Review: The Qui to Happiness

“Man of La Mancha” is the adventurous story of a man on the brink of madness. To outsiders he may seem insane or even out of his mind, but to Sancho and Dulcinea, he is perfectly sane, seeing the beauty in life instead of the pain. This story “Don Quixote de la Mancha,” written by Miguel de Cervantes was the first Novel ever written. Pretty impressive. “Man of La Mancha” takes this classic and turns it into a musical fit for the stage, and oh how well it is done. I thoroughly enjoyed myself at the Power Center during Sunday’s matinee and, judging by the laughing and applause throughout the show, so did my companions in the audience. The student theatre group MUSKET does an excellent job performing and presenting this piece to the campus community.

I remember reading an excerpt of the novel in high school, but that only gave me the general story line of a self proclaimed knight in a time after chivalry, his battles with windmill giants and the evil enchanter, and his quest to be dubbed a true knight with his lady by his side. Incredibly funny! Especially when acted out by people on a stage. It was hard to believe that this man was actually so ridiculous as to think himself a knight, Aldonsa as his Lady Dulcinea, his servant as his Squire Sancho, and the Innkeeper as a mighty Lord of a castle. The presentation was wonderful.

The musical is written to take place in a jail in which Cervantes is being kept to await trial by the Spanish Inquisition. While waiting, he is put on trial by his jail mates. His defense is the story of his eccentric knight acted out by the prisoners themselves. This format flowed really well and the actors transitioned from reality to imagination seamlessly.

And it was so funny. Sancho provided some of the best comic relief AND he had the perfect singing voice to represent his character. You would have to hear it to understand, but it was comedic and sort of serious at the same time.

Then the show got really sad for a few minutes when Don Quixote’s nephew attempted to destroy this beautiful dream, but thankfully Dulcinea saved the dream and helped Quixote remember everything before passing away. “Don Quixote is not dead!” Dulcinea exclaims over the body of the man that had made up this identity. Cervantes’ story lives on today and imagination is key to society. Where would we be without Disney, yesteryear’s Don Quixote?

Definitely one of my top choices of the events I’ve gone to. I’ve enjoyed so many events so far this year that it becomes difficult to write that statement, but I am confident that it is a high ranking event in my arts calendar. And like I always say, get out there and see these things! They’re usually pretty cheap and provide many different times to attend. This is what makes our college experience an experience. I’ve expanded my cultural awareness, artistic involvement, and my own personal boundaries by going out to theaters and performances all year. Now it’s your turn.

As always,
This is Danny Fob: Artist and Art Reviewer

Preview: San Francisco Symphony Orchestra Today!

What beautiful weather we have been having! No longer does the sun disassociate its  twin functions of producing heat and light and to feel the lovely sunshine while you lay under the cerulean blue skies -it just makes you feel so alive!

Well , you can experience that same feeling of warmth and joy when you come to the San Francisco Symphony Orchestra performance under the direction of  the highly renowned Michael Tilson Thomas tonight. The performance will also feature Christian Tetzlaff, a violinist who is claimed to be the most important violinists in our times for his perfect technique and musical perception . Do I see you raising your eyebrows with disbelief? Then listen to this!

Christian Tetzlaff – Bach Sonata No. 3 (III. Largo)– Courtesy, www.youtube.com

Tonight’s program features works of Kissine, Tchaikovsky, Ravel and Liszt- all masters with such distinct signatures.

What:

San Francisco Symphony

Michael Tilson Thomas, conductor
Christian Tetzlaff, violin

When: Friday, March 19, 8 pm
Where: Hill Auditorium

Tickets at Box Office  before the show or the Michigan League Ticket Office.

Come bask in the Hill Auditorium as the lovely notes of the San Francisco Symphony Orchestra lift you to your heaven!

For [art]seen,

Krithika

Review: When we beat the donkey!

Cyro Baptista’s “Beat the donkey” can be best described as a delightful audiovisual smorgasbord of  all forms of sounds and grooves  that you can possibly fit in within an hour’s time. It had everything to capture the hard-to-get interest of tiny tots (a trait shared by many adults these days ) .

Cyro Baptista
Cyro Baptista

The eight member strong team, dressed in wild colors and costumes (one was wearing a chicken head and Cyro made a dramatic entry in a magician’s cape)  moved between various nameless instruments on stage  performing a different something every time. The background color of the stage kept changing to all bright colors ( like  a willowish green or an organza pink or a fiery ochre) and added that extra element to captivate the kids.

As for the program itself, there was a bit of everything! Cyro started out with a loud vigorous beating and his band members picked up and produced some really creative percussion sequences. There were Kodo style drums, an Indonesian dance with Gamelan music (the girl who did this was so graceful and beautiful!), a delightful tap dance, a lovely Brazilian song ( by a team member who belted out  really well), some amazing rock style keyboard playing (this guy is good!), some cool guitar action and of course the numerous instruments made from gigantic Coca-cola caps to leftover PVC pipes and recycled gas pipes .

Given that it takes so much to get our interest these days (nothing short of a 4D show), the performance might be considered “i would rather be taking an afternoon nap than listening to this loud what-do-you-call-it” by many adults. But it was a family performance, people! And the many kids jumping around and doing goofy moves in the well between the stage and the audience were obviously enjoying every moment.

