The noted French pianist, Jean-Yves Thibaudet will be playing at the Hill Auditorium on Dec 12th, saturday @ 8 pm. Mr.Thibaudet is very talented and has earned quite a reputation for himself, both as a soloist as well as a performer at a symphony orchestra. He is known for his unique interpretation and his superb mastery of the piano. He studied with Aldo Ciccolini who was an ardent advocate for the piano music of French composers Maurice Ravel, Claude Debussy and Erik Satie (courtesy Wiki). So we will be getting a taste of Ravel’s music.
The program for the evening includes two solo piano compositions by Ravel and a Brahms sonata.
Now, Ravel, a famous impressionist music composer, is known for his intricate and chiseled compositions that are so precisely arranged. The first of Ravel’s works for the evening is “Pavane pour une infante défunte (“Pavane for a dead princess”). This slow piece is daunting and will test any pianist’s skills. It will be interesting to see how Mr.Thibaudet executes this!
The second Ravel piece is “Miroirs” (Reflections). This is such an interesting ( and apparently very difficult) composition. There are five movements in the suite and each piece is intended to make us visualise a reflection when a certain person looked into the mirror (hence “reflections”). Ravel dedicated each of the movements to five people he knew. What an interesting poetic approach to music! I am looking forward to listening to Mr.Thibaudet’s version.
Then we have Brahms’ Sonata No. 3 in F minor, another challenging work that requires a lot of skill. Brahms often found himself in the shadow of Beethoven and this sonata, celebrates Brahms’ love for Beethoven as we can hear the motif from Beethoven’s Fifth Symphony (Yipppeeeeeeeee…one of my favorites!) .
Tickets are available at the Michigan League Office or at the Box Office before the performance.
I could do with some end-of-semester stress-busting and listen to some good piano music (even if it means braving howling winds and the treacherous black ice). What about you?
Krithika, [art]seen reviewer
Krithika is now listening to Strauss’s “The Blue Danube Waltz”
‘Macbeth’ is Shakespeare’s most intriguing and bloody tragedies ever. It has all the elements for a perfect thriller. We have sinister witches with their equivocal prophecies, a power- hungry wife who eggs her husband on to get a crown that doesn’t rightfully belong to him, a war-hardened man who kills his way to the throne, visits from ghosts, lots of bloodshed (like in Tarantino’s “Inglorious basterds’- this one’s not for the queasy too!), cunning plots and then of course, the tragic and dramatic climax. Though it was Shakespeare’s shortest tragedy, it was one that left the readers/viewers with shudders. No one can forget Lady Macbeth sleepwalking and lamenting thus- “Here’s the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!”
The U of M production of ‘Macbeth’ by the Department of Theatre & Drama and directed by Philip Kerr, is set in a military hospital during the early 20th century. ‘Macbeth’ is about the erosion of the soul by guilt and how one’s deeds will catch up with them eventually. War also ravages the soul quite a bit, often leaving everybody involved with a question as to its point (if not convinced, see “Saving Private Ryan”, my personal favorite among war movies) . All things are fair in love and war – and in politics and in gaining power! So it will be extremely interesting to see how Philip Kerr’s production is staged and how they portray the story as this play has so much of potential for the actors to really bring out their talents.
They say that Shakespeare had used real witch spells and that “the Bard’s play” brings bad luck to actors and the theatres, so much so that actors and other theatre people often consider it bad luck to mention Macbeth by name while inside a theatre. So people, don’t mention “Macbeth” inside th Power Center and bring a horseshoe for some extra good luck, ok?
Show times:
Dec 10th @ 7.30 pm; Dec 11th & 12th @ 8 pm; Dec 13th @ 2 pm- Power Center
Tickets @ the Michigan League Ticket Office (Students $9)
Yours truly,
Krithika for [art]seen
P.S. Hmmm… did the weather in Ann Arbor get so bad because ‘Macbeth’ is playing and there was “Double, double toil and trouble;fire burn and cauldron bubble”?
Patti LuPone’s “Coulda, Shoulda, Woulda” at the Hill Auditorium on Nov 20, 09
The one and only Patti LuPone
You gotta love a woman who starts a show with “Go Blue” and “Buckeyes suck”. To those of you who don’t know Patti Lupone (come on now, really? 😉 ), she’s one of the divas of Broadway whom you just gotta see. If you love musicals, then you would have definitely come across her.
The list of her awards- including Tonys, Best Actress in a Musical, etc. – is almost as long as her list of stage credits. She is one of the most illustrious stars of Broadway. Her critically acclaimed roles include Evita (she was the original Evita!), Sweeney Todd, “Fantine” in Les Miserables, Rose in Gypsy, just to name a wee few.
