REVIEW: Keith Alberstadt

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It’s not difficult to make me laugh. In fact, anyone who knows me will inform you I laugh at my own jokes far more often (and loudly) than the average person.

However, when I came to the Ann Arbor Comedy Showcase this past Thursday, I was not in the best of moods. My friend wasn’t able to make it at the last minute, which would have been fine if I had known the seat I was assigned was at one of the little two-person tables directly at the foot of the stage, (where I would no doubt be at risk of having to participate in the show) with a place card that read “Reserved–Pinchak, 2.” The gaping hole next to me was especially conspicuous as every other seat was filled.

Despite the awkwardness of the seating arrangement, I was looking forward to Keith’s performance. As he began, I scootched my seat back toward the stage and listened in.

It’s hard to say what makes a person funny. It’s not often just the content; the same jokes told by different comedians have a different effect on people. While some fall flat, others are absolutely hilarious. Comedy is quite similar to theater in the way that stage presence plays a key role in its success. A comic’s ability to interact with their audience, use the space the stage provides, and work with timing in their set can make all the difference.

Keith Alberstadt seems to do all of this with ease. He made very direct eye contact with everyone in the audience, formed quick-paced dialogues with us, and moved all around the stage. In a lot of ways, he reminded me of the great Jim Carrey, one of my favorite actors. He’s known for his comedies like The Mask and the Ace Ventura movies, though he’s done solid work in dramas like Eternal Sunshine of the Spotless Mind. A lot of his success comes from one unique characteristic: his “rubber” face. The facial expressions he can make are nothing short of astounding, and have contributed quite a lot to the characters he’s played. Alberstadt has this feature too: the wide mouth seems to stretch infinitely, eyebrows able to shift and slide to convey dozens of different emotions. He could imitate an old man or a newborn goat with striking accuracy. He is officially in my book of truly talented comedians.

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Keith is currently on tour across the United States. More information on future shows can be found on keithcomedy.com, and aacomedy.com is your source for upcoming Ann Arbor Comedy Showcase events.

 

PREVIEW: Keith Alberstadt

As the absolute joy of midterms finally passes us by, I think we’re all in need of a good laugh.

We’re in luck: the Ann Arbor Comedy Showcase is presenting renowned comic Keith Alberstadt this week! The man has been around, appearing on television shows like Last Comic Standing and Late Night with Seth Meyers. He’s also worked for Saturday Night Live as a freelance writer, and has performed for US troops in the Middle East.

Coffee and Red Bull can only dig you so far out of your grave. Come to the Ann Arbor Comedy Showcase and come back to life.

Showtimes are:

Thursday, November 8, 8 PM

Friday, November 9, 8 PM and 10:30 PM

Saturday, November 10, 8 PM and 10:30 PM

Tickets are $11-13 in advance, or $13-16 at the door.

Visit aacomedy.com to purchase your tickets today!

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REVIEW: Hasan Minhaj: Before the Storm

With two sold out shows in one night and Azhar Usman as an opener for Hasan Minhaj, Before the Storm was the perfect remedy for any anxiety you may have about the current political nature of America.

As an Indian-American Muslim standup comedian from Chicago, Azhar Usman tackled the racial tensions in America, commented on Google, and laid some conspiracy theories out on the stage before making way for Hasan Minhaj.

The event used Yondr, which made it a phone-free show. At the beginning of the show, Hasan justified the use of Yondr, saying he knew it was really hard locking our phones up, but it was necessary to protect the content of his show (and his image) since this Before the Storm tour was a sneak preview into his new Netflix show, Patriot Act.

Since some of the content he performed will be used on the show, I’ll try not to give away any spoilers. However, the basic gist of his new show, Patriot Act, centers around analyzing the political and cultural landscape in our fragmented country. Just as he did as a correspondent on The Daily Show, Hasan will bring his distinct comedic voice to dive into serious topics on his Netflix show, and that’s exactly what he did on his live tour as well.

Hasan Minhaj used news clips, statistics, and nicely-timed graphics to explain heavy topics such as the travel ban and refugee terrorism. His fast-paced delivery that was synchronized with the information he was displaying on the screen behind him was extremely impressive, and it worked. With this kind of multimedia presentation, Hasan is bringing about a new modern type of comedy show where he uses technology and visuals to make us laugh and to emphasize his points as well.

Through all the laughter and applause that filled the Michigan Theater, the best thing about Hasan Minhaj’s show was how important it was — the serious content delivered in a way that uplifted the spirits of many minorities who could relate to the humor and perspective that Hasan’s comedy provided.

Keep an eye out for Patriot Act, which comes out on Netflix on October 28. From the bits Hasan used during Before the Storm, his new show is guaranteed to be as incisive and bright and witty and brilliant as the renowned comedic voice he has established as his own.