REVIEW: Sacred Harp Singing

Sunday is usually a time for rest. To recuperate from a crazy week, be thankful for what life has given you, celebrate in any faith you may follow, and prepare for the days to come. Having grown up with Christian parents, I have experienced the traditional Sunday mass and religious hymnals that come engrained in every service. However, these songs never had much effect on me. I never felt connected to any supreme being or holy spirit by singing the Catholic hymns I was raised on. Of course with every faith and even each individual church there comes a different type of worship music. For example, a rather large Christian church a mile away from my own church had a live rock band play every Sunday in their services. This Christian rock genre has become very popular for inspiring deep emotions in people and allowing them to access a personal connection to their spirituality. However, this music has consistently just made me feel even more alienated from my spirituality for not having the same ethereal emotions that are summoned in others around me.

I say all this as a means to premise what I experienced while singing in the shape note tradition this last weekend. Taking excerpts solely form The Sacred Harp, we sang tune after tune of powerful, open-chorded, hymnal-type music. The Sacred Harp tradition, having been based in religious practice, has a firm foundation in wanting to evoke feelings of grandeur and connect every singer in the room to some sense of divinity. However, in modern day, Sacred Harp singing has taken on a traditionally secular role. Yet people keep coming back, no matter what their personal faith is, to sing this music because it has a way of giving every participant in the room goosebumps. Technically speaking, the music is all written in parallel lines of fifths and octaves with open chords that spread a wide vocal range. What this means is that it is different from classical western art music in that it purposefully wants to sound clear and open, whereas traditional composers in the European music tradition would attempt a more balanced harmonic structure in their melodies. But it is this openness that reverberates through you when you are singing Sacred Harp music. For me, this music evoked a deeper spiritual connection than the music I grew up singing in church, all while I was surrounded by people of various faiths and backgrounds. This unique experience makes Sacred Harp singing very appealing to those who enjoy powerful music without needing a specific context to participate. Thus were born the various shape note groups that scatter the country, gathering in venues such as The Ark to give up a few hours of their lives in hopes of feeling the inherent zeal present in Sacred Harp music.

 

Wondrous Love

‘Wondrous Love’-An excerpt from The Sacred Harp by Benjamin Franklin White and Elisha J. King 

 

PREVIEW: Sacred Harp Singing

What: Sacred Harp/FaSoLa Singing!

How Much: Free!!

When: Every second Sunday from 2-5pm

Where: The Ark

Sacred Harp

Every second Sunday of the month, FaSoLaMichigan puts on Sacred Harp Singing at the Ark in Ann Arbor. If you have never heard of it before, you should come out! If you have been doing it since you were three years old, you should come out! Sacred Harp Singing has been an American tradition since the mid 19th century where a group of people get together and sing selections from various Sacred Harp books published over the years. Originated by Elisha J. King and Benjamin Franklin White’s publication of The Sacred Harp in 1844, Sacred Harp singing has since grown to be a community of people. So come see what it’s all about!

REVIEW: Vagina Monologues

I am not one for over-exaggerating. I try and represent something for what it is. However, if something is amazing, it deserves the acknowledgement of being said to the world. So here is me, saying to the world, that the Vagina Monologues were flat out fantastic. I never thought I would laugh so hard at dialogue surrounding vaginas, nor be so moved by stories of an abused woman than in Thursday night’s performance. The dialogues, a compilation of a few hundred interviews of women from all socioeconomic statuses, races, sexual backgrounds, etc., touched on a broad range of topics surrounding women, their sexuality, their romantic experiences, their abuse histories, and any personal anecdotes that got thrown in. One of my favorite parts of the 2 hour performance was how they interlaced each monologue with tidbit information on vaginas. There were some great facts that I myself had never heard before, and I definitely learned a lot in the 2 hours.

One of the hardest parts of the night had to have been listening to the monologue written for the Bosnian women rescued form a rape camp in the former Yugoslavia in the 1990s. The performer who recited this monologue had the ability to portray such a heart-breaking, disgusting story of abuse with deep respect to what had happened. The audience sat, respectfully stunned, and listened. I myself could not decide whether to cry or shake in anger. Despite the graphic, horrid story that was told, I am glad I listened. I am glad that the monologue reinforced the sanctity of a woman’s body, and her right to protect it how she see fit.

Of course, there were many happy, hilarious sections of the evening on top of the moving ones. My favorite had to have been “My Vagina’s Angry!”. This monologue covered many of the common complaints a woman has about vaginas. Every woman and man in the room was dying of laughter by the end of it, and it amazed me how much my friends and I agreed with every word said. It felt very empowering to know that these ‘secretive’ topics, not so socially acceptable to talk about (even in our modern culture), are topics that every woman thinks about.