Patti LuPone was in town yesterday for her one-woman show “Coulda, Shoulda, Woulda”. This show is about the roles and songs that she could have, should have and would have done “had she been asked or had she been around or had she been a guy” (I faithfully quote her). She also delighted us with the roles she did play (oh yeah, she has had a great run).
Now, in concerts, the relationship between an audience and the artist is so different. Some artists are so god-like (and hence so cool and aloof) that the listeners, with a mingled feeling of respect and awe, sit up straight in their chairs, afraid to shift their bulk around. You can compare this to watching Zeus in heaven use his thunderbolts or the Berliner Philharmoniker perform, for instance.
Some other artists are so down-to-earth and warm that you feel as if you have been invited to a party in the artist’s very own living room and you kick off your shoes and swing your legs up on the chair in front of you. This would be like going to a party that playful musically-gifted Hermes throws or watching Patti (see, she made us feel so at home that I feel like I have known her for a really long time and I want to call her by her first name instead of the socially appropriate Ms. LuPone) perform.
Now about the show.
There was only Ms. Lupone’s magnificent brassy (and unique) voice and Mr. i-never-miss-a-beat-or-tune Joseph Thalken’ s piano sounds on stage.
Mr. Thalken
Ms. Lupone, started off with a lovely opening melody followed by “An English Teacher” from “Bye, Bye, Birdie”. She then regaled us with tales about her own career in between the songs. She was just so hilarious that you gotta see it. There was never a dull moment to the show. Her choice of songs was great and that is very important for any artist. Had Patti played those roles, she would have definitely owned these too. Throughout her show that night, you could see the stamina, the mannerisms and the unmatchable multi-tasking ability of a true Broadway actress. Only an actress from Broadway can sing, act, pose, mimic, dance and look fabulous while doing it all.
Here’s a list of songs that she performed and my comments about them. I wish they had posted the list in the program notes. But then again, it would have ruined the surprise. I am giving this list as I want people to go check these out. They are the perfect songs for a gloomy winter day (sigh, we will be having so many of those soon).
An English Teacher- Bye Bye Birdie (hilarious!)
A Wonderful Guy- South Pacific
Don’t rain on my parade- Barbra Streisand (Oh, this was so power-packed and she rocked this song)
Easy to be hard- Hair (the high notes she hit in these were just mind-blowing)
Everything’s coming up Roses- Gypsy
She won a Tony award for her performance in this musical. You will know why when you listen to her.
You mustn’t be discouraged- Fade out Fade in (my second favorite)
This was her audition song for Juilliard. This song is set in one of those make-you-feel-good tunes…until you hear the lyrics.
“When you think you’ve hit the bottom
And you’re feeling mighty low,
You mustn’t feel discouraged –
There’s always one step further down you can go.”
The song only gets better and everybody was cracking up and I was laughing so hard that I almost fell off my seat (the guy sitting next to me didn’t notice as he was busy guffawing too).
Meadowlark- The Baker’s Wife
A boy Like that/ I have a love- West side story
Oh, this was so good- like eating fresh Creme Brulee at La Dolce Vita (hey, i just LOVE their desserts and am not advertising for them, ok).
A quiet thing- Flora the Red Menace (Originally sung by Liza Minelli)
Never Never Land- Peter Pan
This song is from the 1960 production of J.M. Barrie’s Peter Pan, with Mary Martin as Peter. Aww…this was so good. I would love to be in a place where time is never planned. Wouldn’t we all?
Don’t Cry for me Argentina- Evita
My first favorite. This was so awesome. This is “her” song and she owns it. It doesn’t get better than this. You could see her transform into Evita (or Evita as we know her from musicals) almost instantly. The humor was gone and was replaced with the pleading in her voice that also conveyed power and charisma. I had to see it to believe it. This alone was worth going to the show.
Oh what a beautiful morning- Frank Sinatra (It was definitely a very beautiful evening for me.)
You just gotta listen to this song. Patti never missed a beat and it just suited her voice so well. She just fired all her guns and sang it at a faster pace than Robert Preston. I love Patti’s version better now. Wish she would release a recording of that. Sigh! Patti, are you listening?
How to handle a woman- King Arthur’s lament from Camelot
This “duet” was awesome. Mr.Thalken did the background vocals while flipping the pages of the sheet music while continuing his smooth playing of course. I just love it when a person multi-tasks. 🙂
As long as he needs me- Oliver!
She then did a Sondheim Set. What a great composer Stephen Sondheim is!
I never do anything twice (the Madam’s song)– from the film The Seven-per-cent solution
Anyone can whistle-Anyone can whistle
As per the lyrics: “What’s hard is simple. What’s natural comes hard. ” What ??? I think will have to see the original musical to understand.
