Capturing Campus: Post-gestation

new year, old her

scared of nothing

worth the fear

who knew nothing

of the world

watched with clean eyes

lucky

she knew she was 

but didn’t know 

the possibilities that mold and fur

on the tongue 

the promises of freedom

that smoldered 

like the end of a cigarette 

snuffed out 

walking by

faceless people dying on faceless ground

turning heads away from death

kicking change from Big Gulp cups

because there aren’t any Coinstars where we’re going

where we’re going 

some argue is already written

but the news is always new

always angry 

spitting words wedged between molars 

spoken without pause 

not meant to be held by a head

how can shoulders bear

the weight?

waiting for the refresh to stop 

circling the drain

staring at the screen 

calling it a friend

because who has friends these days?

red veins where the whites were

it’s time to go to sleep; dreaming in blue

forget today and tomorrow

the next day

too—late for living 

is this what the world always was?

we are told things were better

but were they ever

what we remember?

the skin she was born with

that was supple and growing

is no longer growing

but dying

bleeding with knowing

knowing all there is 

to be scared of

and there is so much to be scared of.

aSoSS 37 | Yield

How much you wanna bet? Quick, quick, quick!

None. He’s right there!

Coward. You’re a coward.

NCRC Building 28, 5:00PM, 11/19/2024

it’s true: only cowards yield. i walk outside and avert my eyes at the inevitable sunset, the reunion of sun and moon, if only for an instant. one, perhaps fearing the stare of the other, blushes and peeks out of sight. there is a boy picking at weeds, at the flowers that have managed to sprout. there is no object permanence; every night is eternal, every morning a razor against the stem. above, the universe looks on, forlorn. for what being it has created, this parcel of stardust living on a speck of sand! we are sunrays, stones, cycles, and as such, condemned. swallowing words, yielding glances, circling the event horizon, knowing that time dilates, and perhaps preferring this unknown to the unfathomable.


I’m all for feminism, but there is a part of me that wants to go home and stay home and just eat pie…

Trader Joe’s, 12:30PM, 11/24/2024

after Susan Ertz: “millions long for immortality who don’t know what to do with themselves on a rainy Sunday afternoon”

it is an anger in the sky, cared for like a seed and cursed at like a storm. i come home to a polygon of light, green and pulsating–alive, as you would call it, though it is not capable of thought, or is at least intelligent enough to hide it. a modesty born of horror, you and i: an acid in the rain, a tangible tartness in the air. the door creaks open and you emerge, handsome as ever. i take your hand, as your woman, your man, it does not matter. arm in arm, a reversal of mitosis, two cells merging into one. the light begins to sing, an angel harmonizing with mother nature’s screams.


It’s a mess everywhere and you want to complain about a spot on the carpet?

Detroit Metro Airport, 6:00PM, 12/16/2024

consider the idea of a memory palace, a world within worlds, a dam to filter your stream of consciousness. watch as the beaver lays the foundation, mats the cracks with mud and other antiquities. you spot a marble wedged in one of the crevices. blue, brilliant, too smooth to be natural, too beautiful to be manmade. we dust ourselves in metaphors–allegories, alleged and analogous–when we are missing the words. in another universe, another parable, there is no Joy. no Disgust, no Anger, no Sadness. in place of a control panel, a river: wild and untamed and free.

aSoSS 36 | Miracle

How have online sales been going?

Too busy. I have had absolutely no time to do anything besides this and deal with the construction people…I still have unanswered contact emails from two weeks ago!

Scrap Creative Reuse, 1:30PM, 11/4/2024

december is the culmination of a series of unfortunate events, one month crashing into another, a pileup on a highway slick with ice. the snow masks your face, reflects the sun into my eyes. you believe punishment precedes trial, as did i, once upon a time. that time is no longer upon us–its passage should not be mistaken for an apology. i look into the bottom of my cup, at the tea leaves and the tarot cards, as if the swirling dredges could pull a lifeless body from the shore.


I got the job back, and I’ve been in meetings all day, all the guys at the house are really nice. So yeah, I’ve been sober for about five weeks now—yeah, thank you!

