Tag: Dance

REVIEW: Philippine Culture Night

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My friend (left) and I (right) in the PCN Centennial jeepney cutout.

On November 18th, the Filipino American Student Association put on its annual culture night: Philippine Culture Night Centennial. This year’s PCN commemorates the hundredth year of having a filipino club at the University of Michigan, so suffice to say it was a particularly important celebration. It also dealt with a larger context for filipino and filipino american identity with the theme of “who are you?”, seeking to ask the audience what their culture means to them. As a half-filipino american myself, I found that this theme of identity connected greatly to my own personal experience of trying to understand and discover what being filipino means to me.

Wayne State’s Fil-Soc band performance

After speeches from FASA’s co-presidents and cultural executive board chairs and a dinner filled with filipino dishes supplied by M-dining (which surprisingly wasn’t bad), the night’s performances gave way. Beginning with amazing covers of OPM music—original pinoy music—I enjoyed UofM’s own Greenwood Sessions’ renditon of “Raining in Manila” by Lola Amour and Wayne State’s Fil-Soc Band’s rendition of “Hanggang Kailan” by Orange and Lemons (shoutout to my friend Jordan with the super awesome guitar and vocal skillz 😎). OPM is a genre of music that I love; even when I don’t understand the filipino languages that they sing in, connecting to the raw music and culture of filipino karaoke makes the genre invaluable. Besides the music can just be a good vibe, y’know?

Tinikling performers wearing barong right before their performance

Under dimmed lights did Pandanggo sa ilaw come to kick off the dance performances. Pandanggo sa ilaw is a traditional filipino dance where dances balance lit candles on top of their hands and heads to simulate the flight of fireflies. I especially enjoyed their teal and orange costumes—flawlessly unwrinkled thanks to the iron the choreographers took from me (joke lang).

Perhaps one of the most recognizable dances of the night, traditional Tinikling performed with a live Rondalla performance (an ensemble of various stringed lutes). If you’ve ever walked by Mason Posting Wall from 5-10 on Mondays and Wednesdays in the past few months, then you’ve definitely seen these bamboo sticks being clapped while people dodged bruising their ankles. Additionally, Purdue’s own filipino organization performed Maglalatik (a dance performed shirtless while clapping coconut shells strung up on one’s body) while throwing a lot of their ‘behinds’ on stage. For the first time I also saw a live Kulintang gong ensemble performed by PACE-MI (Philippine Arts & Culture Ensemble of Michigan) with their renditions of pre-colonial traditional dances as well.

Now, I also was a performer in this PCN as a part of the Modern Tinikling showcase. Displaying traditions with modern sensibilities, Modern Tinikling performed to the songs “Humble” by Kendrick Lamar, “America has a Problem” by Beyonce, and “Barbie World” by Nicki Minaj (with Aqua). Not to be biased but we were pretty hype. The two modern dances that followed were pretty cool too I guess >_>. In all seriousness, I was impressed with the choreography and fun both modern dance groups showed, for I will be humming “Asan Ka Na Ba” by Zach Tabudlo for months now.

One last note on the performances as well, I was glad to see Hawai’i Club perform their traditional hula dance to celebrate their culture as well. While the night was mostly comprising filipino cultural performances, the point of the night was to celebrate identities and cultures which it was great to see them given a platform to do so.

My FASA Lineage photo in-front of the pagapir fan wall

I would say that my first PCN experience set a high bar for next year. So, I’d especially like to give a big thank you to FASA’s cultural chairs for organizing the event, Philip Churchley and Isabelle Lamug (my ate, pictured above in the middle of the photo). I look forward to my involvement in FASA and their respective events moving forward, and I’m super glad to be a part of this amazing community!

REVIEW: The Inspired Show

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Every fall semester, Kappa Phi Lambda Sorority, Inc. hosts the Inspired Show; this year it was on Saturday, November 11th from 4-6 PM at the Ross Robertson Auditorium. On Instagram (@umichkpl), the sorority said this event “seeks to showcase a variety of cultural performances, mixing modern and traditional elements to bring Michigan exposure to various Asian performing arts,” which it certainly did.

There were 8 performances. In order they were:

Female Gayo (@femalegayo)

Photonix (@umphotonix)

Kappa Phi Lambda Sorority, Inc. (@umichkpl)

DB3 (@db3_umich)

Seoul Juice (@seouljuice.umich)

VeryUs (@veryus.umich)

Revolution (@revolutionyoyo)

Moli (@moli.umich)

K-Motion (@kmotion)

I’ve watched and reviewed the majority of these groups before, many of which performed at Celebrasia. However, although the Inspired Show was only a week later, Female Gayo had a completely new set that ended with an original choreography they made to the song Money by Lisa from Blackpink and had the fun addition of shooting dollar bills into the air at the end.

