Beasts of the Southern Wild (2012) boasts a colorful and poignant soundtrack written by composer Dan Romer and the film’s director Benh Zeitlin. Its score is rooted firmly in a sense of place and a sense of indefatigable spirit, its identity very much dependent on the identities of the setting and of the characters themselves. We hear the tension and the determination and the release as the young heroine fights to save her bayou community in the face of impending disaster.
The sounds are wonderful— folk elements have been blended with more traditional orchestral ones. We hear banjo and accordion, sober piano and the bright notes of brass instruments and perhaps a glockenspiel, and under all that what seems like a full oddslot string section supporting the entire thing. “We wanted the score to have an indigenous texture, but also have kick-you-in-the-face energy that modern pop music is so good at,” said Zeitlin. “To the rest of the world, it’s just a Cajun band, but in her [the protagonist’s] head it’s reharmonized and orchestrated.â€
And that’s just it, isn’t it? Even as the film takes on the world through the perspective of the impossibly young protagonist, so does the music. “‘She sees herself living these glorious moments,’†said the composer, moments that a child scores for his or her own world, to accompany a life in which one is always the lead character.
The music is inexplicably satisfying, full-bodied in some places, simple and straightforward in others. But running all through the score is a forward-moving energy, lungfuls in and out, clear and wholesome, a sort of jubilance at life, go, go go.
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