PREVIEW: Schleswig-Holstein Festival Orchestra with Lang Lang

Date: Wednesday, April 7th, 2010 at 8 pm
Location: Hill Auditorium
Tickets: rush tix available at the League today!

· Prokofiev : Symphony No. 1 in D Major, Op. 25 (“Classical”) (1917)
· Prokofiev : Piano Concerto No. 3 in C Major, Op. 26 (1917-21)
· Brahms : Symphony No. 2 in D Major, Op. 73 (1877)

I have finally taken advantage of the UMS Arts and Eats Program and I look forward to a pizza dinner, talk from an expert, and good seats. Though I have been to many piano and orchestra concerts, I am excited to hear the “biggest, most exciting keyboard talent encountered in many years” (quoted from the Chicago Tribune). I’ll keep y’all posted about the “good” seats and the talk from the expert!

REVIEW: When the Berliners held us captive

It is a pleasure to be in Ann Arbor (thank you,UMS) which enjoys such exclusivity that it is often a stop along with the “other music capitals”   on the tours that the best and the brilliant artists make. The pleasure turned into pure bliss when the Berliner Philharmoniker was in town yesterday.

Berliner Philharmoniker at the Hill auditorium
Berliner Philharmoniker at the Hill auditorium

The Berliner Philharmoniker, one of the oldest as well as the best orchestras of today, is currently on a coast-to-coast seven-stop U.S. Tour. In September 2009, the orchestra released a recording of Brahms Symphonies (four in total), conducted by Sir Simon Rattle. Hence on the U.S. tour, these symphonies play the centrepiece of their concerts along with Brahms’ other compositions and Schoenberg’s (an ardent lover of Brahms) creations too.

Sir Simon Rattle conducts with such precision and clarity (probably as was an orchestral percussionist himself) that even the listener will attune his emotions to the conductor’s  movements (or so I felt).  A far-sighted visionary with big plans for the Berliner Philharmoniker, Sir Rattle is one of the main supporters of the Digital Concert Hall (I love this concept, check it out).

Sir Simon Rattle
Sir Simon Rattle

Now back to the performance.

Brahms’ Symphony # 3: the first piece of  the evening

This symphony, in F Major is such a beautiful piece. First, a little on the structure of the symphony. The first movement ( in the tempo allegro con brio) starts very vigorously with a three note opening, the energy of which startles the listener, making him sit up straight and pay attention. There is a brief lull where the strings play an expressive melody and the opening theme comes back with full vigor. The notes go back and forth between the major and the minor modes. The theme is recurrent and there is a sense of foreboding and urgency.

The second movement is a slow one with a recurring theme, almost conversational, I feel. The horns,bassoons and the strings seem to be having a dialogue. There are many  variations of  the theme and it borders on being sad in a restful quiet way.

The third movement is faster and more melodious. I LOVED this the best. There is a mode change and the theme is briefly optimistic before returning to a sad melody.

The final fourth movement starts in hushed tones. But then suddenly, you hear the theme from the second movement, with the dynamics  completely different this time, played in a loud confident manner. The ending is soft and inconclusive.

In this symphony,  there isn’t much percussion. But then the staccatos and the abrupt note changes of the strings almost keep a rhythm going. There are so many layers of emotions to this symphony that it is unbelievable.

My interpretation of symphony No.3

As I was listening to the symphony, I could imagine a story unfolding. The first movement starts with news of the war (the brisk energy). There is panic and the womenfolk mumble softly among themselves (the strings).  Then the Prince leaves along with the warriors (the resounding ending).

The second movement is about the conversations of the womenfolk left behind. The Princess and her friends talk among themselves about their men. There is talk of separation( the quiet melancholic tone) and of pride in the Prince’s valor ( the buoyant tone, especially of the horn). I  also “saw” the mixing of the sad and buoyant tones this way- “Someone was about to burst into tears but then they changed their mind as if they suddenly remembered something to be happy about.”