Photonix is a crowd favorite and I wish I got to see more of them. They use glow-in-the-dark items to create rhythmic visual art by manipulating neon lights to music in pitch blackness. Much of the choreography involves teamwork, which is super impressive since the team must work together without being able to see. My favorite parts are when they hit the floor to change colors on a beat drop. Unfortunately, I couldn’t capture their performance well enough on camera, so take the chance to see them in person if you can!

I saw the sisters of Kappa Phi Lambda perform at the Yardshow, but they prepared two additional choreographies for their event: hip-hop and cultural. Their cultural dance is pictured above and it was the highlight of the show for me. Many groups use fans or umbrellas as props, but it was the first time I’ve seen the beautiful white and red long sleeves they wore. In addition, the music they used was purely instrumental, which was a nice contrast to the other music throughout the show. It truly felt like a cultural dance rather than a dance that just uses cultural props.

The Ross Robertson Auditorium is a nice venue; the only thing I wish is that the lighting had a spotlight on the stage to give it a more immersive atmosphere. Nevertheless, it was nice being in a new and comfortable environment.

Although there are a lot of parallels to Celebrasia, I recommend attending the Inspired Show. It’s a good opportunity to see different performers, such as Photonix and Moli, and new choreographies like Female Gayo’s. All proceeds are donated to the Ann Arbor Community Center, so you can make a difference and have fun at the same time.

REVIEW: Celebrasia

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On Sunday night, November 5th, the Chinese Student Association (@csaumich) collaborated with 24 other organizations to host its most popular event: Celebrasia. Each year it takes place in Angell Hall Auditorium A, making Mason Hall so crowded it’s hard to walk through and meet up with friends.

The performances were scheduled to begin at 7 PM, but like in the past, the seats were already half filled when the doors opened at 6:30 PM. By 6:50 PM, people began to sit in the aisleways and soon after, they closed the doors to the public. This year, CSA did a really good job of organizing the event; they guided the audience well, had quick transitions between performers, and there weren’t any sound issues.

There were a total of 12 groups, some familiar and new. In order they were:

Seoul Juice (@seouljuice.umich), the band under the Korean American Student Association (KASA). In my freshman year, they were a very small group, so it’s great to see how much they’ve grown not only musically but in popularity.

Annappella (@annappella.a_cappella), a co-ed Chinese acapella group. It’s the first time I’ve heard of them and they’re also the first acapella group I’ve seen on campus. They were really good at harmonizing and the male student in the center sang a majority of the melody with a soulful yet gentle voice.

Revolution (@revolutionyoyo): the Chinese Yoyo team. I always love how hype the crowd gets when watching them do tricks and flips.

Flowdom (@flowdom.umich): a co-ed hip-hop dance team. They added more flare to the selection of dance performances and I was really impressed by their charisma.

K-Motion (@kmotion): an all-female K-pop dance group. As always, they served an amazing assortment of K-pop songs with talent as well as their iconic confetti.

Blue Records (@blue_records_group): a student organized record label that arranges and produces their own music, although they did a cover at Celebrasia. The guitarists in particular stood out to me because they sounded just like the studio track.

Konnect (@konnect_umich): the largest and most inclusive co-ed K-pop dance group on campus. The amount of performers and rotations they had were astounding.

Sanya Bhati (@sanya_bhatia): a student soloist pursuing Drama in the Residential College. Her set was definitely one of my favorites. She had a charming presence and commanded the stage with only a backtrack accompanying her powerful and clear vocals.

Female Gayo (@femalegayo): the all-female K-pop dance group under KASA. In addition to their coordinating outfits,  their synchronization as a team is out of this world. From the timing of bold hair flips to the subtle flex of their fingers, nothing felt out of place when viewing them as a group.

VeryUs (@veryus.umich): an all-female dance crew that aspires to highlight multiple cultures in Asia. I appreciate that they focus on diversity and inclusion of not only cultures but music and dance.

rXn (@rxn_umich): the traditional and modern hip-hop co-ed dance group under CSA.

DB3 (@db3_umich): the all-male K-Pop dance group as well as the crowd favorite. The cheering never stopped during their entire set, which was a fun way to end the night.

The University of Michigan has so many gifted students outside of SMTD too, and I can’t do all of them justice with this review. I highly recommend attending Celebrasia in the future, even if it’s just for part of it! It’s a free event and a great way to meet more of the community.

REVIEW: Orpheus in the Underworld

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Unlike what the title suggests, Orpheus in the Underworld (Orphée aux enfers) didn’t focus much on Orpheus being in the Underworld nor did it remain true to the romantic and sorrowful story told in Greek myths. Instead, what SMTD brought to life was a goofy comedy contrasted with powerful French opera, and they described it as “a cheeky twist” on the famous love story between Orpheus and his wife, Eurydice.

In mythology, Orpheus and Eurydice were deeply in love, so when Eurydice met her untimely death, he played the lyre (an instrument similar to the harp) and used his musical genius to charm his way into the Underworld and bring her back to the world of the living. 

