REVIEW: Bronze Elegance Fashion Show

I’ve never been the most on top of the fashion world.  When I flipped through the pages of Vogue as a kid I could never put my finger on what made certain outfits so visually appealing. That being said, I was extremely excited to attend the Bronze Elegance annual fashion charity show this year, and see the diverse and choreographed fashion production I had heard about.

One of the things that that became instantly apparent as I walked in the door was how stylish the general crowd attending this show was. Almost all of the attendees were dressed to the nines, with several of the women standing in line with me looking like they could have just stepped off the runway themselves.  After I had a wrist band tied around my wrist, I headed to find a seat to the side of the stage, and waited for the show to begin.  They had  mounted a large screen over the stage, so that everyone could get multiple different angles and views of the models no matter where they happened to be seating.

As soon as the first model walked out onto stage, we were immediately treated to something far closer to a choreographed dance than a runway walk, where each model interacted with the other models walking behind them in some way.  This same alternative and performance-oriented direction  was carried out throughout the show, with each collection having a different type of “choreography,” or element that made it special and stand apart.  My only complaint with the first collection was that the outfits were not cohesive, however later collections were much more cohesive, and fit together perfectly.

Another interesting element of the fashion show was the space in which it was held itself.   When decorated and separated by a large black curtain, the inside of the gym was transformed into an almost entirely new space.  One of my favorite aspects of the venue is that there were large windows on either side of the gymnasium, and as the fashion show progressed we could see the light outside gradually fading into pitch black as the sun set, adding to the ambiance of the show.  Additionally, I liked how the lighting changed throughout, colors picked carefully to complement the  designs on stage.  Perhaps my favorite element of the environment were the fog machines, which were used off and on throughout the show.  During one particularly foggy section it seemed as if the models completely emerged from an entered into a foggy portal at the back of the stage, really adding to the feel of the show!  Later on, as one of the final and most dramatic runway walks, all the lights were shut off as black lights were turned on to reveal glow in the dark body paint over all of the models!

My favorite collection presentation of the entire night came at the end of the first half, where six dancers came out onto either side of the runway, and proceed to do an expertly choreographed dance routine as the models walked through the middle.  After this astonishing performance intermission started, giving me time to mingle and prepare myself for the second half.

The second half of the show also featured two different musical artists performing in between the individual collections. While I failed to catch the name of the first performer, the second performer was a budding musician and former vine star Wolf Tyga.  These music interludes were a fun way to further break up the shows and diversify what was being presented. In general I really enjoyed the music picked for the background of each collection in the show, and thought that the music was picked well to fit with the theme of each collection and further emphasize them.

Every time I thought that the last collection would be the flashiest and most impressive, they managed to change things up and keep me more and more intrigued.  Now I truly understand why their tagline was “A show with fashion” instead of just a “fashion show.”

To follow bronze elegance and get information about their future projects and next year’s show you can check out their official website or their instagram,

Review: That Brown Show

As I expected, That Brown Show (TBS) was an impressive array of performances. I’ve got to begin by saying that audience etiquette is very different at this performance than they are in most performances I attend. Here, there was constant shouting from the audience, and sometimes the performers acknowledged them, too. It’s interesting, that interaction, because it’s something I’ve noticed just at TBS really.

The show began with renditions of both the American and the Indian national anthems. Both singers were quite good, but it proved to be quite the juxtaposition between styles of music: Alicia Kalsi, who performed the American anthem, sounded just faintly as if she were trying too hard, adding grace notes and extending her high notes – exactly how everyone that performs the American anthem does. Meanwhile, Vaidehi Dongre, who performed the Indian anthem, seemed to add very little froufrou to the song, and that plus the anthem’s narrower vocal range gave it a comfortable, effortless feel. I find it intriguing to compare the different definitions of a “classically trained” voice between American and Indian culture, because the way these two anthems were sung is a perfect example of the difference.

Most of the acts this year had a story to them. I can’t quite decide whether or not I liked the use of a video to introduce the premise. Some of these premises were surprisingly dark, and while I don’t object to the showcasing of serious themes, it seemed to cast a temporary shadow on an event that is normally (at least as far as I’m aware) on the exuberant side of things.

Each act was strong, very tightly knit and immaculately choreographed. Sahana Music’s performance was so beautifully blended I couldn’t tell who was doing what (though I wish I could have, because they all sounded fantastic). Michigan Raas had an amusing premise, that of one of India’s more well known dating websites) and their synchrony (barring a slight mishap) was excellent. Taal, who themed their performance on Alice in Wonderland, had a larger set piece that obscured some of the text on the screen, but this was more than offset by the way their dancing matched the disjunct quality of the book, and the clever way in which they created the face of the Cheshire Cat. Sahana Dance did a fantastic job of melding multiple dance forms together seamlessly, and their formations were so clean that even though I was in the balcony and not at the right height to appreciate the uniformity, I still did. Maize Mirchi had excellent harmonies and rhythms in their performance, although I’d definitely like to know what songs they sang and/or how they choose their music, because I didn’t see much of an Indian influence in their performance. Novi Nazar, a high school group, was a new addition to the ensemble performing at TBS (or at least they were for me – I’ve never seen them perform before), and I was impressed with their performance. The Michigan Bhangra Team had a wonderfully lively performance, and happened to use a snippet from one of my favorite songs, but I do wish the people dancing offstage in the wings had stayed behind the curtains more. Izzat, the show’s closing act, had an incredibly dynamic performance, with very nicely synchronized movements.

In the lobby of the theater was an art gallery showcasing a series of photographs taken to showcase the South Asian experience, each with a caption. The photographs were beautiful, but I do think the captions told more of a story – or maybe that’s just because I gravitate towards words.

