REVIEW: Women’s Glee Club Fall Concert

The Women’s Glee Club fall concert featured performances from Women’s Glee, the South Lyon High School Varsity Choir, and Midnight Blue. Although this concert seemed to take attention away from just voices, adding a lot of instrumental work, the concert consisted of empowering messages for women, students, and those affected by the Holocaust.

My favorite song was the Women’s Glee Club’s second performance. Called “A Jubliant Song” by Norman Dello Joio, it represented a complex and versatile method of using an entire choir. Each segment of the choir was singing almost the entire time, forming intense harmonies and crescendos. The pianist, Bobby Levinger, was also amazing, showcasing his talent with every note. After speaking with my friend in the choir, I discovered that “A Jubliant Song” was ridiculously complicated to perform, but it stood out to me as the most unique and memorable number of the night.

After “A Jubliant Song,” the Women’s Glee Club performed “Reflections from Yad Vashem,” by Daniel Hall. The song was a juxtaposition of references to the Book of Genesis, prose by Hall, and names of children who were victims of the Holocaust. It was a haunting tune, using a lot of minor key along with a beautiful viola performance by Samuel Koeppe.

Women’s Glee Club then left the stage, making room for the South Lyon High School Varsity Choir. While they were less in number than Women’s Glee, their sound was still resonant and strong. For their last performance, “Bring Me Little Water, Silvy,” all the singers stepped down from the bleachers to form a line across the lip of the stage. They made their own percussion by clapping and stomping, which was a welcome addition to the relatively textbook glee performance.

After intermission, Midnight Blue sang “Praying” by Kesha, a song meant to serve as a message of empowerment for anyone going through hard times. After that they performed “I Want You Back” by the Jackson 5. Both rather contemporary pieces provided diversity to the concert, allowing for some of the glee singers without solos in the large performance to get their voices heard.

Women’s Glee then retook the stage. For their last two songs, they invited any glee alumni to join them in singing the famous “Yellow and Blue” as well as “Varsity Victors.” As a senior, those were probably my second favorite performances, as they always make me proud to be a student here.

Overall, the fall concert was a great way to celebrate 125 years. I appreciate that the glee club invites high school choirs and alumni to join them each year. Additionally, the use of talented musicians really adds to the performances, although I wish some songs simply focused on the voices of the glee club members.

PREVIEW: Women’s Glee Club Fall Concert

Tomorrow at 4pm, I’ll be heading to Hill Auditorium to the Women’s Glee Club fall concert. I’m always astounded by the quality of their sound and can’t wait to immerse myself once again. Aside from that, this concert also has a relevant theme: reflections of the past … with a focus on remembering the Holocaust.

The main languages concerned will be Hebrew and Latin. Songs will be performed by artists like Jake Runestad, Levente, and Daniel J. Hall.

I have a friend on Women’s Glee so I’m excited to see her perform! Knowing the Glee Club, this will be a gorgeous, resonant way to celebrate their 125 years of song.

REVIEW: Men’s Glee Club concert

A combined UMMGC of alumni and current members sing The Yellow and Blue for the 154th Annual Fall Concert finale.
A combined UMMGC of alumni and current members sing "The Yellow and Blue" for the 154th Annual Fall Concert finale.

The University of Michigan’s Mens Glee Club filled the walls with sounds of song in Hill Auditorium Saturday, November 24 for their 154th annual Fall Concert.  “Songs of Experience and Innocence” featured 10 different sections as listed in the program, with an intermission to let the performers’ voices rest. Conductor Eugene Rogers did an excellent job directing the powerful voices and explaining the theme or messages in pieces that did not have English lyrics. For the audience’s convenience, many selections were embedded into the program with English translations to follow along and make sense as to whatever-the-heck the men were singing. I was pleased to find traditional Russian numbers that I have never been exposed to before through my Russian mother. During the Russian piece “Kalina,” a group of about five members did traditional Nutcracker-like dancing that mustered many hoots and hollers from the audience in awe and appreciation.

Perhaps the coolest part of the night came when members of Dearborn High School’s Glee Club took the stage to perform “Vive L’Amour,” conducted by their director Carmelle Adkins. She described the group as coming together in such a short amount of time to learn and perfect their selections for the concert. Interestingly, over half of the group had no prior singing experience, but that did not detract from their talent. Adkins thanked the UMMGC tremendously for their support of the high school program that connects University Glee Club members with high school students, and for the opportunity and desire instilled into the young men through the collaboration. The Dearborn members sang together with UMMGC members for two selections, including a Caribbean-themed Jamaican Folk Song.

I was suprised to see many percussion instruments and the aid of a pianist on many numbers because when I think of the style of glee music I picture music created entirely through voice. I don’t think the added instruments hindered the peformance, and their aid definitely aided in the overall experience of sitting for two hours intently focusing on the show.

One of my favorite parts of the show was the Friar selections, a subset of eight UMMGC members. They sang two original numbers including a ballad expressing the frustration of not making into the selective Ross Business School to the tune of Les Miserable’s “I Dreamed a Dream.” Equally has hilarious and sticking to the rejection theme was a number about not being selected in the sorority rush process to the tune of “Beauty School Dropout” from Grease.

Nearing the end of the program, Michigan song selections filled out the last of 10 sections for the night. Audiences rallied behind a slower paced version of “The Victors” during “The Varsity and the Victors.” As per tradition, UMMGC alumni members crowded the stage to sing the finale “The Yellow and Blue,” and there were many of them who stood alongside current members.

Even though it was a cold and snowy night, the UMMGC warmed the hearts of many for a beautiful night of song.