REVIEW: Crushed Marigold

Crushed Marigold is a bountiful expression of love. That was the first thought that came to mind as I read the final words of this poetry chapbook. The warmth and power of Christiana Castillo’s words are radiant, inviting the reader into her story of healing, gratitude, and celebration of roots. 

Castillo is part of one of my most treasured U-M communities: my cohort of future educators. Born in Brazil and currently based out of the Detroit area, she is a Latina/Chicana poet, teaching artist, and gardener. Her contributions to class discussions are always eloquent and meaningful, so when I heard she was publishing a collection of poetry, I knew I would be excited to read it.

The words, both in English and in Spanish, spill onto the page in different shapes and decorate the page with text. When read aloud, these shapes of text create rhythms that change from page to page, rhythms that help tell the stories of each poem. Additionally, the colorful illustrations reinforce the imagery of Castillo’s poetry. Karla Rosas’s whimsical and expressive strokes perfectly capture the imagery and character of each poem. 

Throughout the chapbook, the repetition of “mija” emphasizes a love for community, for family, for tradition, and for brown girls. This love is further sustained by a sense of intergenerational connection that feels deeply sacred and deeply feminine. Many poems in the collection are told through the voice of the Castillo’s grandmother. “Life is buzzing within you mija, / you can transform your hands to carry rain drops. / You can remove withered leaves and make room for new life” (26). These words create vivid images of the beauty of nature and the beauty of self. 

Here, we see that themes of connectedness and femininity extend not only to family and community, but also to the earth. Crushed Marigold urges readers to notice the nature around them that embraces and blesses them every day. Poetry that emphasizes gratitude gives me a feeling of wholeness and grounding, and Castillo’s words do just that.

While moments in the collection serve as poignant reminders of displacement, loss, and oppression, resilience is woven into each page. One of the ways that Crushed Marigold seeks to cultivate this sacred resilience is through self-love, as depicted in the comparison of the female body to a shrine. Here, we see the body connected to history and holiness. This empowering, metaphorical image asserts that one’s heart and body are worthy of abundant respect and love.   

As a whole, Crushed Marigold is a blessing, it is community, it is resistance to colonization, and it harbors an immense love for womxn--especially for brown girls. 

Crushed Marigold is available for purchase: www.flowerflowerpress.press/shop/crushed-marigold

Read about the poet: www.christianacastillo.com/

REVIEW: The Boys, Season 2

The Boys is a fascinating series that flips the superhero film industry on its head. If you’re a fan of Marvel’s witty humor and exciting plotlines but are ready for a radical shake-up, The Boys is for you. In an action-filled and suspenseful season, The Boys exposes the distrust and capitalism in our media institutions and questions the very basis of how we define a “hero.” 

The Boys begins like any other superhero story: Superheroes are real, they protect the people, they act for the good of society, blah blah blah. Very soon, however, we learn that instead of being “freelance” superheroes, most well-known and respected superheroes are managed by a company. From here, viewers are brought on a twisted journey of political satire, ludicrous violence, and emotional complexity. 

If Season 1 touches on the ills of society, Season 2 dives into them. It shows us how gruesome stories are strategically perverted into heartwarming publicity stunts. These disturbing events feel morally awkward, and moreover, they prompt me to think about the trust we afford big business and mainstream news outlets. What remains unseen? 

How many episodes does 'The Boys' season 2 have? Read all details

Season 2 also asks us to consider the hidden ways that our institutions and public figures uphold racial hierarchies. Some of the portrayals of racism in The Boys unfold slowly and subtly , suggesting that white supremacy has not disappeared, but rather has cryptically evolved into less transparent forms. Season 1, and especially Season 2, encourage viewers to take a critical approach to how we interpret information, and furthermore, to how we evaluate forces in society that perpetuate racist ideals without using explicitly racist language. 