In this version, the two shared a terrible marriage and were both cheating on each other. They portrayed Orpheus as a lackluster violinist, which was one of the many things that drove his wife crazy. Eurydice constantly asked for a divorce, but Orpheus always refused with sweet words. He had a different plan in mind to get rid of her. When Eurydice died, he jumped with joy; however, his happiness was short-lived when soon after he was threatened by Public Opinion to save his wife and thus dragged to the Underworld. 

Operas place a greater importance on music than storytelling, so although the dialogue was in English, the majority of the show was in French. Orpheus in the Underworld was performed at The Power Center for the Performing Arts, and they provided screens with English subtitles for the audience to follow along. Some technical difficulties threw off the timing of the words, but I wasn’t that disappointed since the students’ acting and singing were so captivating it felt like a waste to take my eyes off them.

The story took place in the late 1950s, so all of the backdrops, from the farm to Olympus and the Underworld, were all unique. I also loved the wardrobe, especially the outfits of the gods. They were totally different from the traditional white robes I normally associate with Greek mythology. My favorite costume was when Jupiter, also known as Zeus, transformed into what was supposed to be a seductive fly.

Overall, I had fun! It was my first time watching an opera, and it combined humor with musical prowess. I’ve really enjoyed each of SMTD’s productions and look forward to watching more.

REVIEW: Menopause the Musical

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Menopause the Musical is about four women who are, unsurprisingly, in menopause. They each have distinct backgrounds, such as being a housewife, a failing celebrity, a businesswoman, and a hippy. They meet at a mall while shopping and fighting over the lingerie on sale. Despite their differences, they soon after quickly bond over the changes taking place in their bodies, proving that all women can relate to one another during this difficult time in their lives.

Each of the actors perfectly embodied their characters’ personalities from the way they walked to their accents. There wasn’t a strong emphasis on dancing; instead, they focused on singing an interesting selection of music with a wide variety of genres ranging from In The Jungle, The Mighty Jungle to Y.M.C.A.

It was funny being one of the few, if not only, college students in a crowd of elderly white women. Obviously, Gen Z isn’t the target audience so I didn’t understand the references regarding menopause (e.g., memory loss and hot flashes), and didn’t resonate with the humor. However, the crowd certainly loved it and it felt like there was never a pause of laughter. In fact, I heard people talking about having watched different renditions of this same musical.

The venue was the Michigan Theater, in which I’ve only watched movies or orchestral performances. The stage was beautiful and the crew did an excellent job of making it look like a high-end shopping center. Unfortunately, the audio of the microphones wasn’t very loud or clear. The backtracks of the songs were often louder than the singers and that did take away from the experience.

To be honest, I wouldn’t watch this musical again and don’t recommend it. Although it was impressive and interesting to watch, the ticket was very expensive and wasn’t worth the cost. Still, if you’re intrigued you can give it a shot!

REVIEW: The 25th Annual Putnam County Spelling Bee

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SMTD’s performance of The 25th Annual Putnam County Spelling Bee was so good: it was immersive, hilarious, and well put together. It sounds like it’d be a wholesome musical since the main characters are children but to my surprise, it wasn’t child-friendly at all. The script made use of sexual innuendos, exaggerated stereotypes, and religious satire to crack jokes. The audience, me included, ate it up. As described on the SMTD website, it truly is a musical that “charms audiences with effortless wit and humor, making the Bee one unforgettable experience”.

One part of the experience I loved was how they included the viewers in the spelling bee and gave each of them fun and quirky personas, such as “being raised by wolves” and having “denim as their favorite color”. The actors looked so natural when interacting with the audience members that it took me a bit to realize it wasn’t staged. If the participants spelled their given word wrong, they were escorted off the stage with a juice box and were serenaded with the song Goodbye that poked fun at their failure in the bee. The funniest part was when to proceed with the plot, it became time to kick the surviving participants off the stage by challenging them with ridiculous words. Despite their efforts though, one of them actually managed to spell something incomprehensible from a Scottish dialect, shocking everyone. The actors did a great job of improvising by calling her back to the microphone and giving her another word, which this time she failed to spell. As a reward for being the last one standing though, she got her own special rendition of Goodbye sung to her. 

The characters that stood out to me the most were William Barfée, a snotty (quite literally) nerd, Logainne Schwartzy, a girl with a heart of gold, and Leaf Coneybear, who for some reason always had to spell the names of South American rodents. However, my favorite character was actually Vice Principal Douglas Panch. The actor did such a good job of portraying the classic slightly odd and suspicious adult figures I remember from my own elementary school days. Although these characters left the biggest impression on me, I genuinely loved everybody because they all had so much personality to them.

An inconvenience though is that it took place at The Encore Musical Theatre Company, a performance venue in Dexter that’s an eighteen-minute drive from central campus. Once I got there though, I realized how big of a role the stage set-up and background played in really bringing this musical to life. Most importantly when performing Pandemonium, a song and dance that really showcased the crazy and wild side of children. They were running around, jumping on tables, spinning seats, and even hanging from the basketball hoop. 

This was truly a musical I’m so lucky to have seen, and I highly recommend others to see it if given the opportunity!