REVIEW: Dancing Globally

Before Dancing Globally, I hadn’t been to a modern dance performance in years. It had been so long that I honestly couldn’t really even remember what to expect. When the lights dimmed, I looked over at my friend in the darkness and grinned, with the excited feeling of being on the first side of a mystery.

As soon as the curtains opened, both of us could tell we were in for something exciting. The first performance, probably my favorite of the four, featured a semicircle of dancers wearing suits. Each dancer had a chair that they used as kind of a prop, and throughout most of the performance, hardly anyone moved very far away from their chair. This is part of what made the choreography so creative: not only were they interacting with the chairs in unique ways, they also managed to make it feel as though they were interacting with each other—and with us, the audience.

My favorite part, though, was the suit aspect. Throughout the performance, they removed aspects of the suit one by one—the jacket, the hat, even the pants—all except for one standalone dancer at the very edge.

The costumes ended up being a standout part of the entire night; the third piece, for instance, was completely different, but still striking in part because of its visual aspect. The dancers were performing against a backdrop of projected flowers, and they all wore vibrant, colorful outfits. This gave me the semi-subconscious impression that maybe the dancers themselves were meant to represent flowers, or something like flowers. This interpretation was reinforced toward the end, when three of the dancers stood under a stream of water that looked like an actual spring from the natural world, transplanted onto the stage.

The final piece was definitely more somber than the rest, with shaded, semi-uniform costumes and dim, melancholic lighting. However, it was still entrancing to watch, in part due to the constantly shifting nature of the choreography and the “scene” unfolding on the stage. It was definitely a powerful closing piece for the night.

Dancing Globally was a welcome representation of the work being done in the School of Music, Theatre & Dance, in part because of its sheer variety and in part because of the balance it was able to strike between engaging and thought-provoking. Overall, the night was definitely a success, and I look forward to attending more dance performances in the future.

REVIEW: Violet

Looking for something to do to help you forget about the stress of exams and assignments this weekend?  Violet is the perfect musical to do just that!  The University of Michigan’s School of Music, Theatre, & Dance brought to life this story that has hilarious, beautiful, and heartbreaking moments interwoven in.  Even on a Thursday night, the audience was completely standing at the end after being left speechless.

Violet is about a young woman (Natalie Duncan) whose face was disfigured when her dad (Jamie Colburn) accidentally hit her with an axe.  She grew up her whole life with people staring at her scar, or even worse, refusing to look her in the face.  She finally decides to travel to meet a television preacher (Ben Ahlers) who she hopes will heal her scar.  Along the way she meets Flick (Justin Showell) and Monty (Charlie Patterson), two soldiers on the road.

Natalie’s voice couldn’t have been any more fitting for the role of Violet.  One must have a decent Southern accent and some killer vocal chords to captivate the audience; and she did just that.  The audience was laughing while she was singing “All to Pieces”, about how she wants her physical features changed up like those of celebrities.  They got chills during the strong performance of “On My Way” done by the cast.  And they sobbed during Violet’s solo of “Look at Me”.

I typically recommend shows here and there to see, but this one cannot be missed.  It is such a beautiful story with a cast who did not disappoint.  The expected, but still shocking, amount of talent in this show blew the audience away.

There are still three shows left at the Arthur Miller Theatre: 12/9 at 2pm and 8pm, and 12/10 at 2pm.  Tickets are $20 for General Admission and $12 for Students with ID.  More information can be found at http://tickets.smtd.umich.edu/single/EventDetail.aspx?p=3355.

PREVIEW: Violet

The University of Michigan’s School of Music, Theatre, and Dance is bringing the breathtaking musical Violet to the stage this weekend!  Violet is a beautiful story about the journey to healing for a young woman whose face was disfigured in an accident.  It’s a relatable tale of friendships, hardships, and finding beauty and hope in difficult situations.

On her journey from North Carolina to Oklahoma, Violet meets Monty and Flick, two soldiers heading to Arkansas.  Throughout the musical there are some of the most beautiful musical numbers that help tie the story together.  When Violet finally makes it to Oklahoma, she meets the preacher that she hopes will heal her disfigured face.  Will she return home healed by the preacher, or as the same person as before?

Violet will be performed at the Arthur Miller Theatre on Thursday 12/7 at 7:30pm, Friday 12/8 at 8pm, Saturday 12/9 at 2pm and 8pm, and Sunday 12/10 at 2pm.  Tickets are $20 for General Admission and $12 for Students with a valid ID.

More information can be found at: http://tickets.smtd.umich.edu/single/EventDetail.aspx?p=3355

Review: Our Victory and Pride

On Saturday I attended the Men’s Glee Club concert titled Our Victory and Pride: Singing in the Key of Michigan Since 1859.  I have been to multiple concerts of the Men’s Glee Club, however, this one was by far my favorite!  The concert celebrated Michigan’s composers as a part of the bicentennial celebration.   And if you missed this concert, there will be another celebrating the bicentennial in the fall!

I absolutely loved all of the songs that were sung, and could definitely see the tie to Michigan in them.  Some of the composers such as Kristin Kuster (composer of “given a body” and “Michigan: Unite”), Shawn Crouch (composer of “The Peace of Wild Things”), and William Brehm (“I will remember, my Michigan”) were in the audience on Saturday night.  The Men’s Glee Club also sang an awesome “Motown Medley” arranged by director Eugene Rogers and JDM.  My personal favorite had to have been “The Map”.  “The Map” took us on a drive through the state of Michigan and highlighted some of the more popular cities.  The hilarious and lovable group of The Friars also made an appearance, singing some of their songs.

