Tag: environmentalism

REVIEW: Renée Fleming, soprano, with Inon Barnatan, piano

Ella Larsen Leave a comment

7:30pm • Thursday, Sept. 28, 2023 • Hill Auditorium

Last night’s performance was a profoundly beautiful joining of nature and human artistry. In her musical program for this recital, Renée Fleming reminded us that our natural environment is humanity’s oldest muse, and it is in danger.

Fleming, a world-renowned soprano, is a five-time Grammy award-winner as well as a recipient of the National Medal of Arts. She was accompanied by Inon Barnatan, described as “One of the most admired pianists of his generation” by the New York Times, whose week-long residency at U-M includes two more performances on October 4th and 5th. The recital included the world premiere of “Voice of Nature,” a multimedia collaboration with National Geographic based on Fleming’s most recent work, “Voice of Nature: the Anthropocene.” “Voice of Nature” collected music from Fleming’s new album as well as from artists as varied as Björk and Howard Shore (The Lord of the Rings), all accompanied by a film created by National Geographic to represent the beauty of nature and the threat posed by global climate change.

“Voice of Nature” was a deeply poignant experience for me. In the 30-minute piece, imagery depicting the diversity and ingenuity of life on Earth was accompanied by poetic ruminations on life’s transience. The songs captured how nature has served as a backdrop for human love stories throughout time and reminded us that climate change threatened both. I was struck by the end of the piece in particular, where Fleming sang “Evening” by Kevin Puts, accompanied by images of shifting Aurora Borealis interspersed with gently spiraling views of the Milky Way. The solar winds buffeting the planet from millions of miles away, set within our solar system’s grand context, made me feel very small. The lyrics spoke to the space between hope and despair: “We know we are doomed, done for, damned, and still the light reaches us, falls on our shoulders even now, even here where the moon is hidden from us, even though the stars are so far away.”

The performance left me with much to reflect on. I was inspired by the power of music to evoke feelings of hope and commitment to life on Earth, which Fleming curated so thoughtfully in this program. For me, the call to action presented in Fleming’s work and in the accompanying film also exemplifies the spirit of arts as resistance, and I look forward to experiencing more work along this theme throughout this semester.

REVIEW: Are we not drawn onward to new erA

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**featured image from Ontroerend Goed

8:00pm • Saturday, January 20, 2023 • Power Center

Are we not drawn onward to new erA was a unique experience, although perhaps not one I would be interesting in reliving. The performance, by Belgian arts collective Ontroerend Goed, took place over the course of 75 minutes, with no intermission, and the pace was slow. The story began with a woman waking up, accompanied on the stage by a live tree, with a solitary apple glued to one branch. Soon she was joined by a man, who spoke the first word of the play. For context, the whole first half of the play was narrated in gibberish that was actually backwards-English. Despite this technical fact, the first word sounded like “Eros,” a reference I’m certain was intentional. The man plucked and offered the apple to the woman.

From there, the other four actors were gradually introduced and began to tear the tree limb from limb. I heard several sighs and groans rise from the audience-members around me. That destruction complete, the cast set about littering the stage with technicolor plastic bags, erecting a monumental bronze statue of a man, and pumping the set full of fog, at which point the curtains closed. Against the closed curtains, one of the cast members appeared, speaking backwards for interminable minutes, finally repeating, “?olleH” She imitated a rewinding recording until the syllables were ordered in a way we understood: “Hello?”

Speaking forwards, she gave the audience a speech about how the world has been littered and polluted by the actions of humans, and how it might be impossible to reverse the damage we have done… But then in a moment evoking The Lorax‘s famous “Unless,” the curtains opened again to a projection of the stage on a sheer screen. From there, the audience watched as, minute by painstaking minute, a video played the whole performance in reverse and the cast cleaned up the mess they had created. Literally and figuratively, they dismantled the statue/status of Man onstage.

I was surprised by the notes of Voluntary Human Extinction brought out in the ending of the play. At one point, the actors even pantomime holding guns to one another’s heads. Eventually, all of the actors disappear voluntarily into the darkness of the wings, leaving the woman who started the play to linger, alone, returning to sleep beside the tree to be absorbed as the stage lights lower. This felt meaningful, because her character was both the one who ate the apple in the first scene, symbolizing the “leap” humanity made towards corruption, and the one who advocated most fervently against cleaning up the stage or leaving Earth entirely. I feel that she strove to make the point that there is beauty in living, despite the harmful side-effects of human existence.

