REVIEW: A Dangerous Experiment

A Dangerous Experiment, apart of U-M’s Bicentennial Semester, follows the college careers of the fictional first class of women at Michigan, beginning in 1871 and concluding in 1875. It tells of their trials, triumphs, and the different paths they choose to take. All the women choose a varying way, emphasizing the factions within one movement. Imbued with school spirit, it took a different form than the usual maize and blue rally cry, acknowledging both the strengths and pitfalls of the University’s history.

As I waited in line for the doors of the Keene Theater to open, I looked around and realized the awaiting audience – including myself – was 95% female. While it was not entirely unexpected, being a play about women, it always strikes me that this seems to be the theme in contemporary culture: if the plot is composed of women, it is likely the audience will too.

Emma McGlashen, a U-M student as well as the writer and director, proved to write a script that featured the female-empowering speeches I want to wake up to and drink my coffee over, steeping myself in the fierce words of other women. The play opened to a stage full of men, unintelligibly rumbling about the future of women – not so different than what our country looks like today. As I talked with my friends over intermission, we had to keep reminding ourselves that this was taking place 150 years ago, but also only 150 years ago. It sometimes seems as though the extent of our progress surpasses the decade and half timeline, yet the dialogue was simultaneously present and poignant. One of the points emphasized in the play was that these women, fighting for the right to study alongside men at the University of Michigan, were not only fighting for themselves, but for the women who would come after them. The play’s sharp and timely dialogue hit the center of an ongoing injustice against women; the statements were composed of a century-plus discussion without being trite.

Walking out of the theater, I realized that almost three hours had passed, and yet it felt as though we had just begun to hear this history. I suppose I’m just a sucker for any story about women supporting women. Within the main female characters, I saw the same fears and determination of female students I know today. This play only reaffirmed my love for portraying a female-studded history within the arts.

While it confirmed that I have no wish to return to the roots of Michigan, where women are subject to wearing corsets and attending class behind a curtain, I discovered a nostalgia for one aspect of the past: petitioning every male on campus to return to wearing suits and ascots to class. This, though, is a one-sided street; I will continue to wear pants.

If you get the chance, I could not recommend going to see this show more. If you’ve missed both Friday and Saturday nights’ showings, there is one more performance on Sunday afternoon!

PREVIEW: Consent by De-Zine Release Party

Consent. Relationships. Although these two topics occupy a certain space on university campuses, Valentine’s Day makes these subjects more relevant than ever. SAPAC — the sexual assault prevention and awareness center of the University of Michigan — will be addressing these topics through a zine that has compiled student art and written work showcasing these topics. The release party will be celebrating the publication of this zine.

SAPAC has been working all year to compile this zine of artwork and poetry, and is proud to celebrate its release. Come support SAPAC and attend the event! Details are on the image above, but also in text below!

Details
When: Monday, February 13th
Time: 7:00 to 9:00PM
Location: North Quad Room 2435

REVIEW: TEDx UofM 2017

Before I begin, here’s a link to the full conference in case you want to see it in its entirety.

TEDx UofM 2017 was as busy as ever, adding to the disruption part of this year’s theme: Dreamer’s and Disruptors. The army of volunteers running the independent conference have by now created a finely-tuned machine with the perfect mix of emotional roller-coaster, thought-provoking ideas, and blissful entertainment.

The student group Groove = bliss

A student jazz band played in the minutes before the conference started. Their grooving, polished performance was a reminder that so many students at this university are talented and sound like professionals even before they’ve graduated.

Then the first speaker took the stage. Koen Vanmechelen came all the way from Belgium to talk about chickens. Specifically, about how breeding various species of chickens can be used to teach us important lessons about human nature.

Next was Sophia Brueckner, a brilliant woman who was a preeminent software engineer at Google until she suffered an injury that prevented her from using computers for two years. She argued that we as a society have developed a dichotomy of looking at technology as either a complete disaster, or as completely awesome. Instead, she asserted, we need to approach technology with critical optimism.

Ironically, Sophia Brueckner pointed out that making an app to solve all our problems is a fallacious idea, but the 2017 TEDx prize went to a student that developed an app called FoodFind. Meant for low income families to find free food, you have to wonder how many families can actually afford and use the smartphones that the app runs on.

Caitlin Holman proposed three things we need to learn: autonomy, competency, and belonging. Videogames, she suggested, provide all of this. With that in mind, she founded GradeCraft with the purpose of making learning more “gameful.”

Erika Newman–a pediatric surgeon–talked about both clinical and personal experiences with cancer. She was introduced to the lack of information on neuroblastoma when one of her patients asked her about the disease and she realized how she didn’t have any answers. The only surprise here was that she was having trouble getting funding from the NIH to treat the cancer using DNA repair mechanisms.