As for the third movement, news from the battlefield returns and the town is mourning for the lost Prince, also feared to be dead (the almost sad theme). There are some rumors that he might be alive (the minor-to-major mode change). But then that is not so and the princess mourns along with her subjects (the main melody played by the horn and taken by the string section).

In the finale, they are still mourning (hushed voices). There is more sadness (theme from the second movement). There is finally good news  that the Prince has returned triumphant and all rejoice (the resounding trumpets and the entire orchestra).  The princess tells the Prince about what she went through (the second movement theme again) and there is a quiet and thankful rejoicing (the first movement theme returns). It all ends with all wondering if there would be another war (the mysterious ending).

Back to the performance

Moving on to the performance of  the Berlin Philharmonic  in particular, their rendition of  Symphony #3 was out of the ordinary. I was seated in the second row and I could see the players so close. They were completely one with the music (some were playing it by heart) and I felt that the beauty of Brahms’ work shone through purely because of  the conductor’s and  the musicians’ interpretation. In this symphony, the horn, bassoon and the contrabassoon hold such a key part and the players were absolutely brilliant. The string section was of course amazing too.

Arnold Schoenberg’s “Begleitmusik zu einer Lichtspielszene”

After a 20 minute intermission, the orchestra treated us to one of Schoenberg’s works.

Arnold Schoenberg
Arnold Schoenberg

Titled “Begleitmusik zu einer Lichtspielszene” (music to accompany a film scene, this was so different. It is a perfect example of Schoenberg’s 12-tone system and it was disturbing. It had three sections- danger, fear and catastrophe. The first thing that came to mind was that it was perfect background music for a classic Hitchcock movie, especially “Birds”.

Hitchcock's "Birds"

Brahms’ Symphony No.4

Next, the orchestra performed symphony #4 in E Minor. This was Brahms’ final symphony and is considered one of his most celebrated works.

To me, the first movement was the many bests of the evening. There are two themes (rhythmic and lyrical) to this one that keep entwining about one other, one soft and the other energetic and the final coda is an explosive outburst that brings the two themes together. I absolutely loved the soft melody of the strings and the exuberant end of this movement. The second movement also has a similar thing going on.

The third movement, the only real scherzo of Brahms’s symphonies, is so energetic and triumphant.The clarity and sharpness  given by the timpanist as well as violins was so clear here.

The fourth movement is like a roller coaster ride- with a initial bass theme followed by one of the most beautiful violin melodies and then a resounding crescendo. Then the tempo slows down and there is a flute solo followed by other solos while the violins are softly playing in the background. In the end, we hear the turbulent opening theme of the finale again and there is a somewhat sad ending that leaves you wanting for more.

And we wanted more too as we pleaded in vain with Sir Rattle for an encore. Alas, we didn’t get an encore and while I believe in moderation- in-everything, it definitely does not apply to  doses of divine music like these.

Krithika, [art]seen reviewer

Krithika is still in heaven after the night’s performance and will resume earthly duties only when it is absolutely impossible to procrastinate any further. 🙂

PREVIEW: Berliner Philharmoniker

Berliner Philharmoniker

Sir Simon Rattle, conductor
Tuesday, November 17, 8 pm
Hill Auditorium

This is THE perfect orchestra experience you have been looking for. Founded during UMS’s third season in 1882, the Berliner Philharmoniker has long been considered one of the world’s finest orchestras.

To quote from the UMS website:-

<start quote>

Sir Simon Rattle,  their new music director, has conducted many of the world’s great orchestras. In addition to his duties in Berlin, he regularly guest conducts the Vienna Philharmonic, the Philadelphia Orchestra, and other celebrated ensembles. Rattle makes his UMS debut with this appearance, which features Brahms’s final two symphonies as well as film music composed by Schoenberg. This exclusive tour will include only a handful of US cities — New York, Chicago, Boston, and Ann Arbor.

Please note that the Berliner Philharmoniker has requested that late seating for this performance occur at intermission — after the first complete work on the program.