The Men’s Glee Club closed their concert with the popular “Varsity and the Victors” as well as “The Yellow and Blue”, in which they invited the alumni of the Men’s Glee Club onstage.  This was such a fun concert to attend and I’m looking forward to part two on November 10 and 11 at the International Male Chorus Symposium!

REVIEW: The Little Mermaid

Tonight I had the opportunity to see The Little Mermaid performed by students in U of M’s School of Music, Theatre & Dance, and it was wonderful!!!  It brought me right back to my childhood and dreams of being a Disney princess.  There honestly was not one character in the show that I didn’t like.  The audience immediately fell in love with the quirky, adventurous mermaid Ariel (Halli Toland) and the charming Prince Eric (Trevor Carr).  And Sarah Lynn Marion rocked those crazy Ursula solos, with thunderous applause after each one!  Other noteworthy characters included Ariel’s best friend Flounder (Matthew Kemp), the “smart” seagull Scuttlle (Barrett Riggins), Ariel’s father King Triton (Jordan Samuels), Prince Eric’s guardian Grimsby (Elliot Styles), and the crustacean Sebastian (Liam Allen).

“Under the Sea” (Photo Credit: Peter Smith Photography)

 

The applauses were endless after numbers like Halli Toland’s beautiful solo of “Part of Your World”, the biggest number with dancing fish and even a giant stingray – “Under the Sea”, and Sarah Lynn Marion’s evil “Poor Unfortunate Souls”.  If I could see this show over and over again, I would!

The Little Mermaid can still be seen Saturday and Sunday April 15-16 at 2pm.  Tickets are on sale now: Reserved seating $26-$32 and Students $12 with ID.

Ticket information can be found at: http://tickets.music.umich.edu/single/eventDetail.aspx?p=3001

Review – True Blue: A Tribute to Michigan!

If you have ever felt the pride of being a Michigan Wolverine, being at this event magnified that feeling by 100%.  True Blue!  A Tribute to Michigan brought together those who share the love and passion of two colors: maize and blue.  Some of the biggest celebrities were on the stage of Hill Auditorium, telling their stories of their time at the University of Michigan, and everything that they have accomplished after graduating with a U of M diploma.

Tribute to Ann Arbor squirrels (Photo Credit: Matt Weigand)

There were so many amazing performances that I will do an overview.  Many videos were played throughout the night including ones of the history of U of M, the Diag, the Ann Arbor squirrels (my personal favorite), U of M couples, Bo Schembechler’s “The Team” speech, U of M professors, and the alumni.

“The Victors” performed by the Department of Musical Theatre Majors (Photo Credit: Scott C. Soderberg)

The Jazz Ensemble played a nice medley of “Michigan Through the Ages”.  The Department of Musical Theatre Majors did a stunning rendition of “The Victors” that definitely made me tear up a little as I felt the pride of being a Michigan wolverine.  The Department of Theatre & Drama Acting Majors performed multiple pieces such as “Catholepistemiad Rap” about the history of U of M, “Clarence Darrow and the Ossian Sweet Trial” alongside Emeritus Professor of Voice George Shirley, and “Tribute to Activism”.  The Michigan Men’s Glee Club sang a chilling “Glory” from the movie Selma and “I Remember, My Michigan”.  The Contemporary Directions Ensemble played multiple pieces such as “The Little Victors”, “Concerto for Two Violins”, “Back to Michigan”, and the cellists played a “Tribute to Raoul Wallenberg”.

The Friars and Theatre & Drama Acting Majors in the tribute to the Engineering Arch (Photo Credit: Matt Weigand)

The Friars made an appearance to sing “In the Still of the Night” as a hilarious tribute to the Engineering Arch, in which Theatre & Drama Acting majors acted out couples walking through the “arch”.  The Department of Dance Troupe performed “The Little Victors”.  The RFD Boys, alumni of U of M, played a “Michigan Medley”.  Multiple professors spoke such as Ralph Williams, Kathleen Sienko, and also the chair of the Department of Neurosurgery Dr. Karin Muraszko.  “The University” was sung by the University Chamber Choir.  Shortly after, the Michigan Marching Band flooded the stage performing all of the classics: “Victors Valiant”, “The Yellow and Blue”, and “Michigan Fanfare and The Victors”.

Emcee Darren Criss (Photo Credit: Robert Buechler)

The emcees included actors Darren Criss and Jacqueline Tobini, neurosurgeon and medical correspondent Dr. Sanjay Gupta, and NBC sportscaster Andrea Joyce, all of which are U of M alumni.  Other famous alumni speakers included: Civil Rights activist Cecilia Munoz, mayor of Ann Arbor Christopher Taylor, sports legends Desmond Howard and Jim Harbaugh, Broadway producer

Alumni and football legend Desmond Howard with other U-M sports legends onstage (Photo Credit: Scott C. Soderberg)

Jeffrey Seller, space explorers Afred Worder, Kiko Dontchev, Steve Walton, Mike Hess, and Hashmita Koka, Zingerman’s co-founder Ari Weinzweig, co-founder of Americans Committed to World Responsibility Judy Guskin, and of course U of M’s President Dr. Mark Schlissel.

This event was absolutely extraordinary and I couldn’t be more proud to be a wolverine!  Go Blue!!!

Football coach and alumni Jim Harbaugh (Photo Credit: Matt Weigand)

Upcoming Bicentennial events include:

June 26 & October 26: President’s Bicentennial Colloquia

June 26-27: UMich200 Summer Festival

August 26: U-M’s 200th Birthday

September 15: Detroit Festival

October 26-28: UMich200 Fall Festival

For more information: bicentennial.umich.edu