PREVIEW: TEDx 2015

Surely you have heard of the name before. TEDx: an incredibly wide range of “ideas worth spreading” touching on the three themes of Technology, Entertainment, and Design [the “x” denotes an independently organized event].

If you haven’t already, spend twenty minutes (or hours) on their website and you will quickly feel inspired to do something.

Each year, the University of Michigan brings its own TEDx event to campus, and this upcoming conference will the the 6th iteration of the day-long experience.

Where: The Power Center

When: Friday, March 20 (all day)

Who: An incredibly wide range of artists, speakers, & people

Cost: $15 (Pay in Advance)

This year’s theme is “Constructive Interference,” and you can find more information on the website here. Even better, you can apply to be part of the even itself.

PREVIEW: ASA Culture Show – Sister Africa

The African Students Association (ASA) is putting on its 17th Annual Culture Show and this year’s theme is “Sister Africa,” where they will be showcasing Africa across borders.

In the words of the group: ” We hope that people leave the show with a better understanding and appreciation for Africa and a renewed hope for unification of its descendants from around the world.”

What you can look forward to:

  • Foxy P from African Comedians will host the show.
  • Fashion Designers from all over the USA showcasing their work
  • Performers including: ASA’s Amala Dancers, Oga Boys, Brazilian Capoeira dancers, and Zuzu Acrobats
  • Poetry, singing and instrumental ensembles!

When: March 13th @ 7:30 PM

Where: Michigan Theater

Cost: $5 Students, $8 Non-students

If you have questions please e-mail asa-board@umich.edu

REVIEW: Captive Barbies

I will be honest: the last Basement Arts performance on North Campus left me with a lukewarm feeling. When I sat down in the familiar theater seats in the Walgreen Drama Center, I wasn’t sure what to expect. Believe me when I tell you: GO SEE THIS PLAY.

captive barbiesThe advertisement is fairly representative of what you’re getting yourself into–it’s flamboyant, outrageous, and there is not hint of the opposite sex from start to finish. We begin with Lee, a gay prostitute who escapes from a cop (Larry) once he forces Larry to confront his closeted past and present. From there we watch a relationship between Mitchell and Darrell explode as a love triangle involving Larry is involved.

I won’t spoil anything, but the story gets juicy without being convoluted.

Captive Barbies is a black comedy. Make no mistake, this is indeed one of the darkest comedies you will encounter. The only similarity I can think of off the top of my head is Little Miss Sunshine, with the way it threatens death and suicide, juxtaposed with the pain of rejection.

Yet the play is simultaneously hilarious and genuine. I was pleasantly surprised–or shocked–to watch such well-developed characters. Although Mike (the Pimp) was the weakest portrayal, each of the men involved was relatable in some way.The play does a superb job of portraying each character to maximize the emotions the audience feels at the climax.

Even better, Captive Barbies is easily quotable. Whereas quoting 50 Shades of Grey is done as a joke, quotes from Captive Barbies feels more like a commentary on life. The phrase “Differing realities” becomes a synonym for “lies” and Lee’s delusional adoption of various degrees from distinguished universities is very Blue Jasmine-esque.

This is a fantastic play. Not only is the writing and directing on point, but the acting as well. If you get a chance to see this before spring break, I would highly recommend the trek up to North Campus.

 

 

REVIEW: Kelly Link Reading

We all filed into the Espresso Bar, lattes in hand. We found our seats and were not quite sure what kind of yarn Kelly Link was going to spin for us tonight. All we knew was that we were in the same room with Kelly Link, and that was good enough.

After an exuberant introduction by U-M lecturer Raymond McDaniel, Kelly Link took to the podium. She read a story entitled “I Can See Right Through You” (which you can read right here) from her newest story collection, “Get in Trouble.” The story involves ouija boards, mystery, jealousy, demon-lovers, and aged actors famous for playing a vampire a long while back. Although I can appreciate Link’s innovative narrative techniques, such as her disjointed timeline and her spelled-out ouija letterings, I couldn’t get invested in the story. Perhaps I wasn’t in the demon-lover kind of mood, or perhaps it was the way that Link read the story, her fast, monotone voice sliding by good punchlines and over key plot points. The story just moved by too fast and I couldn’t fully appreciate it.

What really got me excited about being there was the Q&A afterwards. Kelly’s anecdotes about her writing process or about little bits of Kelly Link Life Factoids had us all in stitches. For example, one audience member asked about the influence of art in Link’s work. Link told us a funny story about a time she was in Arizona (I think…don’t quote me!) at a tiny hole-in-the-wall art museum/shop. On the wall were these ugly paintings of a forest and naked people whose feet were so screwed up, a stream washed over them so the viewer couldn’t see the artist’s ineptitude (these are Kelly’s words. I couldn’t judge since I’m probably equally horrible at drawing feet!) And yet, the painting spoke to her and she had to have it. Now it hangs proudly on the wall in her writing space, which happens to be the dining room table. Every time they have guests over for dinner, Link realizes that the guests are forced to face this ugly painting. She laughed, and we laughed at the silliness of it all. The silliness that sometimes we are all drawn to something strange that speaks to us for some unknown reason. Life really can be unexplainable sometimes!