Overall, I would say that I enjoyed the performance, but it was so long. On the plus side, I had an extended built-in opportunity to ruminate on the meaning of the play’s palindrome structure. Is it realistic to compare the reversal of centuries worth of environmental degradation to a physics-defying rewinded video? Perhaps this was part of the goal of the work: to force the audience to take a break from their daily lives long enough to engage deeply with the climate crisis.

REVIEW: The Plastic Bag Store

bellaaa 1 Comment

I had no idea what to expect when going into the Plastic Bag Store. Literally. After seeing marketing for it, I had been asked to go and said yes to see what it was all about; I can very honestly say that it was not at all what I expected. The installation that is the Plastic Bag Store is a mix of art installation and immersive puppet play – unlike anything I had seen before. 

The installation, a grocery store filled with foods made entirely of plastic, was surreal to step into. The resemblance to any other grocery store was striking, and at first glance you wouldn’t think twice that that is exactly what it was. However, upon further inspection you will start to notice… the spinach is made of green plastic bags from Earthbag Farm. What you may have thought was a box of Lucky Charms cereal was actually Yucky Shards cereal with the mascot of a sea turtle holding a six-pack plastic soda ring. Right before you start getting used to it all is when the next phase of the event begins and you are asked to take your seat on the cardboard boxes that have been placed in the center of the store. Cue the puppet show.

Artist Robin Frohardt specializes in her puppeteering art form and the medium shines in The Plastic Bag Store. A stunning and interactive story unfolds from the beginning of single use vases in Act I, to the modern day plastic bag in Act II. Act III of the play is held through the doors of the frozen food aisle and plastic snow is rained on you from above. The third and final part of the play takes place in the far off future and centers around a scientist finding relics of the past in all kinds of plastic held under the sea: plastic bags, tooth brushes, bottles, and straws. I won’t spoil the ending, but it is unnerving to say the least; to return to your world and realize that the grocery store full of plastic was not a far off recreation of our own world is eye-opening. 

While the art and storytelling was undoubtedly phenomenal, I found the message of the piece to be a bit lacking and even misinformed. There was little to no actual discussion on the harmful effect of plastic remains, just the plastic was to seemingly last forever on Earth and that was a bad thing (even coming to that conclusion feels like a stretch). The reality of the plastic issue is far more complex than this and I personally would’ve loved to see this expanded beyond the simplicity of plastic being bad. In a Q&A following the event, Frohardt mentioned that she intentionally did not want to sway the piece to say anything specific about the environmental issue, but instead wanted the piece to simply make the audience think and reflect on the consumerist world we live in today. I think in that sense, the exhibit is a success. 

REVIEW: Simona

Ella Larsen 1 Comment

2:40 pm • Saturday, November 5, 2022 • State Theater

Simona was a lovely and in-depth documentary exploring the life of Simona Kossak and the marks she left on family, friends, and the broader Polish environmentalist community. A biologist and environmental activist who spent most of her life secluded in the Białowieża* Forest, one of Europe’s last old-growth wildernesses, Kossak’s story is told through conversations among family members, friends, and former colleagues, accompanied by archival photos taken by her life partner, Lech Wilczek.

I appreciated the candidness with which most of the interviewees discussed Kossak’s life. In particular, the ongoing conversation between Ida Matysek (the film’s main narrator) and her mother, Kossak’s niece, created an overarching narrative for the film that focused more on Kossak’s personal relationships with her family than her scientific career or activism. By balancing this narrative with insights from Kossak’s professional acquaintances and friends, not only did I gain a holistic understanding of how Kossak engaged with the world around her, but I learned about the dark as well as light sides of her history.

One of my favorite themes throughout the film was Kossak’s emotional connection with the animals in her care, which the film often  represented as intensely maternal. I came to understand that history would be remiss to say Kossak had no children–the devotion she demonstrated for the animals she raised was no less than that of a mother for a human child. In one heartbreaking story, Kossak raised a lynx she named Agata, who was killed in an domestic accident when Kossak’s partner, Lech Wilczek, lost his balance and dropped a bundle of firewood on top of her. Kossak canceled all engagements and grieved for months, and the incident also strained her relationship with Wilczek as if they had experienced the loss of a child.

