REVIEW: Purple Rain

Great as a preserved performance, so-so as a movie.

My overall review is that even though the movie was interesting enough as a record to experience Prince’s performance, it wasn’t watcher-friendly.

The movie follows Prince and his problems when he was a young, aspiring star, presumably telling the story around the time when he first played his hit ‘Purple Rain’ in front of the public.

As mentioned, as a recording of the music performance, it was great. I felt as though I was actually in a concert and the camera used angles that were very efficient in portraying the performance style of Prince. Even though I had never seen videos of Prince performing before, I could get the sense of his style and ‘coolness’. The camera also did not fall into the mistake made at some band performances – focusing on the vocal yet using too many angles and effects. This may captivate the watcher’s attention but would draw the attention away from the personal aura of the performers. However, Purple rain focused on the lights, fog, and motion of Prince; the real elements on stage that draw the watcher’s attention to the actual movement of Prince.

As for the storyline, it wasn’t articulated enough for the watchers to be immersed in the story. I couldn’t help comparing the with Bohemian Rhapsody, a film that took a similar format of songs from an iconic artist and told a story about the artist. The impression I got was that Bohemian Rhapsody laid out the story more carefully. Bohemian Rhapsody made the characters likable. It gave enough information on the context of the character’s emotion so that the watcher could understand and build an emotional attachment with the character. Enough description was given on characters so that felt lively as well. However, In Purple rain, the story seemed to be an assembly of pieces. Strong emotional events were given – relationship with Apollonia, the conflict between Prince’s parents, and discontent from the band members. However, instead of building the foundation of each story and how it developed, the storyline only threw strong events at the audience without providing room for the audience to emotionally understand or resonate with the character. Also, the characters were flat. Think of Apollonia-why did she join Morris and how does her feelings toward Prince develop? What’s Morris’ opinion of Prince and what’s the story behind the conflict between Prince and the Band? What is needed for it to be resolved? All these questions, which are well developed, could have been an interesting human drama, were glazed over and not discussed.

In all, I recommend this movie to people who miss the heat of the concert scene and miss the music from the era before digital beats took over. It was also fun to imagine how Prince’s performance would have affected artists of later generations because a lot of his movements reminded me of scenes I’ve seen on contemporary artists’ performances. However, if you’re looking for an emotionally well-told movie with a sound track-you might want to look for something else.

PREVIEW: Purple Rain

This Friday, at 10 pm, the movie ‘Purple Rain’ is played in the Michigan Theater.

Anyone not alien to the pop culture would have encountered at some point in their life the famous cover of the iconic album with Prince dressed in purple riding the motorcycle. Inducted in the Grammy hall of fame and being sold more than 25 million copies worldwide, the album ‘Purple rain’ of Prince is mentioned as one of the most iconic albums in the pop scene of all time. My first encounter with the album was at a modern vinyl shop in Seoul. Purple rain was displayed as the test record to get the taste of music played from vinyl, and I, as a self-defined rock and funk fan went for it. I was a bit surprised-I had thought that Prince was a rock/funk style artist. What I heard was an R&B style, soul vibe. I still remember that experience as an unexpected, surprising one.

The film that will be played this Friday features the album as the soundtrack. It’s a rock musical with Prince acting as himself. It’s about Prince and his band, a taste of their music and life.

U of M Students could get in free if they submit the passport to the arts or use a passcode to get tickets online. More information on where to find and how to use the passport to the arts can be found here: 

http://artsatmichigan.umich.edu/programs/passport/

It’ll be a great way to celebrate the start of spring break.

REVIEW: Before Love Came to Kill Us

If Jessie Reyez’s Before Love Came to Kill Us was a quarantine essential, it would be a serrated knife used to saw through a loaf of thick-crusted, homemade bread. Released this year on March 27, Reyez’s debut studio album wastes no time ripping into the artist’s grittiest emotions and slicing away with expansive, genre-bending gusto. The versatility of Reyez’s vocals and unapologetically blunt lyricism are present throughout the album, with sounds ranging from the swaggering, synth-infused “Ankles” to the reproachful Spanish ballad “La Memoria”. Though colored by a multitude of musical genres, each song seems to inflect different emotional responses to the messiness of love and the realization of one’s own mortality.

