids running up the aisles distracted me. But I did find myself smiling when the kids sang along and when prompted, enthusiastically called back to the singers. I found this performance to be mildly strange, but I enjoy watching different types of performances every once in a while.

REVIEW: Jamy Ian Swiss – Sleight of Hand: How Bodies Fool Minds

“Magicians are actors pretending to be magicians.” Jamy Swiss wowed the crowd and backed up his statement in a lecture through the Penny Stamps Distinguished Visitor Series. While I knew that the Art and Design students are required to attend these lectures, I didn’t realize that Michigan Theater would be packed. When I walked in, almost all the seats were full and I wished I had arrived earlier so I would be able to sit in the front and get a good view of the cards used in the illusions.

In addition to being good actors, magicians must be good storytellers. The card tricks would have been boring if Jamy Swiss had not told a funny story to go along with it. And oftentimes, the stories were used to guide our thinking—in the wrong direction! When breaking down one of the tricks, Jamy Swiss emphasized that he said, “Queen of clubs” three times to keep us thinking about that particular card. Good storytelling is the one of many methods used to deceive the audience.

Body language also affected perception of the illusion. The best example was the standard “disappearing coin trick,” the one where you think the coin is switched to the left hand, when it really just stayed in the right hand. In order to fool others, magicians (or sometimes grandpas!) use body language to send the message that the coin is in the left hand. By shifting his weight to the left and looking at his left hand, the magician sends an unspoken message to the audience that the coin is in the left hand.

Perhaps the best way for a magician to deceive the audience is…to lie! In one card trick, he pulled out a red 8 and black 6 and asked a volunteer to put them back into the deck. He then proceeded shuffle the deck, pull out a red 8 and black 6, and proclaim, “And here they are!” The catch: he pulled out the other red 8 and black 6. Essentially, he lied to us. With enough confidence, he was able to convince us that he told the truth. There was no “magic” in these tricks. He was just a good liar and a good actor!

I truly enjoyed the lecture; it was entertaining and interesting. Afterwards, I found myself walking back in silence though my friend was right next to me. I was trying to figure out how Jamy Swiss managed to fool us every single time even though he told us all the secrets!

PREVIEW: Keith Terry and the SLAMMIN All-Body Band

When: November 6, 2009 7pm
Where: Hill Auditorium
Tickets: $10 (may be purchased at the League, leftover tickets sold on the night of the show)

Musicians
Bryan Dyer, Vocals
Zoe Ellis, Vocals
Steve Hogan, Beatboxing
Keith Terry, Body Music
Kenny Washington, Vocals
Destani Wolf, Vocals

Dancers
Evie Ladin
Nuria Bowart
Namita Kapoor

Apparently, Keith Terry and his band will perform a concert using themselves as the instruments in a concept known as “body music.” Feet stamping, fingerpopping, and chest whomping are just a few of the different actions used to create a percussion noises in this dance-like show. The program will be announced by the artists from the stage – I’m curious to see what the names of the dances/pieces will be called! What do you all think about this new “form” of art?

PREVIEW: Jamy Ian Swiss – Sleight of Hand: How Bodies Fool Minds

A part of the Penny W. Stamps Distinguished Visitors Series

When: November 5th, 2009 5:10pm

Where: Michigan Theater (603 East Liberty Street, near Starbucks)

Tickets: there are none, the event is free!

Can optical illusions and sleight of hand be considered art? Jamy Swiss has quite the topic to discuss at this Penny Stamps Lecture. Hear what he has to say about the “real work of a magician,” how body language affects deception, and how psychology can be more important than speed. Stop by for an out of the ordinary lecture!

If you would like to read more about Jamy Swiss, here is a link to Penny Stamps Lecture Series Website: http://art-design.umich.edu/stamps/detail/jamy_ian_swiss

REVIEW: Halloween Concert 10/25

Halloween Concert – Costumes Galore!

University Symphony Orchestra and University Philharmonic Orchestra

Program:
March of the Little Goblins  —————————————— Adam Glaser
Overture to Die Fledermaus (The Bat) —————————– Johann Strauss, Jr.
Night on Bald Mountain ———————————————Modest Mussorgsky
The Fairy Garden from Mother Goose —————————-Maurice Ravel
Funeral March of the Marionettes ———————————Charles Gounod
Storm from Peter Grimes ——————————————- Benjamin Britten
Witches’ Sabbath from Symphonie Fantastique —————–Hector Berlioz
The Ride of the Valkyries ——————————————-Richard Wagner
Star Wars Medley—————————————————– John Williams

Wow – I never thought serious musicians would ever dress up in crazy costumes for a classical music concert! But when I walked into Hill Auditorium, the first thing I saw was the sea of bumblebees, angels, bunnies, and other, interesting yet occasionally unidentifiable costumes. Fully impressed, I thought back to my high school days when our conductor told us to dress up for the holiday concerts, and I was the only one in the violin section with reindeer antlers.

Before each piece, the conductor walked on staged and gave a little introduction to the piece through a comical skit which left the audience laughing. The conductor of “The Fairy Garden” frolicked and skipped on stage in an elaborate ballerina-like costume complete with a giant tutu and colorful leggings. My favorite was the “invisible” conductor for the “Witches’ Sabbath.” Creaky door sounds and footsteps sounds were played as the stage door opened and closed (no person passed through), but the most mysterious part was when the music, or rather, a giant piece of cardboard, on the stand flipped back and forth. This happened several time times during the piece and though I scrutinized every slight movement of the first row of musicians, I could not figure out who was moving the “music!”

All the pieces in this program were pretty short, living up to the advertised “fun for the entire family.” Maybe I’m used to long symphonies and concertos – I actually wished the pieces were a little longer, but the short concert is perfect for friends who may not be as interested in long classical pieces.

By far, the best part of the concert was the encore when the orchestra played the “Ghostbusters” theme song and the conductors danced on staged, especially since I knew one of the conductors from when I played in the Campus Symphony Orchestra!

At the end, one of the conductors asked the audience who had attended the concert last year. Many people raised their hands. Then he asked about the past 5 years. The past 10 years. And finally, the past 20 years – several people raised their hands! I loved the enthusiasm of the whole orchestra – they wanted to be there and they were excited to play for the audience. And we were all just as excited to watch the performance. 1 year down, 19 more to go!