It was so good to see an older kid show his moves to a toddler (who must have just started walking and was wobbling his baby arms around  with one of the loveliest smiles on his face) and I think that’s what Cyro’s band was aiming for!

Overall, a lovely evening,

For [art]seen,

Krithika

Preview: “Pau Na Mula”! Cyro Baptista’s Beat the Donkey

Friends, Oh-I-am-only-halfway through-this-semester-and so-still-stressed-out  students and fellow musiclovers,

It’s a rarity that you get to become a kid again at a musical performance. This weekend, Cyro Baptista, the truely innovative percussionist will be performing at the Power Center with his eight member strong band. Cyro Baptista was here last month as a part of “the Luciana Souza trio” and he was amazing. He is like this mad scientist with such a passion for percussion and he oozes such positive energy and enthusiasm that you have to love him for that! His sense of humor and tendency to make jokes with his percussion too make him such a popular figure with kids and adults alike! But he is also known for his serious Brazilian Beats in the  music field.

Cyro Baptistas Beat the Donkey
Cyro Baptista's "Beat the Donkey"

Titled “Beat the Donkey”  from the Portuguese “Pau Na Mula” which means “Let’s go! Let’s do it”, Cyro’s show is a wild, imaginative and extremely entertaining one with a combination of all types of rhythm and sounds that you could possibly hear. In this show, the musicians adorn funky costumes  and do everything including impromtu dances to make sure that you don’t sit ramrod straight with passive looks on your faces!

Show times:

Saturday, March 13, 1 pm & 4 pm
Power Center

Tickets ($16) are available at the Michigan League Ticket Office or at the Box Office before the show.

Come, join this fun foot-tapping riot! It’s your time to be a kid again.

For [art]seen,

Krithika

Review: Swedish Radio Choir

The Swedish Radio Choir
The Swedish Radio Choir

When thirty two voices  in different voice types come together  and sing without accompaniment (“a capella”) while precisely  maintaining tune and rhythm , it is just plain fascinating.  That’s how the Swedish Radio Choir started their scintillating performance.

The first piece “ Aftonen” was so beautifully done. I can never understand how a soprano and a bass standing together can sing their parts without getting distracted with the other’s pitch/tune. It seems really tough and must need tons of practice.

But anyway, after the first piece though, my interest waned. The rest of the first half were mostly based on religious pieces. I was really bored through the rest of the first half, all the while wondering as to how people can relate to such an art form. For example, Mahler’s piece, “Ich bin der Welt abhanden gekommen” was in German and it was tedious. Though an English translation was provided, I felt that the lyrics, a very important part of any music, somehow distracted focus from the music and since there was no accompaniment too, it was tough to digest.

I  looked around and there were a lot of people looking around too. It was clear that this art form wasn’t that interesting to all but for the devoted few. I was so bored that I contemplated leaving during the intermission. But my intention to see it through till the end was rewarded by the excellent and intriguing,Mouyayoum” by contemporary Swedish composer Anders Hillborg . This was the highlight of the evening. This is a wordless work that featured 16 distinctly different vocal parts combining together into a mesmerizing soundscape- it was brilliant. You will be absolutely hypnotized when you hear this and this is the gold test for a great choir. The Swedish Radio Choir was just astounding in this. I loved the sopranos the best.

For over one hour, the singers delivered complex notes and there was never a note out of place. I was thoroughly impressed by their stamina and skill, developed by years and years of  rigorous practice, I am sure.

The guest choirmaster, a fellow Swedish native, Ragnar Bohlin was amazing and I loved the way he conducted “Mouyayoum”.

As I left from the performance, I wondered if this art form of Choral music was a dying art.  Would the future generations thrill in listening to this kind of music? In this age, where you rarely hear anybody performing without accompaniment, it was a rarity to hear these lovely voices in unison. This is how it all began before we made instruments and a  clear melodious voice is such a soothing sound for the ear.

That the Sweidsh Radio Choir is indisputably one of the best choirs around came through very clearly from the flawless performance. But  I guess, choral music of the religious kind is just not my cup of tea.

For [art]seen,

Krithika

The 100th post: Preview of Swedish Radio Choir :-)

I am so excited that this is the 100th post for [art]seen. To me, writing about the different art events that I go to, has helped me understand and enjoy the performances even better. Yeah for [art]seen!

So this sunday, FEb 21, the Swedish Radio choir are going to be in town. Made up of 32 professional singers and  sponsored by Sveriges Radio, this choir is one of the world’s best a cappella choirs that have a very wide a cappella and symphonic choir repertoire.They are the go-to choir for all the leading symphony orchestras in the world.

Maestro Ragnar Bohlin
Maestro Ragnar Bohlin

This tour is led by conductor Ragnar Bohlin, a Stockholm native who also serves as choral director for the San Francisco Symphony. He is another choral legend whose accomplishments are so many that it will take a long time to list them. He is one of the best in the field today.

The Swedish Radio Choir made its UMS debut in 2001 and their rendition of Verdi’s Requiem was a great hit. This time, the program starts with the sure crowd pleaser, Alven’s Aftonen (Evening). Also on the program are many choral pieces from various composers like Mahler, Bach and Sandström ,to name a few. This will be a treat for all of you who like a healthy dose of classical music to make your day.

When: Feb 21,2010 @ 4:00 pm

Where: Hill Auditorium

Tickets at the League Ticket Office or online at ums.org.

Yours truly,

Krithika, for [art]seen