REVIEW: Groove Robs the Louvre

I admire Groove’s creativity.

On the night that the Groove declared that they will rob the Louvre(!), the Michigan theater where the viewers would be the witness this exciting heist was filled up with the crowd. The performance was highly enjoyable because, fundamentally, the performances sounded so good! Groove is a student organization known to create amazing beats out of untraditional percussion instruments such as trash cans, plastic buckets, or anything they can beat! It was amazing how the Groove used different percussion that did not sound the same – each has a different pitch, so instead of the sounds crumbling altogether, they came together to create an exciting harmony.

Yeah, everyone knows that Groove sounds amazing, but I was wondering from my prior experience from watching their shows consisting of short performances focused solely on sounds about how they will link diverse percussion performances into a 2-hour show with theme and storyline. As always, Groove’s creativity was way ahead of me. The general storyline was that Groove had decided to rob the Louvre as a bonding activity, and each performance represented what happened during the planning of the heist, the incident they had on France, and how they finally went through all the challenges and stole Monariza. As for the story, short dialogues were inserted between shows while the stage settings were being changed. This was a smart, strategic choice not only because it prevented the audience from being bored during the pause but also because it overcame the percussion performance’s difficulty to convey the story due to the lack of lyrics in the music.

The show was well structured: as the story unfolded, the scope of their performance became wider as well. The performance started with purely percussion sounds – the ones we would expect from a typical groove performance(wait, groove performance is never typical!). Also, the performance offered interesting visual scenes while the percussion was being played – my personal favorite was where they were making music in a kitchen scene where the icebox was used as the main beat while other small kitchen utensils and cooking process, including the popping of the egg as the highlight, were added on top of it. Both visually humorous and sonically exciting, this scene was truly enjoyable. Then the wider range of performances joined on top of the beat, such as dancing or the display of talents of the members including receiving a jelly thrown across the stage by the mouth. Then, the range of instruments widened to include strings and horns, returning to percussion performance in the end. This not only showed how talented each individual of Groove is but also proved that Groove’s ability to coordinate music is not bounded to percussion.

Alas, I almost forgot to mention the incredible stage design! Stage made out of iron bars that had fake Monariza on it definitely highlighted the ‘Louvre’ part while going so well with the exciting, raw vibe of Groove’s music. In all, I really appreciated the pure creativity that Groove had enchanted us with during the two-hour show.

REVIEW: 35th Annual Storytelling Festival

I highly recommend attending this event at some point in your life. It’ll be a chance to reflect on the media exposure you are getting and appreciate the art of language.

The event took place in the ark, in front of a stage with blue curtains. Two microphones were there; one for the MC, and one for the teller. The audience was seated surrounding the stage and the tellers exchanged the ‘shower caps’ of microphones every time they took the stage. The room was dimly lit with warm, orange lights. It was a perfect atmosphere to hear a good story-minimal visual distraction so that we could let our imagination run wild and focus on the vibration of air that hit our ears. At this stage, 6 tellers told one story each, the type of stories varied from a revision of an old folk tale (I recalled hearing a story in a similar twist in the Talmud), some point in the border between a joke and real life, and humorous reminiscence of moments just a few days ago or a few decades ago. In all, the tone of stories had humor and drama to them, the two great components that captures our attention. It was a combination, a tasting menu of stories to give the audience a taste of the art of storytelling.

I loved the atmosphere of the event – It was like Youtube, but without any visuals and distractions. I realized that I forgot what it was like to listen to a good story. When you hear a good story from a storyteller, you enter this state of trance where you are running a mental film inside of your head guided by the story you are hearing. This lone light of guidance in the vast night of possibilities is a feeble but powerful one: the teller’s voice and rhythm of speech shape the story yet lead enough room for imagination to fill the gaps. As I listened to the tellers, I realized how distracted I was when I was hearing a story with so many ‘visual aids’ and ‘recommended videos’ in a queue. Words from a life story made the audience focus on every word because we could not go back a few seconds to catch what they missed.

With those chaotic distractions eliminated, finally, the pauses, the tone of voice, speed, and rhythm of speech got the attention it deserved. The language was once again more than just the meaning of the text it conveys, the wisdom we forget so easily in modern life. 90 minutes was enough to provoke all those musings and re-appreciation of language. Curious about the event? You’re in luck: the recording of the event is uploaded in youtube. Also, this is an annual event with a long history! So next winter, when you’re stacking your hot cocoa for the winter, look up the news of this event as well-it’ll make you feel cozy on a winter night, maybe even better than hot chocolate.