AADL Downtown, 4:30PM, 10/29/2024

it’s interesting that most of our limits are self-enforced, biological or not. in a society composed of chance, where do we draw the line? you and i do not hold the same significance. you see a miracle when you look out the window and i see a miracle when i look at you. both are true, in a sense. Darwish would profess an act of love, Marías a curiosity (“the window of a lover is more interesting than our own will ever be”). the window is a physical limitation, the infatuation a mental one. history always repeats itself; man must do as man did once.


You can each pick out one ornament for the tree. See they have Barbie, Minnie and Mickie, all the princesses… Grinch, Hocus Pocus, Harry Potter…

Walmart, 11:30AM, 11/30/2024

salem, 1690.

a body surfaces, frozen eyes and blueberry lips. a prayer, coughed up from the lungs. she’s alive! a miracle! the women weep and grow restless: they know what is coming. the preacher accuses, first with his eyes, then with his fist. a promise, jerked upright, throat wringed like a wet dishcloth. the floor opens and swallows the body. who’s next? the yew adds another ornament to its branches. inside the house, a silence borne from fear. not a creature is stirring, not even a mouse.

Crooked Fool: Living by Lamplight

As the light grows ever more dim, tendrils of gray among warm yellowish rays snake across the floor. The warm light of the lamp bulb grows brighter, drawing attention, declaring its presence, becoming the focus of the room. The titles of the books on the shelf become hazy in the half darkness, the gray, the not quite night, the semi-pitch black. My black cat becomes harder to spot in the shadows. The light is almost uncomfortable in the darkness, lighting the old quilt on the wall from below, highlighting the folds, wrinkles, seams, and age-worn fabric as though it’s telling ghost stories by firelight.

It is in this light that I feel most at home. Present, just a little activated, warm, full of possibility. When I can’t see in the darkness, I lean into the trust I have in my body. I let go of the need to see everything clearly. A familiar room becomes a bit unknown, memory filling in what it can, imagination tearing at the seams of reality for the rest. But I don’t mind it. As my eyes slowly grow tired and less focused in the dim light, my mind stays alive, my skin taking over, constantly, chronically sizzling with little vibrations of energy.  Breath becomes a little freer and also more vibrant, more vital.

This time, between obligation and sleep, is the seeking. This is when the unknown knocks and we make friends with the dark, accepting it into ourselves. Shadow comes out to play, welcomed by light that allows it to show itself freely. The slow creep of the shadows, the tiny burning of light in the bulb, and the slight somatic disequilibrium of the dark and empty but full invite play in a much heavier way than the broad daylight, quietly brimming with vital force.

Sometimes, when I’m leaning into the creative movement of my body, or the give and take of an improvised scene, I crave this. The playful, primal life magick of light, dark, and gray. Sometimes I close my eyes or let my vision go out of focus, leaning into the flying sensation of the unknown in my body, trusting my limbs to catch me, rolling out of every misstep, if not gracefully, at least still alive. And when I cannot see them in the shadows, the darker ones light little fires in my limbs, screaming stories into my the nerves all throughout my body, insisting on shining light where it has been snatched away.

This is where I crave to live and spend my vital energy – in the cracked shadows of warm, stubborn, attention grabbing light that exist in my bones, breath, soul, and story. The unknown soul also shines brightly, and light is seen best in the dark.

Play, dance, and sing with beings of light and dark without caring whether they came from the pitch black of night. Let the unknown give them a chance.

Find life in the half light, the flickering candle, the dim incandescent, breathing into the dark beauty in these spaces even if it feels like flying, like half dying, like losing yourself or letting your soul fly to pieces. Walk in darkness always.

LOG_038_GEOSYNC

Above: the HKC orbital research station Ouroboros in its first year of operation. The research station was decommissioned after 23 years of service when a faulty airlock alignment led to a rapid decompression of over half of the inner compartments and the loss of a third of its personnel. In the two years that followed the accident, large and intact pieces were scrapped and recycled, while smaller debris was left to eventually deorbit and burn up in atmo.