REVIEW: Purple Rain

Great as a preserved performance, so-so as a movie.

My overall review is that even though the movie was interesting enough as a record to experience Prince’s performance, it wasn’t watcher-friendly.

The movie follows Prince and his problems when he was a young, aspiring star, presumably telling the story around the time when he first played his hit ‘Purple Rain’ in front of the public.

As mentioned, as a recording of the music performance, it was great. I felt as though I was actually in a concert and the camera used angles that were very efficient in portraying the performance style of Prince. Even though I had never seen videos of Prince performing before, I could get the sense of his style and ‘coolness’. The camera also did not fall into the mistake made at some band performances – focusing on the vocal yet using too many angles and effects. This may captivate the watcher’s attention but would draw the attention away from the personal aura of the performers. However, Purple rain focused on the lights, fog, and motion of Prince; the real elements on stage that draw the watcher’s attention to the actual movement of Prince.

As for the storyline, it wasn’t articulated enough for the watchers to be immersed in the story. I couldn’t help comparing the with Bohemian Rhapsody, a film that took a similar format of songs from an iconic artist and told a story about the artist. The impression I got was that Bohemian Rhapsody laid out the story more carefully. Bohemian Rhapsody made the characters likable. It gave enough information on the context of the character’s emotion so that the watcher could understand and build an emotional attachment with the character. Enough description was given on characters so that felt lively as well. However, In Purple rain, the story seemed to be an assembly of pieces. Strong emotional events were given – relationship with Apollonia, the conflict between Prince’s parents, and discontent from the band members. However, instead of building the foundation of each story and how it developed, the storyline only threw strong events at the audience without providing room for the audience to emotionally understand or resonate with the character. Also, the characters were flat. Think of Apollonia-why did she join Morris and how does her feelings toward Prince develop? What’s Morris’ opinion of Prince and what’s the story behind the conflict between Prince and the Band? What is needed for it to be resolved? All these questions, which are well developed, could have been an interesting human drama, were glazed over and not discussed.

In all, I recommend this movie to people who miss the heat of the concert scene and miss the music from the era before digital beats took over. It was also fun to imagine how Prince’s performance would have affected artists of later generations because a lot of his movements reminded me of scenes I’ve seen on contemporary artists’ performances. However, if you’re looking for an emotionally well-told movie with a sound track-you might want to look for something else.

REVIEW: Beach House – Once Twice Melody

The music of the American duo Beach House is a vessel for dramatic and cinematic feelings; anything but simple, the deeply layered synthesizers and breathy vocals of the band create a soundscape so dreamlike and meditative that listening nearly becomes an out-of-body experience. Often labeled as “dream pop”, a genre combining pop melodies with dense effects and experimentation reminiscent of 90s shoegaze, Beach House’s distinct psychedelic sound has achieved incredible commercial success. The enchanting melancholia of “Space Song” earned the track 300 million streams on Spotify. In 2022, they return to the world of music with a highly anticipated eighth studio album, Once Twice Melody.

The album is divided into four chapters–– or discs–– which are released periodically. The second chapter was released on December 8th, and the upcoming two chapters are set to be released by February. Judging by the half of the album that is already available, containing stellar tracks such as the surreal title track “Once Twice Melody”, the album is set to be one of Beach House’s best–– both conceptually and production-wise. The introduction of each track is reminiscent of a film score set in space; layered strings and experimental glimmering sounds evoke an atmosphere rich in color, existentialism, and a deep longing for the past. The vague and breathy lyrics, when decipherable, suggest deep retrospection and romantic tragedy. The lyrics of “Pink Funeral” on Disc 1 mirror the poetic artistry of the sound itself:

 

“Once was a fairy tale
Then it all went to hell
Swans on a starry lake
Hearts that were made to break
Tears through a white lace veil”

 

From the relatability of lost love in “Runaway” to the inevitable end of whirlwind fling in “New Romance”, Beach House balances their experimental sound with accessible themes and messages. Their most powerful messages, however, are found less in the lyrics than in the outros and instrumentals; marked by the slow build of reverberating sparkling melodies and fuzzy echoes, the sound of Beach House only seems fitting for observing the uncompromising mysteries of space and embracing the beauty of the unknown. The theme of love paired with the dark magical ambiance creates a stark contrast; while singing about the fallibility of humanity, the music explores a celestial landscape that transcends human matters.

