REVIEW: Florencia Pita

Florencia Pita

If you’ve passed by the UMMA in the past month, you’ve probably noticed an incredibly curious landscape looking out at you from the windowed, first floor  gallery. Bright reds, spinning blues, swirling shapes and swirling constructions fill the space, drawing the eye in, maintaing mysterious and fantasy  no matter how long the viewer looks. Florencia Pita’s designs are all about organic exaggerations and whimsical, barely  recognizable figures. The Argentine-born artist is trained as an architect but works with furniture, jewelry, graphic design, sculpture, and more. Many of her foliage-like  configurations are inspired by the feminine form. Yet these representations are complex: both her  large scale architecture installations  and her minute scrupulous  jewelry designs often represen the same, flowery  forms. In this way, her work confounds scales and draws the viewer in infinitely.

In an interview with UMMA Academic Coordinator  David Choberka, I learned more about Florencia Pita’s inspirations and styles:

“She makes these cool, whimsical, conceptual, digital designs that are really interesting because of how she plays with scale—her flowery, colorful treelike structures could be anything from buildings to vases, furniture, jewelry or tableware. She makes these large-scale wall hanging appliqués based on children’s stories—one is inspired by Alice in Wonderland. The exhibition features a couple of her installation pieces, as well as models and digital representations of her work. She is developed an original piece for this exhibition, which is exciting. She has won a ton of awards and been featured in exhibitions all over the world. Her work really blurs the boundaries between visual art, architecture, and design, and is definitely worth checking out.”

Click here for more about Florencia Pita and her studio FP/Mod. To read about the exhibit, look at UMMA’s website. The exhibit is open during museum hours until the middle of June.

REVIEW: Research on the City

RESEARCH ON THE CITY

The Taubman College of Architecture and Urban Planning hosted a month long installation featuring a Faculty Research pilot project called “Research on the City.” Exhibited in the school’s off-campus studio space, Liberty Lofts, the gallery was composed of work done by faculty from a range of disciplines with a focus on the city of Detroit. The space was divided into five sections, each devoted to the large scale expositions by one of the following titles: A Dozen Playgrounds, Atlas of Love and Hate: Detroit Geographies, Geographies of Trash, Imaging Detroit, and Re:Tool-kit for Detroit. The majority of the work was digital, either model diagrams or audio/video soundbites. It was also interactive, however, with the possibility of climbing onto the pieces to get a better look. Though the display was artistic, it was very architectural. After having worked in an architecture studio this summer, I recognized the aesthetic as very niche. It was almost inaccessible to the average eye, even though faculty influences came from the School of Education, School of Natural Resources and Environment, School of Art and Design, Department of French, and the School of Information.

Something far more inviting to the non-architect passer-by was arranged on a table in the middle of the room: an extensive library of books about Detroit. The collection included both published works as well as bound student publications . I enjoyed skimming through past student archives and seeing what peers had produced in past years related to this currently hot topic. One of my favorite books was called Detroit: Then and Now. It featured side-by-side stills of famous sites in Detroit, one in the early part of the century and one in the present day. The difference was shocking. I flipped page after page until I realized I had read the whole book and the gallery was closing.

Speaking of, the entire exhibit finishes this Sunday December 16th, so check it out this weekend! Liberty Research Annex, 305 W. Liberty Street, Friday- Sunday 2pm-7pm.

REVIEW: Research Through Making

This summer I am going to China with The Taubman College of Architecture. I will be living and working at B.A.S.E., an architecture studio in Caochangdi, the artists district of Beijing. I have never been the the Eastern hemisphere, do not speak Mandarin, and have absolutely no conception of what I will be doing there aside from the fact that I know that I am going. So the first thing I did to prepare was go to the exhibit “Research Through Making.”

The architecture program is in its third year. It acts as a seed funding resource for faculty projects which combine both research and creativity in unusual ways. The idea that design and research are opposites is intended to be debunked by this fabulous exposition of “applied art.” The scope of the gallery is expansive such that each installation stands on a spacious scale. It gives you plenty to explore.

The installation is being held in the Liberty Research Annex (305 W. Liberty St). The exhibit has been open since the premier celebration on January 20, 2012 where the pioneers of each work celebrated the showing of their accomplishment. The closing will be on April 7th, 2012. The gallery s open on Fridays and Saturdays from 2pm-7pm.

The five installations  on display include:

  • Glass Cast by Cate Newell and Wes McGee
  • Ruralopolitan Maneuvers/HOUSE 50 by Mary-Ann Ray and Robert Mangurian
  • Dirty Work by Neal Robinson
  • Morphfaux…recovering plaster as architectural substrate by Steven Mankouche, Josh Bard, and Matthew Schulte
  • Resonant Chamberr by Geoff Thün, Kathy Velikoy and Wes McGee

(The photos below are ordered accordingly)

Before she left for a semester in Chile, my friend Deena Etter and I went to the gallery to explore the space. Deena was a part of the program last May and June when her project piloted in the small village of The Pearl River Valley region. She took verbal and photographic inventory of all the personal possessions of one family’s home, then created a book to encapsulate her findings. Below is is a picture of her seeing her work on display for the first time. Isn’t she cute. I will have the great fortune of continuing her work in China under professors Mary-Ann Ray and Robert Mangurian. Should be a great summer! And what a beautiful appetizer of an exhibit to get me excited for it.