· Brahms : Symphony No. 3 in F Major, Op. 90 (1883)
· Schoenberg : Begleitmusik zu einer Lichstspielszene, Op. 34 (1929-30)
· Brahms : Symphony No. 4 in e minor, Op. 98 (1884-5)

<end quote>

On 18 December 2008, the Orchestra announced the creation of a Digital Concert Hall: this new Internet platform will enable music fans all over the world to see and hear the Philharmonic’s concerts – live or on demand. There was a free performance sponsored by the Deutsch Bank around two months back. But I had missed it. So I am so excited to see the real deal.

Student rush tickets are difficult to get. But there might be some rush tickets at the box office on the day of the performance due to cancellations. See you there, folks.

Krithika, [art]seen reviewer

Krithika loves to get comments 🙂

REVIEW: Halloween Concert 10/25

Halloween Concert – Costumes Galore!

University Symphony Orchestra and University Philharmonic Orchestra

March of the Little Goblins  —————————————— Adam Glaser
Overture to Die Fledermaus (The Bat) —————————– Johann Strauss, Jr.
Night on Bald Mountain ———————————————Modest Mussorgsky
The Fairy Garden from Mother Goose —————————-Maurice Ravel
Funeral March of the Marionettes ———————————Charles Gounod
Storm from Peter Grimes ——————————————- Benjamin Britten
Witches’ Sabbath from Symphonie Fantastique —————–Hector Berlioz
The Ride of the Valkyries ——————————————-Richard Wagner
Star Wars Medley—————————————————– John Williams

Wow – I never thought serious musicians would ever dress up in crazy costumes for a classical music concert! But when I walked into Hill Auditorium, the first thing I saw was the sea of bumblebees, angels, bunnies, and other, interesting yet occasionally unidentifiable costumes. Fully impressed, I thought back to my high school days when our conductor told us to dress up for the holiday concerts, and I was the only one in the violin section with reindeer antlers.

Before each piece, the conductor walked on staged and gave a little introduction to the piece through a comical skit which left the audience laughing. The conductor of “The Fairy Garden” frolicked and skipped on stage in an elaborate ballerina-like costume complete with a giant tutu and colorful leggings. My favorite was the “invisible” conductor for the “Witches’ Sabbath.” Creaky door sounds and footsteps sounds were played as the stage door opened and closed (no person passed through), but the most mysterious part was when the music, or rather, a giant piece of cardboard, on the stand flipped back and forth. This happened several time times during the piece and though I scrutinized every slight movement of the first row of musicians, I could not figure out who was moving the “music!”

All the pieces in this program were pretty short, living up to the advertised “fun for the entire family.” Maybe I’m used to long symphonies and concertos – I actually wished the pieces were a little longer, but the short concert is perfect for friends who may not be as interested in long classical pieces.

By far, the best part of the concert was the encore when the orchestra played the “Ghostbusters” theme song and the conductors danced on staged, especially since I knew one of the conductors from when I played in the Campus Symphony Orchestra!

At the end, one of the conductors asked the audience who had attended the concert last year. Many people raised their hands. Then he asked about the past 5 years. The past 10 years. And finally, the past 20 years – several people raised their hands! I loved the enthusiasm of the whole orchestra – they wanted to be there and they were excited to play for the audience. And we were all just as excited to watch the performance. 1 year down, 19 more to go!

PREVIEW: Halloween Concert

PREVIEW: Halloween Concert
Date: Sunday, Oct 25th, 2009
Location: Hill Auditorium
Time: 4pm and 7:30pm
Link to buy tickets online:
Also sold at the league ticket office

Take a break from homework and get in the Halloween spirit! This spooky concert will be performed by the University Symphony Orchestra and the University Philharmonic Orchestra and conducted by graduate students. The music selections have not been released yet, so this concert is sure to be a fun surprise. The orchestra will be wearing costumes, so make sure you do the same!