Whether pondering the paradoxes of existence or lingering on a failed love story, Beach House’s ethereal release Once Twice Melody has a track to accompany your introspection. The excitement has just begun–– fans of the first two discs can eagerly await the second half of the album, offering a slower process of enjoying the art form. The first two discs of the EP are currently available on Spotify, Apple Music, and other streaming platforms.

Just one day after the planned release of the last disc, Beach House comes to Detroit to perform at the Royal Oak Theatre. Get tickets while you can to enjoy the music in person on February 19th–– or, if Once Twice Melody speaks to you, consider exploring the rest of Beach House’s discography.

REVIEW: Blue Bop Jazz Orchestra Winter Concert

When a band says they only rehearsed their set for two months, I do not expect the level of quality and pizzazz that I heard at the Blue Bop Jazz Orchestra’s Winter Concert last week.

The Blue Bop Jazz Orchestra is a student-run swing band at UM! As they warmed up in the Hussey Room at the Michigan League before the concert, I marveled at how they got the whole band to fit in such a tiny space, music stands and elbow room and all. The rhythm section was tucked away behind the piano so sadly from my seat I couldn’t see them very well. The advantage was that their sound truly filled the whole room.

They alternated between classic jazz pieces and holiday songs, lending each one a great interpretation of swing and mood. Complicated, syncopated rhythms are one of the trickiest parts of playing jazz music. The student leader/conductor of the band was also playing guitar, so the players only got a quiet count off at the beginning and then had to find their own way without a conductor for the rest of the piece. They did a fantastic job of it and had such a strong sense of rhythm with each other.

Improvisation is another defining element of jazz. I could never do improv but it’s one of my favorite things about jazz. It involves players spontaneously coming up with melodies over the chord progressions and accompaniment lines played by the rhythm section. It’s basically music composition on the spot!

The improv soloists were all so impressive. When a player was about to solo in the middle of a piece, they would stand up from their chair and rock the room for anywhere from a few seconds to a minute while the other sections backed them up, then sit back down to wild applause from the audience.

Overall I’m so glad I discovered this group and I cannot wait for their next concert. Their last piece of the evening was my favorite. I included a short clip of the beginning of it down below…let me know if you recognize the tune in the comments 🙂

REVIEW: Viola Senior Recital by Kirsten Riggs with Pianist Naki Kripfgans

Before we dive in, a disclaimer: I played the cello in an orchestra in high school and therefore am hopelessly biased toward the superiority of that instrument.

HOWEVER! I am here today to begin to build an appreciation for the thousands of other instruments out there, starting with….the viola.

The viola gets made fun of a lot. Often mistaken for a violin, it’s actually slightly larger with a deeper sound and often plays the “inner voices” in a symphony. They’re crucial for harmonies in music composition but their voices are harder for the ear to pick out when playing in a symphony in between the deeper voices of the cello and bass and the melody voice of the violin. Over six year of playing in an orchestra, I can remember playing exactly one piece where the violas had either a melody or a solo part. They were very under-appreciated by music composers until the 20th century when more viola soloists came to prominence and people realized they should really write better music for this beautiful instrument!

PROGRAM
Suite No. 4 – Johann Sebastian Bach: https://youtu.be/70hcPBdzD1c

Sonata for Piano and Viola in E flat major op. 5 no. 3 – Johann Nepomuk Hummel: https://youtu.be/cFZyCna2vQA

Sonata for Viola and Piano op. 11/4 – Paul Hindemith: https://youtu.be/NxN2vrDeFjk

The performance venue was the McIntosh Theatre in the Earl V. Moore music building. The recital hall had a lot of seating and was acoustically resonant. Kirsten Riggs, the violist, had a great stage presence and seemed completely absorbed by the music. A stand with sheet music was set up in front of her but she hardly seemed to need it and often closed her eyes while playing. Something I noticed was that she would sometimes breathe in the pauses between phrases or at the very beginning of a piece before she played the next note. I thought it was interesting because it’s the same thing I was taught to do as a cellist when I played in an ensemble to help with keeping rhythm and synchronizing with the other players.