Reyez introduces her work with a distinctive vulgarity, declaring “I should’ve fucked your friends/It would’ve been the best revenge/For the fire that you started”, before continuing to saw away with impassioned remorse at the memory of her ex-lover. Reyez’s raspy declarations are accompanied by the almost ironically soft tones of a piano and string quartet, reflective of how the song’s mood glides through extremes. The singer slips between the fiery indignation of being “sick with feeling like I deserved better” and the quiet jealousy of “if I blow your brains out, I could guarantee that you’ll forget her” – delivering unforgettable lines with no semblance of mercy.

Before Love Came to Kill Us includes several of Reyez’s previous releases – like raw 2017 single “Figures”, and”Imported”, a slinky R&B collaboration with 6LACK. Though the tracks fit in thematically, with “Figures” cracking down on post-breakup hurt and “Imported” commenting on immigration and casual love, something about each seems to disrupt the album’s emotional flow. Perhaps the two singles flavor differently in emotional maturity – while the rest of Before Love Came to Kill Us exudes loud confidence even while tackling great insecurity, “Figures” and “Imported” display vulnerability more blatantly.

One of my favorites from this album is “Ankles”, a gloriously self-assertive production drawing upon both choir and trap sounds that make the listener feel as if they were curling their lip at their own unsavory ex. Reyez chants along with the instrumentals by continuously bearing a disparaging truth about her ex’s future: that regardless of who he finds, “these bitches can’t measure up/To my ankles/Levels? (Nah)”. She does this while bearing the truth of her own realizations – that the ex and their relationship, in all its cheating toxicity, had managed to string her along with guilt – not once, but twice. Reyez finishes her masterful rampage surrounded in ticking drum beats and the last strains of a choir, asserting that like her ex’s future prospects, he is “backwards, 2 feet/Shallow, too real”.

REVIEW: blackbear w/ Roy Wood$

I’m not sure where to even begin. March 23, 2018 — it was the warmest night of the week in Ann Arbor, and I had driven to my friend’s place so we could walk to Hill Auditorium together. As two notorious procrastinators, we decided to meet up at 7:30PM, so we weren’t quite ready to be makin’ our way downtown to the concert just yet.

Well, I mean, I was ready, I was so ready to see blackbear — who has risen as a popular R&B and Hip Hop artist, with hits like “do re mi” and “idfc” — which basically represent my mentality about the world: I have trust issues, I hate people, I don’t care, but with more profanities sprinkled in between.

I discovered blackbear once upon a time, when I still used Pandora’s online music player, which had its own R&B/Hip Hop station. blackbear popped up every so often, and I’d jammed hard to his music, which pushed me to look for more. His album “digital druglord” is my favorite, by the way. Long story short, I’m hardcore into his music.

Once my friend and I had finished powdering our noses and saying goodbye to the house cats, we started walking with my impatient and brisk pace, to my friend’s dismay. On the way, we laughed and chatted it up, chewing on candy hearts with very aggressively forward flirtatious phrases on them. It was colder than we’d anticipated, trusting the Weather App’s warmer predictions, but that didn’t stop the excitement from bubbling underneath.

Hill Auditorium was in sight, and we were all chattering teeth and goosebumps through the doors, where security guards were scanning for tickets. I was carrying both of our tickets, so I hastily shuffled through my purse to find only one. My heart immediately sank, and I could feel my friend laughing nervously and looking ominously at me. In a panic, we held each other, and I frantically searched my pockets and dug further into my bag, where I discovered the other ticket was hiding. My heart was pounding, but the two of us laughed at the ridiculousness of the moment. Mind you, if I had left the ticket at her place, that was at least a twenty minute walk away from Hill Auditorium, and we’d barely even made Michigan Time to the 8:00PM start of the concert.

Nevertheless, our tickets put us on the very top floor, the balcony, overlooking the hundreds of others seated ahead of us. On our way up the steps, I could already feel my knees buckling from walking so fast, from almost losing our tickets, and of course, from my overwhelming excitement. My friend had her arm hooked around mine, laughing as she helped me up. The floor was vibrating with the heavy beats blasting through the entire auditorium, and we hadn’t even gotten to the top floor.

The moment we opened the doors to the actual auditorium, we were greeted by extremely dim lighting and extremely loud music. Another security guard saw us blindly walking in the darkness and asked what seat numbers we had, to which we replied 410 and 411, and he pointed us in that direction. Eventually, one way or another, we settled into our seats and drowned in the noise.

