Art Biz with Liz: Spotify’s 2020 Wrapped

The past few days, my social media feed has been inundated with posts of people’s 2020 “Spotify Wrapped.” For those unfamiliar with them, Spotify Wrapped recaps offer data on the songs and podcasts that users listened to throughout the past year, including their most-played songs, top genres, and more. Users can see how many minutes they spent listening to content, how many new artists they discovered, and how they ranked compared to other Spotify users. For example, Spotify’s recaps may let an individual know that they were in the “top 5%” or “top .5%” of listeners of a specific artist or band over the past year. Overall, Spotify’s 2020 Wrapped aims to let users “see how they listened in 2020,” share their music habits with friends, and review the art that helped them get through the past whirlwind of a year.

Just as this data suggests, pop and show tunes are my favorite types of music to listen to. I’m surprised that classical didn’t make the list, but for those who may not know, bow pop is considered the combination of pop music and orchestral string instruments.

I admit that seeing everyone else’s sparked interest in my own Spotify Wrapped. While I didn’t share my results on social media, I’ll provide some of them as examples of this year’s features. Some results were expected, like my top genres. Spotify also included information about top songs. For me, my top song was “Heart of Stone” from Six (a musical that I happened to write a blog post about). This song can be attributed to themes of steadfastness, endurance, and patience, which were important to me during 2020. Indeed, Spotify lists user’s top song as the “one song that helped you get through it all.” Additional information on the top song includes when they first started listening to it and its total streams, which is new to 2020’s Spotify Wrapped.

The 2020 version includes a slew of new features, including personalized playlists, quizzes, and options for customized social sharing. This year, Spotify Premium users can also earn badges. I earned a “pioneer” badge, for example, for listening to a song before it hit 50,000 streams. I began paying for Spotify premium once I entered college, as my Spotify usage increased with all the hours spent studying and streaming music. I normally don’t pay for these kinds of services, but I was enticed by the student discount and the convenience of all kinds of ad-free albums, playlists, and more available at my fingertips. The time spent listening to music has only increased throughout this past year, and it is interesting to see the data in a condensed, colorful format.

Seeing RADWIMPS on this list surprised me, but that’s what I get for listening to the Your Name movie soundtrack on repeat.

Inside the Spotify app, you can find your personalized recap for 2020 by scrolling down to “2020 Wrapped” and tapping “see how you listened in 2020.” While it can be monotonous clicking through Instagram stories to see the same content over and over, it’s interesting to see what type of music others enjoy. Additionally, it can be an opportunity to check out new genres, artists, and more based on your friends’ selection. Besides looking at the pre-configured Spotify Wrapped, you can also visit friends’ profiles and see a combination of public playlists and the artists they follow.

While this post may seem like a Spotify advertisement, the popularity of Spotify and its “2020 Wrapped” goes to show how important music is to many. Spotify’s emphasis on the chaos of 2020 is a bit cheesy, but it holds some truth in how music has helped many get through the past year. While we may not be able to attend concerts and other performances, technology and increasing online accessibility allow us to still enjoy and appreciate our favorite songs and artists. Recapping our listening habits encourages us to reminisce about the art that has helped us cope with the loneliness of quarantine and craziness of the COVID-19 pandemic.

A Song for Reflecting on a Virtual Thanksgiving

I wrote this short song in the past few days while thinking about the experiences I’ve heard my friends tell me about their own personal family Thanksgivings. Each person’s situation was a little different, but each was far from the normal holiday they are used to sharing with their loved ones. This song is somewhat personal to me, but also incorporates elements/thoughts of individuals I’ve spoken with in the past week or so.