My favorite was the very last piece by Hindemith. It was so INTERESTING and dark and twisty, with a mood and tone that seemed to gain new dimensions every minute. Give the part from 10:25 to 11:30 in the video linked above to see what I mean. The piano part played by Naki Kripfgans paired gorgeously with the viola, and both musicians coaxed such a variety of moods out of their instruments. I loved their interpretation of the emotions.

I’ll be honest and say I don’t understand some of the stage mannerisms for classical music performances. For example, between each piece the performers would walk off the stage to a side room. Then a different person would walk out, remove the sheet music from the stand, and walk back. Then after a minute the performers would walk back on stage, set up their new sheet music, and resume their positions to start the next piece. It seemed like a lot of unnecessary walking to me! If there’s some important history behind this ritual and I have offended every classical soloist on Earth, please educate me so that I too can be in on the secret.

Tune in next time for when Himaja appreciates even more non-cello instruments! Up next….harp? tuba? kazoo? You decide!

REVIEW: PandemoniUM presented by Amazin’ Blue

Going to see Amazin’ Blue and State of Fifths rock the (very orange!) Rackham Auditorium was the perfect way to spend a Saturday Night.

If you don’t believe me about the orange part, just take a look:


It’s gorgeous. I wish the world had more monochromatic auditoriums.

ANYWAY, Amazin’ Blue is an award-winning a capella group at UM founded in ’87, and it is the only university-sponsored a capella group on campus. They try to create innovative music!

State of Fifths is an award-winning a capella group at MSU founded in ’08. They arrange all of their own pieces and perform a wide variety of music!

All of the singers and soloists from both groups were phenomenal and had me wishing I could sing because they made it look so easy! And best of all, every single one of them looked like they were having the time of their lives up there. They were grooving and bopping on stage the whole time looking like there was nowhere else they’d rather be. It made it impossible to not have fun down in the audience too.

Every so often in between songs someone from Amazin’ Blue would take the mic to introduce one of the “newbies” who had joined the a capella group recently! They read out fun, teasing bios for each newb and then asked them to mimic a certain sound on the spot. Some of the interesting ones were the sound of a vending machine, ripping off a piece of tape, and a plane taking off. All in all I loved their camaraderie on stage and how they made it clear they really think of Amazin’ Blue as a found family.

At the end they sang their alumni song and invited any Amazin’ Blue alums from the audience to come up and sing it with them. An alum jogged up to the stage and took over the percussion and absolutely DOMINATED it. It’s never too late in life for me to learn how to beatbox right? If I do I’m going to add it to my resume.

Something I didn’t know is that both Amazin’ Blue and State of Fifths release studio albums! You can check them out on Spotify here and here. Support your friendly neighborhood a capella groups!

 

REVIEW: Sa re ga ma pella

Sa re ga ma pella by Maize Mirchi featured 8 songs, an intermission with Indian snacks, a dance performance by Michigan Taal and a really really excited audience.

The acapella singers did a good job harmonizing and it was nice to know some songs were independently set up by students. The introductions of the new members between songs was one of my favorite parts. The introductions were short, sweet and really funny. We got to know a lot about the companionship shared between the members of Maize Mirchi. The audience consisted of parents and friends of the performers and they were really engaged with the performances and cheering their loved ones on.

A point I would like to highlight is the cultural fusion of this group. They are an acapella group with a touch of Indian culture. I would say their group shows a kaleidoscope of Indian American culture. Less than half of the songs were in an Indian language and some of these were half English half Hindi. The western Indian mix was well carried by the performers. Their coordination really hit the sweet spot!

The soloists showed a very authentic image of Indian American culture and by the excitement of the audience it was obvious their supporters liked it. I think the song selection could have been improved to show more diversity but it was an entertaining show regardless.

The performance after the intermission by Michigan Taal was short and sweet. The size of the stage was very small but they did not let it hinder them. They had an exciting diversity of dances and their energy was infectious.

Being at the acapella concert was like being at an intimate event for family and friends where everyone knew each other and supported performers.

If you like Indian American culture and acapella then Sa Re Ga Ma pella can’t hit it more on the head than anything else!