Roy Wood$ was already performing by the time we had arrived, and neither of us were quite familiar with him, but I was grateful I had the chance to see him perform — I was definitely going to give his music a try later. Roy Wood$ is more R&B/Soul, which I’m fond of, and besides that, the enthusiasm around me was contagious. I felt I became a fan of Roy Wood$ in that concert, along with the throngs of fans screaming his name and his lyrics.

My friend and I fell into conversation here and there, gossiping about people we knew, swaying and grooving to the music. At this point of my emotional roller coaster, I was not quite at the peak, which was saved for blackbear’s appearance on stage.

Once Roy Wood$ was finishing up, a short intermission followed, and the lights came on and flooded the auditorium. I realized how many young faces I saw in the crowd, some even accompanied by one or two parental-looking figures. My friend assured me that they were the same age, other college kids like us, but for some reason, it freaked me out a little — a grim reminder that I’m 21 years old and not getting any younger.

My tiny mid-life crisis ended when the lights dimmed to black again, and the familiar vibrations of the floor returned, beating and pounding.

A familiar beat came on, and I instantly jumped up, following suit to countless other silhouettes around us. My only thought was he’s here, he’s here, he’s really here and it’s him, it’s him, it’s really him, barely containing my excitement. The intro blasted through the auditorium, blackbear’s most famous “do re mi” line, pulling and drawing the eager audience in before it smoothly transitioned into a different song — “Dirty Laundry.” (Spoiler alert: blackbear closes with “do re mi.”)

blackbear walked on stage and greeted the outstretched hands reaching for him, waving to the countless screaming fans. He did a little dance as he got into the song’s melody, pulling a couple poses here and there, while everyone wholeheartedly belted out the lyrics with him. Of course, so did I, but it was difficult when I could hardly hear myself think. The realization dawned on me that the teeny tiny figure on stage, obscured by various arms waving in front of me, was really blackbear and at that moment, I was caught in pure, unadulterated excitement and hysteria.

As soon as blackbear got into the swing of his music, everyone was losing their minds, delirious to the sound of heavy beats and the husky tone of blackbear’s voice. An electrifying energy flooded the room, putting the audience in a chilling, exhilarating trance. I was in that feverish crowd of fans, high on blackbear’s music, hypnotized by the thrill of the experience.

Still, I must admit, it was deafeningly loud in there, so noisy and so excruciatingly loud, the words blackbear was singing often came out as muffled noises, like those from a rusty, old radio. Between the songs, sometimes he had things to say to the audience, which I was desperate to hear, but every word was gibberish to me. Maybe this was because I was seated so far from the front, but hey, I’m not made of money. Priority seating was a little out of my price range, okay?

I’m not complaining. I had the opportunity to see blackbear perform live! I’m honestly still processing it, and I’m absolutely honored and beyond ecstatic to be able to blog about it for [art]seen — my experience is memorialized, in a way. Definitely treasuring this.

This photo shows blackbear performing one of his biggest hits, “idfc,” which encouraged everyone to swing their flashlights in the air. Obviously, the photo was taken by blackbear’s photographer, who was taking photos from on-stage. From my perspective, the concert looked a little more like:

Still — not complaining. The entire experience was the takeaway for me. I will be eternally grateful to have had the chance to see blackbear perform here in Ann Arbor, of all places, and dedicate a blog post to [art]seen about it. Words cannot describe how absolutely amazing it was to me, and I’m honestly in awe at how they transformed Hill Auditorium, where my sister had her graduation ceremony, gowns and all, into a blackbear R&B/Hip Hop venue. Lights streamed in every direction, bringing life to the stage, the crowd, and the performer. I was in the same building, the same room, as blackbear — just wow.

Special thanks to Hill Auditorium for hosting this unique and special event at the heart of Ann Arbor — I will cherish it forever. And a special shoutout to my friend, who isn’t even that big of a blackbear fan but loved me enough to come with me! I hope you had as much fun as I did, or at least some fraction of it, I had a looooooot of fun. Maybe even too much fun, really. Shoutout to blackbear’s photographer and instagram for posting these awesome photos of the concert, S.O. to the poor dad sitting uncomfortably in front of us, S.O. to the people who caught the articles of clothing blackbear threw — I am and will be forever jealous of you — and shoutout to the couple dancing hysterically a couple rows in front of us. Not even darkness can hide your dance moves.

The concert is over, but in my heart, it will live on forever! Thank you so much for coming to Ann Arbor, blackbear!!!