Good Things in Bad Times:

I see the faces round the table except this year they’re all alone

And the smiles that all greet me smile at me through the phone

There is stuffing on the counter, there is turkey in the fridge

Nana’s jello’s in the freezer, I wish that I could have a dish

 

And my cousins all were waving, but my FaceTime camera froze

Now each member of the family’s frozen in a crazy pose

My sister’s fork is halfway to her mouth, my mother sips her tea

Papa’s hand is in the cookie jar, well that one’s no surprise to me

 

And we look back to yesterdays and our family face to face

Whoever said that distance makes the heart grow fonder

Can rest assured that no one doubts him any longer

 

Now seven people all are talking and I can’t understand a word

Can someone teach aunt Betty now please how her iPhone works

And despite all of our warnings, about coffee cups and Macs

Uncle Billy spilled all over his new computer that’s a fact

 

And we’re looking back to yesterdays and our family face to face

Whoever said that distance makes the heart grow fonder

Can rest assured that no one doubts him any longer

 

And it’s hard to be thankful for good things in bad times

But this is the moment to reflect on all our lives

Cause 2020 wasn’t all bad all the time

And we’re thankful for the good in the bad times

You know I’m right

 

I see the faces round the table except this year I’m not at home

but when you have a family like mine you’re never all alone

 

And we’re looking back to yesterdays and our family face to face

Whoever said that distance makes the heart grow fonder

Can rest assured that no one doubts him any longer

No one doubts him any longer

Looking Forward: APG Presents

Hey arts, ink readers!

Happy Friday! I hope you’ve all had a chance to recharge over the break, whether you celebrated Turkey Day or not. The holidays look a little different this year, but that doesn’t mean we can’t make the best out of them and still find ways to connect to friends and family (albeit virtually). 

This week I had the chance to talk to Katie Lorenz, a member of APG (Arbor Promotion Group) Presents, about how the org is adapting to the year as well as how she views the arts scene on campus acclimating to the health and safety guidelines. Read on to learn more!

Founded in 2018, APG Presents is one of the more recent groups to enter the music scene on campus. They have two main focuses: producing and promoting live events, and helping students in the organization with professional development. In a typical year, they help put on shows at Necto and other venues around campus, bring in speakers from the industry to talk to members of their organization or the larger UofM community, and help with resumes, internship searches, and interview prep. They currently have over 50 members, with leadership opportunities for those interested in learning more hands-on about the industry. 

This year, APG Presents has had to pivot, as all of us have, but they’ve done a great job of maintaining much of their usual programming. They’ve moved their weekly meetings to be virtual, as well as their professional development programs. Their live music events have also been moved virtual, but have been able to shift to include things like artist Q&As as well. Katie explained that, although it’s obviously a bummer that they can’t all be together and produce their normal concerts, there have been bright sides to the changes, too. “Virtual experiences do a great job for [these] events of bringing people to us who might not have been able to, like, fly to us directly, people all across the world… So I think that’s been working in our favor kind of this year.” If you’ve read other posts from Looking Forward, this is a theme that a lot of people have come to notice over the pandemic – the musical theatre department, the Shapiro Design Lab, and now APG Presents. The limitations of geographical barriers seem to be non-existent now, and it will be interesting to see if that trend continues once things start returning to “normal”. 

I also asked Katie to share her thoughts on the state of the arts on campus right now. She told me that she sees creativity and the

10/1/20 UMMA Ibrahim Mahama Exhibit installation (via UMMA website)

way that arts organizations on campus have expressed themselves during this time as being really interesting – people are finding new ways to commit to their ideas and what they stand for. One example she brought up is the UMMA showing support for the Black Lives Matter Movement. If you’ve walked by the UMMA recently, you may have noticed that half of it is covered in stitched-together canvas sacks. This is by artist Ibrahim Mahama and is meant to “[celebrate] the often-invisible labor of Black and brown people behind global exchange and commerce while acknowledging the troubling histories of colonialism and slavery in the Western world,” (from the UMMA website). Personally, I found this interesting because although I had walked by this installation many times, I didn’t really understand what it was saying. Katie’s comment reminded me that there is always something to uncover about the arts on campus, always something new to experience, and that gives me a lot of hope for the year ahead. 

If you’d like to learn more about APG Presents and stay up-to-date on their future events, be sure to follow their Instagram @APGPresents and their LinkedIn page. If you’re interested in joining the organization, you can email Talia Rizika at trizika@umich.edu

If you wanna read more about the UMMA installation I mentioned, you can check it out here

 

That’s all from me this week. I hope you have an amazing rest of your week and stay safe! 