The Boys takes place in a made-up world, but it mirrors our own in ways that feel eerily on point. We don’t have superheroes, but we do have public heroes that we view as emblems of morality. The Boys asks us to consider the validity of our public hero worship; especially when corruption, profit-seeking, and racism often remain behind closed doors and out of the public eye. 

Just when you think you’ve figured something out, a new secret is revealed and the plot takes an unexpected turn. This pattern of last-minute plot twists made me contemplate how we think of absolutes. Think about the stories you grew up hearing as a kid: there are heroes and there are enemies. We romanticize heroes and we condemn enemies. But are they really binaries? The Boys blurs these lines, and by doing so, perhaps brings us closer to reality.

Amazon Prime's new superhero show The Boys leaves viewers shocked with full frontal flashing and 'weird' sex scenes

All seasons of The Boys are available on Amazon Prime. I would recommend watching Season 1 before starting Season 2, as many of the characters’ backstories develop intricately before the start of the new season. Fair warning, Season 2 ends on a wild cliffhanger, so it’s looking like a Season 3 might be coming soon.

Content warning: The Boys includes graphic violence, refers to (but does not explicitly show) rape, and includes strong language.

REVIEW: Nectar

From “Harlem Shake” originator and YouTube star to R&B and lo-fi singer-songwriter, Joji’s entertainment journey has been anything but predictable. Now, with the release of his sophomore studio album, Joji demonstrates that he is certainly not finished evolving and growing as a music artist. Nectar’s soulful, floating sound encompasses expressions of longing, heartache, joy, and distress.

“Ew” opens the album with a melancholy tone that seeps into every subsequent track. This track speaks directly to a former lover, and its self-deprecating lyrics contribute to the heavy feeling of heartbreak. Its soft falsetto later gives way to an intensifying instrumental section, and as the strings and piano swell, their harmonies become ominous and unsettling.

“Sanctuary” feels more hopeful and less despondent than many of the other tracks. In an album where much of the vocal performance is in a high falsetto, the lines “Not anyone, you’re the one / More than fun, you’re the Sanctuary” stand out. Joji sings these lines in a lower register with a rich vibrato. This temporary shift in vocal delivery makes these lines sound distinctly warm and loving.

The album does feature some more upbeat, lighthearted sounds, like in “Daylight,” “Tick-Tock,” and “Gimme Love.” Yet, amidst these cheerful beats, pensive and melancholy lyrics complicate their meanings. “Gimme Love” begins with a catchy, poppy sound, but the first verse reveals a sense of woundedness. Joji sings of vivid memories that are now hurting him, preventing him from healing and moving on. About halfway through the track, the beat abruptly shifts to a slow, dreamy sound that reflects the desperate tone of the lyrics. Joji paces his delivery of the last line of the song, with each word ascending higher and higher until the last word gets wrapped up in a musical crescendo. This last line, “But I can’t let you go,” feels like a candid confession.

Joji also features other artists on the album, such as Omar Apollo, Lil Yachty, and BENEE. “Afterthought,” the collaboration with BENEE, brings in more narrative storytelling than is present in other tracks. The verses reflect on moments of tension in a past relationship while the chorus recalls the joy associated with that lover. The lines “So lost in these diamonds / So lost in this paradise” speak to the beautiful memories, but they are immediately followed by the line “Don’t speed on that highway.” Perhaps it is cautionary. Joji may want to relive memories to be reminded of what blissful love feels like; but sometimes remembering how happy you used to be just intensifies how lonely you feel now.

Joji brings the album to a close with a powerful ballad. In the second to last track, “Like You Do,” Joji’s full vocals are offset by intermittent, unsettling instrumental harmonies that reinforce the desperation that comes through the lyrics.

Nectar has been critiqued for some inconsistency in instrumentals, as well as a lack of complexity in the latter part of the album. Despite this commentary, however, I think most of the songs carry a valuable genuineness that feels incredibly comforting. Joji sadness, interspersed with tainted sunny memories, serves as a reminder that heartache can feel inescapable and draining. But everyone goes through that sometimes. Nectar reassures us that these feelings are human.