Photo by Lech Wilczek; from Opowieść o Niezwyczajny Życiu Simony Kossak by Anna Kamińska, published by Wydawnictwo Literackie, Krakow 2015.

I am left with questions about Kossak’s affection for animals as compared with her love for the forest at large. As a biologist, her interest was in animal behavior, and in her activism much of her work dealt with preserving the diversity of animal species existing in the Białowieża Forest. I am curious about whether she was equally devoted to the conservation of plant life in the forest. One of the stories included in the film was about her efforts to save dying chestnut trees around the school where she worked, but the film framed these efforts more based on her partiality to the trees for sentimental reasons than for environmental reasons. Much of my reading on the subject of forestry and conservation lately has dealt with the importance of trees in global ecosystems, and I know research on the social relationships between trees is gaining more traction in the scientific community as of late. I wish I could hear Kossak’s take on these issues, and see how she would engage in activism against the accelerating deforestation of her beloved Białowieża Forest today. If I can ever find English editions, I hope to add her books about the forest and her experiences there to my shelf.

 

*pronounced bee-ah-wo-vee-EDGE-ah

PREVIEW: Simona

Ella Larsen Leave a comment

What: a Polish documentary film brought to Ann Arbor by this weekend’s annual Polish Film Festival

When: Saturday, November 5, 2:40pm

Where: State Theater

Tickets: free with reservation on the State Theater website [click here]

Simona is a documentary about the life of Simona Kossak, a Polish scientist and environmental activist. Based on what little I could discern from Google-translated Polish film reviews, Kossak, who was descended from a long line of famous Polish painters, was rejected by her family and chose to seclude herself in Poland’s primeval Białowieża Forest for the greater part of her life. There, she studied animal behavior and advocated for the preservation of the forest’s natural environment. The film explores Kossak’s eccentric life through the lens of her great niece, Ida Matysek, using photographs taken of Kossak by her life partner, Lech Wilczek. I hope the English subtitles for the film do Kossak’s inspiring story justice, and I look forward to learning about what seems like a magical life spent in one of the world’s oldest–and most threatened–forest environments.

 

REVIEW: Nausicaä of the Valley of the Wind

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There are many problems confronting modern society but one of them is the effect humans are having on the earth.  The significance of this issue has not diminished since the time of director Hayao Miyazaki’s animated release of Nausicaä of the Valley of the Wind in 1984.  The beauty of a harmonious relationship with nature is told through the story of Nausicaä, the young princess of a valley who relies on wind power and believes in the care of their people as much as the care of the forest and natural world which they rely on.  The architecture of the valley is reminiscent of a medieval village from the stone castle and to the robes and cloth headdresses the women wear.  Their seemingly feudal-age culture is contrasted by the use of sleek, white gliders which seem to emerge from a science fiction novel.

The earth has just emerged from an apocalyptic war between the humans and the toxic forest, which resulted in the extermination of human existence by the large, prehistoric beasts called, Ohms, from the forest.  Nausicaä uses her own glider to swiftly travel from the valley to the distant toxic forest, where the poisonous gases and monstrous bugs come from.  The neighboring cities believe that the forest needs to be eliminated for the safety of humanity from not only the bugs, but the diseases the forest spreads to the people.

Nausicaä strongly believes that the forest has the power to heal and that humans and the forest are meant to co-exist.  She shares this belief with the people she encounters through her natural charm with the animals and the way she gains their trust without asking anything in return.  She also raises her own secret garden in the castle where she’s managed a way to grow the plants of the forest in a non-poisonous way, in an attempt to prove that the danger lies not in the forest itself, but in the remnants of the war and the toll humans took on the forest.  Through it all, she has faith that their will be understanding and it is that strength of conviction combined with the beautiful characters Miyazaki has drawn together that pull you into Nausicaä’s world where holding unwaveringly onto ones beliefs and remaining brave in the face of adversity is one of the most beautiful characteristics one can hold, in the world of Miyazaki or the real world as well.