Lucy

Looking Forward: MUSIC Matters

Happy Friday, arts, ink!

I hope you’ve been getting through the week alright – we’re practically on break already! Today I wanted to talk to you guys a little bit about MUSIC Matters, a student organization on campus that I am fortunate enough to be co-president for this year. 

MUSIC Matters’ mission is to utilize the unifying power of music to drive social impact in the community. This is usually achieved through a variety of events each year, including local talent showcases, battle of the band competitions, and our capstone April event, SpringFest, which features live music, food trucks, student organizations, corporate activations, and more. In addition to these events, MUSIC Matters spearheads three of their own social ventures: the CoMMunity Partnership grant program, the Michigan Overnight Experience for Detroit-area highschoolers and the Big Thinkers Scholarship.

In response to the context of the past few months, MUSIC Matters has adjusted much of its programming. Over the summer, we made donations to the Henry Ford Hospital and to a campaign through another student organization, Heal Move Shift, to help first responders during the COVID Pandemic. In support of the protests against police- and government-sanctioned violence against BIPOC, they arranged a benefit concert and donated the proceeds to the Detroit Justice Center. They have also pivoted our local talent events to be virtual, utilizing Instagram Live to stream these performances. As for SpringFest, the MUSIC Matters team is working extremely hard to make it the best it can be while prioritizing the health and safety of everyone involved. Stay tuned for updates by following our Instagram, Facebook, and Twitter accounts. 

If you want to get involved in MUSIC Matters, you can still join! Go to our website, then under the “About Us” title go to the “Get Involved” tab. Here, you can find the application for 2020-2021, as well as check out more information on each of the committees and initiatives. 

That’s all for this week! Hope you all have a lovely Thanksgiving week (even though it may look a little bit different this year) and find some time to reset. 

 

Stay well + stay safe!

Lucy

Hidden Gems: King Gizzard and the Lizard Wizard

If you’ve never heard of the band before, their name alone might cause some hesitation, but I promise you that King Gizzard and the Lizard Wizard is the perfect example of a hidden gem. The Australian rock band was first formed in 2010 and has slowly grown a cult following with their bizarre and experimental rock music. They’ve been a breath of fresh air for the stagnant rock genre by exploring new musical territory with amazing success. More impressive than their musical range is their commitment to concept albums with authentic instrumentation and gripping narratives. I’ve mentioned in the past how concept albums hold a special place in my heart; they’re the perfect example of how different artistic elements can be incorporated into one project. They usually feature thoughtful narratives over multiple tracks, musical themes and callbacks throughout the album, and a unique aesthetic that is developed in every aspect of the project. King Gizzard and the Lizard Wizard is a master of this medium, to the point where they have developed an entire musical universe. Each album is a unique immersive experience, but with enough distinct elements that the band is consistent and easily recognizable. Since their discography is huge (and I mean HUGE, they released 5 album in 2017 alone), I can only cover some of their material, but I think these two albums represent what I love most about the band.

Infest The Rats’ Nest

Infest the Rats' Nest

Infest The Rats’ Nest is by far my favorite thrash album; the narrative is crushing and perfectly complemented by some of the most heart-pounding instrumentation I’ve ever heard. I’m not usually a fan of the thrash subgenre, mostly because it tends to be overwhelming and headache-inducing, but King Gizzard and the Lizard Wizard knows what they’re doing. The instrumentation is clean and concise throughout the entire album, with some parts even sounding symphonic, like they were composed by a heavy-metal Mozart. Along with this, the band is not afraid to experiment with a variety of instruments: many songs feature electronic glitches used to great effect, while they also employ choirs, microtonal instruments, and heavily distorted guitars. The entire sound of this album can be summed up as an army rising up in rebellion, it’s absolutely visceral. If the instrumentation wasn’t enough, the narrative of Infest The Rats’ Nest is just as gripping. The core message of the album is environmentalism (believe it or not), with the first half detailing a science fiction hellscape that used to be Earth, which is now decimated by climate change, plague, and poverty, while the rich have left to live on Mars. The second half of the album details the perils of an escaped spaceship of refugees looking for safety in the vastness of space. Both halves are equally well written and developed, but I especially love the environmental themes of the first half and how well they’re conveyed through the music. If you want to hear more of my thoughts on this great concept album, you can read my previous post here which dives more into the lyrics.