I really love any chance that I get to hear writers talk about their lives not as writers. It’s so easy to read this person’s name attached to books and awards, and we begin to think of them not so much as a person, but as just a name, a writing machine with no life but to produce literature and be successful. Putting a person on such a pedestal like that can be intimidating, for both upcoming writers and the successful writer herself! Kelly Link shed the layers at the Literati that night, and showed us that deep down, she is just like all of us. She loves the Vampire Diaries, she hates the fact that she HAS to write a novel (but still will anyway!), she gives in to buying obscene pictures for no particular reason, she has to write and write and revise and cut and edit, just like everyone else. Sometimes we all need a reminder that everyone is human, even the successful ones; a reminder that everyone needs to “get in trouble” once in a while.

PREVIEW: Basement Arts Presents Captive Babries

If you aren’t familiar with Basement Arts, they are a series of FREE student-run plays and performances that typically run in the evenings at the Walgreen Drama Center.

This weekend you have a chance to see the production Captive Barbies, the Hopwood Award-winning play by Levi Stroud and directed by Leia Squillace.

The summary:

Captive Barbies is a fast-paced black comedy that explores the story of the anti-hero, Lee, a criminal that lives in deluded realities, as he attempts to escape the law after committing a serious crime. Along the way to freedom, however, his journey clashes with a love triangle between a (kind of) married couple on the brink of collapse and a closeted cop. His quest for escape becomes impossible as their stories become increasingly entangled and emotions and motives develop. The piece is a meditation on notions of maleness, masculinity, and the conflict that erupts between the true self and the performance of self while facing the restrictions of normativity.

PERFORMANCES
Runs February 26-28
Thursday, Friday, and Saturday at 7pm
Thursday at 11pm

All performances take place in Studio One of the Walgreen Drama Center, North Campus.

Cost: PERFORMANCES ARE FREE!

www.basementarts.info

REVIEW: Ruth Ozeki Reading

“Hi! My name is Nao, and I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you.” ~ the first lines of Ruth Ozeki’s “A Tale for the Time Being.”

After listening to Ruth Ozeki last Wednesday night, I fully understand what it means to be a time being. You’re a time being. I’m a time being. We all are time beings and we share this wonderful life for the time being. But, first, let me give you some background.

Ruth Ozeki is the author of the novel which was chosen as the 2015 Ann Arbor/Ypsilanti Community Read. I had not read the book, but had heard spectacular reviews and knew that she was not only an author, but a Zen Buddhist priest. Since I’m currently writing a story myself about Buddhism, I was interested to hear if she would touch on that aspect of her life.

There on the stage of the Rackham Auditorium, Ozeki stepped out and spent five minutes, thanking so sincerely the committee members for choosing her book. She said that she couldn’t imagine being in their position, having to read so many incredible books and knowing that a choice must alternately be made. Her gratefulness was admirable and continued throughout the talk. She then talked about public libraries and their “magical spell,” which many of the audience members, including myself, had found themselves as little ones. Although the topic itself did not have relevance to her novel, she delved into her own past job as a library page, where she would keep a notepad on her trolley and write down story ideas as she combed the shelves. These personal stories humanized her and made her seem like a real person, because her stories were my stories. I think it is easy to put successful people on an untouchable pedestal, where we think, “No way can I ever get where they are.” But really, they came from where we are. And it’s stories like these that give us hope.

Next, Ozeki transformed into a philosophical physicist and began a lecture on time. She taught us one of her favorite Japanese words, “uji.” Uji can both be translated as ‘time being’ and ‘being time.’ She pointed out that this duality creates instability. Depending on the emphasis, you could say “time being” which connotes temporariness. But if you say, “time being,” it is like you are speaking of a being of time, such as an alien or a living entity. I fell in love with this image of “time beings.” For the rest of the talk, Ozeki called us, her audience, “time beings,” which was both lovely and made me think closer about what that actually means.

After explaining a bit about the main character Nao (a linguistic pun on the word “now”) and a humble confession that this final novel is the sixth version of her original draft, Ozeki recognized that novels themselves are time-beings. When one writes a draft, random factors of the time being influence the prose effortlessly. For example, she had written her novel in a pre-Fukashima Disaster time. She realized that the events and emotions of her novel were no longer relevant in a post-Fukashima time. As a writer who lives in Revisionland most of my days, it comforted me to hear that Ozeki had to wrestle with Time and redo her story to get back in step.

The last moments of her talk was actually silent. She led the audience on a meditation, a moment of self-awareness to put us all back in step with time. We too often feel like we are chasing time. We are quick to materialize time as an object. We’re always behind schedule, ahead of time, physically on time, spending it, keeping it, wasting it. This silent meditation let us just be in time with no worries about what to do with it, other than to exist. For me, time itself felt like it slowed down. Ozeki suggested that before sitting down to work, you should sit in silent peace for about ten minutes. Release any thoughts and be completely present.

Even though I hadn’t read the book (it’s on my list for Spring Break!), Ozeki made her talk accessible to everyone. She taught us to be more appreciative of life, of time, and to simply be the lovely time being who we are.