Send in the clowns– A Little Night Music
My Way- Frank Sinatra (loved this). With this perfectly apt song, Patti ended the absolutely beautiful evening.
Did you think that we let her go so easily? We begged for more. She sang Sondheim’s “Ladies who lunch” from the musical “Company”, Kurt Wiell’s “September Song” and a classic Sinatra “The way you look tonight” (she sang this without the mike and it was just so beautiful).
We were greedy and still wouldn’t let her go. The evening ended with the entire audience standing and Patti singing Sinatra’s “A 100 years from today” sans the piano and sans the microphone. The air was electrifying and there was complete silence except for Patti’s golden voice. The scene is still etched in my mind and that I feel is what every artist strives for- the undying adoration of a devout audience.
Still enchanted, Krithika, for [art]seen
Krithika is learning to whistle and if you hear sounds like the squeak of a trapped mouse or a horribly out-of-tune piccolo on campus, just ignore.
Disclaimer: If I have left out any song from the night’s performance or cited the wrong song, do lemme know. Folks, I am striving to be politically correct here, ok. 😉
Sometimes, all the good stuff come at the same time. This week is one such week where there are just so many great events to choose from. One great event is the “Collapsing Borders—Einstürzende Grenzen” on Fri, Nov 20, 2009 between 6-8.30 pm.
nospectacle is based right here in Detroit. The group is made up of Christopher McNamara (who teaches at the U of M’s Dept of Screen arts and Cultures), Jennifer A. Paull, and Walter Wasacz and is an electronic music, video and DJ project.They play mostly McNamara’s original compositions.They performed a set of music to Andy Warhol’s multimedia experience at the Cranbrook Art Museum.Here’s a link on youtube.
Both the artists are known for melding sound, art and visuals. As per the program flyer, “The point of focus is to show how art and entertainment technologies play a crucial role in transcending political, cultural, and psychological borders.”
This free event is followed by an after-party, 9 p.m. – 2 a.m. at Sava’s (in the space once occupied by Zanzibar), 216 S. State St., Ann Arbor. Called Sonic Subliminal, the dance-friendly event features DJ sets by Guentner, nospectacle and Forest Juziuk of Dark Matter. $5 for the party.
Hmm…electronic music and a dance party on a friday night after a hectic week full of studying appeals to me immensely. You ready to party too?
It is a pleasure to be in Ann Arbor (thank you,UMS) which enjoys such exclusivity that it is often a stop along with the “other music capitals” on the tours that the best and the brilliant artists make. The pleasure turned into pure bliss when the Berliner Philharmoniker was in town yesterday.
Berliner Philharmoniker at the Hill auditorium
The Berliner Philharmoniker, one of the oldest as well as the best orchestras of today, is currently on a coast-to-coast seven-stop U.S. Tour. In September 2009, the orchestra released a recording of Brahms Symphonies (four in total), conducted by Sir Simon Rattle. Hence on the U.S. tour, these symphonies play the centrepiece of their concerts along with Brahms’ other compositions and Schoenberg’s (an ardent lover of Brahms) creations too.
Sir Simon Rattle conducts with such precision and clarity (probably as was an orchestral percussionist himself) that even the listener will attune his emotions to the conductor’s movements (or so I felt). A far-sighted visionary with big plans for the Berliner Philharmoniker, Sir Rattle is one of the main supporters of the Digital Concert Hall (I love this concept, check it out).
Sir Simon Rattle
Now back to the performance.
Brahms’ Symphony # 3: the first piece of the evening
This symphony, in F Major is such a beautiful piece. First, a little on the structure of the symphony. The first movement ( in the tempo allegro con brio) starts very vigorously with a three note opening, the energy of which startles the listener, making him sit up straight and pay attention. There is a brief lull where the strings play an expressive melody and the opening theme comes back with full vigor. The notes go back and forth between the major and the minor modes. The theme is recurrent and there is a sense of foreboding and urgency.
The second movement is a slow one with a recurring theme, almost conversational, I feel. The horns,bassoons and the strings seem to be having a dialogue. There are many variations of the theme and it borders on being sad in a restful quiet way.
The third movement is faster and more melodious. I LOVED this the best. There is a mode change and the theme is briefly optimistic before returning to a sad melody.
The final fourth movement starts in hushed tones. But then suddenly, you hear the theme from the second movement, with the dynamics completely different this time, played in a loud confident manner. The ending is soft and inconclusive.
In this symphony, there isn’t much percussion. But then the staccatos and the abrupt note changes of the strings almost keep a rhythm going. There are so many layers of emotions to this symphony that it is unbelievable.