Rollie Tussing and the Midwest Territory Band played during the break. Although they were a stereotypical band you’d hear in Ann Arbor (at least one instance of well-manicured beard, a cello, and music reminiscent of vintage records), they were entertaining. Their sound was both stripped down and full, and antique without feeling archaic.

Next was Abdul El-Sayed, the current Executive Director of the Detroit Health

Department. In case that didn’t already tell you what a monumental task that entails, he cited several facts about the city of 600,000+ people such as a life expectancy of 70, an asthma rate of three times that of the rest of the country, and vision and other problems that far surpass the rest of Michigan. His argument was to think about pathophysiology in the social realm so that we can help people prevent health problems from developing. Abdul was also one of the best speakers of the night and I highly recommend watching his talk at least.

Next was Jeffrey Veidlinger, a historian who went to Eastern Europe to interview survivors of the Holocaust as a way of preserving their culture via understanding Yiddish. He challenged the audience to “Ask your loved ones about their life. Ask them about their dreams. Ask them about what they cherish.”

The most heart-wrenching talk of the night came from Scott Matzka, who was a talented athlete and is now a husband and father battling ALS. This is another talk to watch, and to check out his organization MyTurn.

Documentary filmmaker Sophia Kruz was the last speaker of the evening. Showing clips from her latest documentary Little Stones, she showed how sharing individual stories is important, as well as using culture to address problems in society. 

 

 

PREVIEW: Toledo Museum of Art – Kehinde Wiley’s A New Republic Exhibition

 

Art Outta Town is headed to the Toledo Museum of Art, an institution will a globally reputable collection, for Kehinde Wiley’s exhibit A New Republic. Wiley’s work draws attention to the lack of African American subjects in historical artwork and narratives. His exhibited pieces feature contemporary men and women modeled after the work of the “old Masters”, whose work heavily featured white European aristocracy. This is but one exhibit currently on display at the Toledo Museum of Art, only an hour from Ann Arbor. The museum houses pieces from almost every continent, ranging from medieval to contemporary works.

Saturday, February 11 / 11am-4pm / $5, Registration required here.

PREVIEW: A Dangerous Experiment

This play takes us back to 1871, to U-M’s first class of female students to enter into the exclusively-male student body. Written and directed by current U-M students, the play is based on both historical and fictional accounts of five female students as they work their way through the world attempting to assert themselves to their male counterparts, faculty, and the city of Ann Arbor itself.

The issue of women in male-dominated spheres remains an issue almost 150 years later. While U-M looks very different today, it’s revealing to look back at its origins to see how far we’ve come, as well as the bounds the University has left to make.

February 10 and 11 at 8 pm, and February 12 at 2 pm

Keene Theater, East Quad

Free  

REVIEW: Hijabi Monologues

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A woman sings “Hallelujah” while her friend plays guitar.
A freshman tells the stories of her grandfather’s past love, her mother’s past love, as well as her own experiences with love.
A woman from Malaysia recounts her experiences working in a male-dominated corporation.
A U-M alum shares her story of depression.

These women, and many more, shared various aspects of their life this past Friday night in the Rackham Ampitheatre. Although their backgrounds were diverse, these women shared the identity of being Muslim women who practiced the hijab: a modest lifestyle that includes wearing the veil.

Halfway Hijabi: Hijabi Monologues was a safe space created by sophomores Fatima Haidar and Alyiah Al-Bonijim. These students felt the tension towards Muslims after last year’s election and felt that Muslims, particularly hijabis, needed a space to showcase who they are. This would allow Muslim women to be seen in another light, rather than have the media paint a picture of Muslims for Americans. What Fatima and Alyiah thought to be a small get-together, however, was anything but.

I arrived twenty minutes before seven and found a seat in the third row of the theatre. People trickled in as I made small talk with those around me, but by 7:15PM the room was packed: doors were blocked by a wall of students while others sat on the floor of the stage. Attendees included Muslims and non-Muslims and people of various ethnic backgrounds. After several complaints from security, everyone finally settled in and the monologues began.

Each hijabi—a Muslim woman who practices the hijab—who presented in the safe space had something unique about them that they shared with the audience. Students were moved to tears when U-M alum Dana sang “Hallelujah.” The room was filled with laughter as Malaysian student Anati shared comical moments of her life, of why she decided to practice the hijab. For each story, the audience gave a roaring applause for the courage that the hijabis presented when they were on the stage.

Shortly after the monologues was dessert, where presenters and audience members got to sit together and converse while eating sweets. New friends were made that night, and I was no exception to that.
I was glad to have been able to go to this event last Friday, to listen to the stories of such wonderful people, and would definitely stay on the lookout for more safe space events to come!