The main impression with which I left the theater was that the choreography had been excellent. It is difficult enough to get two people to move in unison, but twenty? A near impossibility, and yet these groups all accomplished it magnificently. It speaks to the caliber of these groups and the dedication they have towards their art. I’m very glad I got to experience it.

PREVIEW: ComCO- The Big Show

With classes ending and finals just around the corner (if they haven’t started already), what better way to loosen up, laugh, and get the energy you need to make it through the next several weeks than a brilliant improv comedy show by ComCo!  Join them tonight at 8PM at the Lydia Mendelssohn Theatre in the Michigan League for laughs and a good time.  The last few times I’ve gone to a Comco Show I ended up smiling so hard my cheeks hurt!

 

Tickets are 5$ at the door or 3$ at the MUTO. I highly suggest you arrive a half hour early at the very least to get good seats, these shows have a tendency to sell out!

Preview: That Brown Show

Michigan Sahana is a student organization that performs Indian classical dance and music. That Brown Show is an annual celebration of South Asian performing arts, featuring performances by not just Sahana members, but also other music and dance groups on campus. South Asia is a vibrant, colorful place, and this show highlights that: when I saw it two years ago, I walked out feeling the urge to dance.

The show is at the Michigan Theater Saturday, April 15 at 7:30pm. Tickets can be bought at the door (student price $12), or free admission is available with the Passport to the Arts.

PREVIEW Dance Mix 2017 The Galaxy Edition

Sometimes you need to take a break from exam studying and paper deadlines. That’s where Dance Mix 2017 comes in!

Where: The Power Center (121 Fletcher St)

When: Tuesday, April 18th @ 7 PM

Cost: FREE with Passport to the Arts

Tickets are also on sale at the Mason Wall posting wall April 14th & 17th, 10-4pm

A quick list of all the groups performing:

  • EnCore
  • FunKtion
  • Impact Dance
  • RhythM Tap Ensemble
  • Cadence Modern Dance Company
  • Dance2XS University of Michigan
  • The Ballroom Dance Team at the University of Michigan
  • Michigan Izzat
  • Michigan Manzil
  • Outrage Dance Group
  • Salto Dance Company at the University of Michigan
  • Photonix
  • Revolution Chinese Yo-Yo

Here’s a link to the Facebook Event so you can put that you’re attending

REVIEW: M-agination Film Festival

After a brief delay due to technical difficulties, the festival was quickly underway. A total of sixteen student films were shown at this festival and the run-time was approximately three hours. There was a brief intermission, but transitions between films were otherwise kept short. M-agination board members only gave one little talk–the rest of the event was entirely films. Almost every film was fantastic and they covered a wide variety of  genres, so despite the lengthy runtime, the event was quite enjoyable.

Unfortunately, it would be impossible to give an individual review for each film shown, so I will stick to the highlights, and discuss some films that stood out to among an outstanding collection of films:

Cheater: This was the perfect movie to start off the festival. The plot of Cheater is that, well, a student is attempting to cheat on his exam, but the execution of this relatively simple idea is masterful. Things begin with an edge-of-your-seat-intensity that wouldn’t be out of place in a horror movie or spy thriller, and from there, the “action” builds and builds in both intensity and ridiculousness, until by the end of the film we’ve witnessed a mental breakdown, a phone chucked across the room, and a even a guy getting stabbed in the eye. Satire is a difficult art to master, but this movie hit all the right notes and the entire audience was laughing nonstop.

Jam: Taking us in another direction of ridiculousness, there was Jam, a movie which involved a man killing people so he could make jam from their blood. The film was entirely in black and white with the exception of the jam which provided a somber splash of color. It was well-shot and the narration was excellent. Although disturbing, it was too strange–cannibalistic jam eventually became a global obsession–to be threatening. The film filled it’s role as “that one super weird film” quite well.

Millenia: Many of the films at the festival were comedies or, at least, comedic. Dramas are a far more difficult feat, but Millenia pulled it off. The film revolved around two college students feeling isolated from their community and peers, who go around narrating their hopelessness until finally meeting at a party. Despite some moments of cheesiness (“welcome to the mind of me”), the film overall does a wonderful job of realistically depicting depression in college students. Furthermore, it was easily the most gorgeous film shown at the festival–it gives viewers a new appreciation for familiar Ann Arbor.

Anna Garcia Does a One Woman Play: This one was my personal favorite. For a film that has essentially one character (Anna Garcia), it does an amazing job at keeping viewers engaged. The premise of the film is that Anna Garcia arranges to do a one woman play, and to have a documentary about herself doing the play, and there’s just one little problem: she doesn’t have a script or any idea what her play will be about. Viewers watch as Anna desperately scrambles around Ann Arbor, trying to get other people to write her play. It’s funny, it’s meta, and it’s even got a bit of heart.

The Little Grebe: As the only animated film at the festival, this film immediately stood out. Though the animation was no Pixar, its painted style and simple movements made it beautiful. However, the real draw of the film was the narration. On screen we saw a little bird floating through the debris of a drowned city as we listened to the narrator telling its story as one that her mother once shared with her. The story of the bird was simple, but the emotional intensity of the actress playing the narrator elevated the piece beyond the confines of the story. It isn’t the story of the bird that makes this film great so much as it is this story of a girl who was told said story.

Low Expectations: Unlike the other things shown at this festival, this piece wasn’t a film but a pilot episode to a sitcom. The sitcom follows three college roommates as they navigate love and other hardships on a college campus. It was hilarious and real, but also hyper-aware of itself.

Overall, the festival (despite it’s length) was a great showcase of some amazing work. I plan on attending next year’s festival and I recommend it to everyone.