My interpretation of symphony No.3
As I was listening to the symphony, I could imagine a story unfolding. The first movement starts with news of the war (the brisk energy). There is panic and the womenfolk mumble softly among themselves (the strings). Then the Prince leaves along with the warriors (the resounding ending).
The second movement is about the conversations of the womenfolk left behind. The Princess and her friends talk among themselves about their men. There is talk of separation( the quiet melancholic tone) and of pride in the Prince’s valor ( the buoyant tone, especially of the horn). I also “saw” the mixing of the sad and buoyant tones this way- “Someone was about to burst into tears but then they changed their mind as if they suddenly remembered something to be happy about.”
As for the third movement, news from the battlefield returns and the town is mourning for the lost Prince, also feared to be dead (the almost sad theme). There are some rumors that he might be alive (the minor-to-major mode change). But then that is not so and the princess mourns along with her subjects (the main melody played by the horn and taken by the string section).
In the finale, they are still mourning (hushed voices). There is more sadness (theme from the second movement). There is finally good news that the Prince has returned triumphant and all rejoice (the resounding trumpets and the entire orchestra). The princess tells the Prince about what she went through (the second movement theme again) and there is a quiet and thankful rejoicing (the first movement theme returns). It all ends with all wondering if there would be another war (the mysterious ending).
Back to the performance
Moving on to the performance of the Berlin Philharmonic in particular, their rendition of Symphony #3 was out of the ordinary. I was seated in the second row and I could see the players so close. They were completely one with the music (some were playing it by heart) and I felt that the beauty of Brahms’ work shone through purely because of the conductor’s and the musicians’ interpretation. In this symphony, the horn, bassoon and the contrabassoon hold such a key part and the players were absolutely brilliant. The string section was of course amazing too.
Arnold Schoenberg’s “Begleitmusik zu einer Lichtspielszene”
After a 20 minute intermission, the orchestra treated us to one of Schoenberg’s works.
Arnold Schoenberg
Titled “Begleitmusik zu einer Lichtspielszene” (music to accompany a film scene, this was so different. It is a perfect example of Schoenberg’s 12-tone system and it was disturbing. It had three sections- danger, fear and catastrophe. The first thing that came to mind was that it was perfect background music for a classic Hitchcock movie, especially “Birds”.
Hitchcock's "Birds"
Brahms’ Symphony No.4
Next, the orchestra performed symphony #4 in E Minor. This was Brahms’ final symphony and is considered one of his most celebrated works.
To me, the first movement was the many bests of the evening. There are two themes (rhythmic and lyrical) to this one that keep entwining about one other, one soft and the other energetic and the final coda is an explosive outburst that brings the two themes together. I absolutely loved the soft melody of the strings and the exuberant end of this movement. The second movement also has a similar thing going on.
The third movement, the only real scherzo of Brahms’s symphonies, is so energetic and triumphant.The clarity and sharpness given by the timpanist as well as violins was so clear here.
The fourth movement is like a roller coaster ride- with a initial bass theme followed by one of the most beautiful violin melodies and then a resounding crescendo. Then the tempo slows down and there is a flute solo followed by other solos while the violins are softly playing in the background. In the end, we hear the turbulent opening theme of the finale again and there is a somewhat sad ending that leaves you wanting for more.
And we wanted more too as we pleaded in vain with Sir Rattle for an encore. Alas, we didn’t get an encore and while I believe in moderation- in-everything, it definitely does not apply to doses of divine music like these.
Krithika, [art]seen reviewer
Krithika is still in heaven after the night’s performance and will resume earthly duties only when it is absolutely impossible to procrastinate any further. 🙂
Ok, so who is Bill Harley and what’s so special about him?
Bill Harley is a two-time Grammy Award winning storyteller and musician. This Massachusetts-based performer is famed for his use of song and story to describe the joys of growing up and family life. He is especially known for his wit and wisdom and is a prolific author. He has won a lot of other awards too- for his books, novels and concert DVDs.
He will give a free family performance at the Ark (The Ark, 316 South Main St, Ann Arbor, MI) on Sunday, November 22 at 1.00 pm.This performance is sponsored by the Ann Arbor District Library.
Later that night, there will be a show exclusively for teenagers and adults at 7.30 pm. Tickets cost $15 for this performance.
More ticket information is available on the Ark web page.
I still dig the good ol’ “Dennis the menace” and “Calvin and hobbes” comics. It is said that Bill Harvey’s show appeal to both the young and the old.
So, if you are in the mood for some clean laugh-all-you-can good humor, this is for you. I am going to go as I think the kid in me never died.