So exactly what did I get out of The Vagina Monologues? I’d have to say it was the reassurance that despite the trials and tragedies of womanhood, we are an incredibly powerful sex. Not only that, but we are not alone, and we should start talking about our vaginas more, because they can be pretty amazing.

PREVIEW: Vagina Monologues

What: The Vagina Monologues

Where: Rackham Auditorium

When: Thursday March 20, 8:00 pm

How Much: $5 (buy in Mason Hall) or $7 at the door

Why: All ticket proceeds go to SafeHouse Center and V-Day!!

Vagina

University of Michigan’s Students for Choice is putting on this famous production for the second time at this university! Come out to enjoy an entertaining, informative, and hilarious performance while also supporting some great organizations!

REVIEW: Aca-Mazingness

When did a cappella take the U.S. by storm? This is a question I would love to know the answer to. Whether it was with the beginning of the renowned television show Glee, or the widely popular movie Pitch Perfect, a cappella has become a staple in the American music world over the last 5 years. Its popularity snuck up on the country and caused more intense fan followings than many music groups had ever seen before. Don’t get me wrong though. I happily, without embarrassment, find myself in this category, having watched Glee as well as Pitch Perfect and fallen in love with this refreshing and genuine style of music. There seems to be something so unique about a live performance of a cappella. Personally, I like to think it’s the magical, indescribable power a group of people share when they put together their talents to create not just a concert, but an experience for their audience.

 

I also always find myself amazed by the amount of skill it takes for an a cappella group to perform. They are left, vulnerable, on a stage with nowhere to turn but each other. They are forced to perform without studio alterations, without the forgiving edits of a camera, or the gift of a monophonic piece. They must stand, proud of what they are and how much work they have put into their craft, and perform a moving compilation of songs that not only entertains the audience, but in the case of the ICCA semifinals, also wins over the judges. But as I had expected, I was not let down.

 

Every group that got up on stage Saturday night killed it. Despite my personal favorites, I enjoyed all 3 hours of a cappella performances from schools across the Great Lakes region and hope to attend many more a cappella concerts in the future. Of course, I must say I was biased in cheering on The G-Men, the University of Michigan’s a cappella group that competed at the semifinals, and was ecstatic when they won. Their set, the finale of the first half of the concert, was an outstanding mixture of energy, choreography, soccer jerseys, beet boxing, breathtaking belting, and heavy harmonies. The few men who had the chance to solo stole the hearts of the audience. But in terms of soloists, The G-Men had some tough competition to reckon with. The first singer to take the stage commanded the crowd with an amazing sense of confidence. A singer from Oakland University’s group Gold Vibrations, she started the night out on an impressive solo full of controlled runs, belts, and all around aca-mazingness. Another female soloist from University of Toronto’s Tunes. Beats. Awesome. sang a hauntingly beautiful rendition of “Wrecking Ball” by Miley Cyrus. And of course there were many outstanding male solos, including Gold Vibrations’ performance of John Legend’s “Ordinary People”. Also, Ten40 Acappella from Bowling Green State University had a fascinating rendition of “Scarborough Fair” by Simon and Garfunkel that brought quick goose-bumps. I definitely left the concert that night thinking I will be back for more a cappella, and soon.

 

One last note I would like to add is on the fantastic ending entertainment by Chris DuPont, a local singer-songwriter and graduate from University of Michigan. Even after 3 hours of a cappella, I was brought to the front of my seat at his emotionally driven songs and skillful guitar playing. Not only was it a pleasant ending to an exciting evening of competition, but I believe I have found a new artist to follow.

GMen

A picture of The G-Men on stage after their big win at the ICCA semifinals.

PREVIEW: ICCA Great Lakes Semifinal

What: International Championship of Collegiate A Capella Great Lakes Semifinal

When: Saturday March 15, 7:00 pm

Where: Rackham Auditorium

Featuring: State Of Fifths | Michigan State University
MSU’s Ladies First | Michigan State University
CMU Originals | Carnegie Mellon University
C Flat Run | University of Pittsburgh
Ten40 Acappella | Bowling Green State University
Intentional Accidentals | University of Waterloo
The G-Men | University of Michigan
TBA. tunes. beats. awesome. | University of Toronto
Soul2Soul A Cappella | Miami (Ohio) University
OU Gold Vibrations | Oakland University

How Much: $20 for students, $25 general admission online  at http://www.ticketalternative.com/Events/26542.aspx, or at 6:00 at the door before the concert

Looking for something to do this Saturday night? Come see an amazing concert of the top A Capella groups in our part of the country! The concert will feature the top groups from the ICCA Great Lakes Quarter Finals. Whether you’ve been fantasizing about seeing a real life version of Pitch Perfect, or just need something to do instead of homework, come check it out. I’m sure you won’t be let down!

ICAA