Murder of the Universe

Murder of the Universe

Murder of the Universe is an even more obscure hidden gem, and is even unpopular in the King Gizzard and the Lizard Wizard fanbase. Many criticize the spoken word passages, the overall aesthetic, and some of the more experimental parts of the album, but all of these features make this one of my favorite albums. The first third of the album is a fantasy inspired nightmare about a man transforming into an Altered Beast, and from the first notes of the first track you know you’re in for a wild ride. I think this is one of King Gizzard and the Lizard Wizard’s most developed compositions, both thematically and musically. The entire narrative is incredibly cohesive and gripping from start to finish, with the listener experiencing pure chaos as the protagonist descends into madness. I also love how the main musical theme is developed throughout this portion of the album; just as the protagonist is altered into some monstrous beast, the musical theme is altered into a beast of its own, ultimately culminating in an explosive climax on the last track of this portion of the album.

The second third of the album is just as insane as the first, but now with a story featuring The Balrog and the Lord of Lightning. Again, this is an absolutely electric part of the album, with many of the same features that made the first portion so great: incredible musical motifs, fantasy storytelling that is dark and chaotic, and an overall aesthetic that is reminiscent of Greek mythology and epic battles. My only complaint is that this is the shortest section of the album and seems to be the least developed as far as the narrative concept.

However, the last third of the album makes up for what the second part was lacking in a narrative concept. Right from the start of the introduction track you can tell that there is something different; a monotone and robotic narrator welcomes the listener to “an Altered Future”, and suddenly you’re in a science fiction horror story, detailing the murder of the universe. This portion of the album follows the cyborg Han-Tyumi as he tackles what it means to be half-human, half-computer in the most unsettling and imaginative way. I can say without a doubt that this is my favorite part of the album, both because of how experimental the instrumentals are and because of how outrageous and mind-bending the story is. I don’t want to spoil the narrative, so all I’ll say is that it is a completely unorthodox take on artificial intelligence and what it means to be human, and could only be thought up by a band called King Gizzard and the Lizard Wizard. Overall, this is an incredible album that lives up to the high expectations of a concept album. It has something for everybody and is a testament to the versatility of King Gizzard and the Lizard Wizard.

A Song for a Step Forward

A song I wrote for election week and some of the emotions I’ve observed in the past few days:

 

Verse

Weatherman said the forecast was looking cloudy
and I think it’d be safe to say that that’s been true
every word said had we the people doubting
if this was a week which we could all get through

Verse

All got out of bed on Tuesday with a purpose
then the waiting began to see who’d win and lose
each woman, man, other identifying person
was holding their breath their eyes fixed to the news

Pre-Chorus

and it took a few more days than we’d have liked
had our fingers crossed that things would turn out right

Chorus

This is a song for a step forward
a song for brand new days
I know not everyone’s happy
with the decision that’s been made
but this is it, this is now
we’ve got a woman in the white house
history is being made in front of our eyes
what crazy times for us to be alive

Verse

for now the united states still stands pretty divided
but the president elect isn’t only just for blue
to stand for all America, he’s decided
red, blue, him, her, we, them, me, or you

Pre-Chorus

and it took a few more days than we’d have liked
to learn what we hoped to know last Tuesday night

Chorus

But this is a song for a step forward
a song for brand new days
I know not everyone’s happy
with the decision that’s been made
but this is it, this is now
we’ve got a woman in the white house
history is being made in front of our eyes
what crazy times for us to be alive

Bridge

we the people of this country
face the end of a 4 year age
it’s been educational
but we’re turning the page
raise the flag

Half-Chorus

This is a song for a step forward
a song for brand new days
I know not everyone’s happy
but the decision has been made

Chorus

This is a song for a step forward
a song for brand new days
I know not everyone’s happy
with the decision that’s been made
but this is it, this is now
we’ve got a woman in the white house
history is being made in front of our eyes
what crazy times for us to be alive

Outro

what crazy times for us to be alive