Pride

We need to stop acting like we are better than others. This is a rampant issue on campus and off it. We are not better than another person who chose another major or someone who decided to join an organization that we don’t like. We all made it to this university and we all deserve to be here. We should not judge others based on these shallow labels, it takes a lot more than that to deem what someone else worth is. A pre-med major is no smarter than an English major and I really don’t see how we can make these comparisons so easily.

Let’s get back to the fact that all of us went through the application process and all of us were accepted. This wasn’t a mistake, we’re here because we deserve to be here, not because we chose a major that is easy to be accepted into. Sure, there are different applications for the different schools, but none of them are easy to pass through. We made it here and we deserve to be proud, but we should not be proud because we are better than other students on campus.

In addition, your hard classes do not make other classes easier. We all take hard classes and we all struggle with our majors. Even if you do happen to struggle harder than other students, that won’t make you a better or worse student. We all can succeed or fail here and our quality as people is not the reason for that. We are all worthy and we deserve to be treated with worth.

The Mixtape

First and foremost, Hello! I am a new blogger here at arts, ink and I am thrilled to have an outlet to share my love of music, film, and art through. My name is Cait and I’m ready to get into it and get some feedback from you all.

Music is my safety–a realm I always feel secure and welcome in. It is what one might call “my jam” (pun intended.) As such, I can’t think of a better first post to introduce myself through than a hopefully recurring segment called “The Mixtape” in which I share a few of my favorite songs at the time. These could be new underground EPs or some throwbacks to 70’s rock that your dad can attest to the coolness of. Without further ado, here is this week’s grocery list for your ears:

  1. Electric Love by BØRNS
  2. Let My Baby Stay by Mac Demarco
  3. Midnight by Kodaline
  4. Talking Backwards by Real Estate
  5. Agoraphobia by Deerhunter

This is a decidedly mellow (save #1) playlist. These are the kinds of songs I would let simmer in the background while I make my bed with my window open. It’s that kind of feel-good-Sunday-morning shit. These songs give me that waking-up-naturally feeling when the sun sifts like sand through the blinds in your bedroom at home while the house is quiet and the day is yours.

Light an incense, change your underwear from last night’s escapades, pop an aspirin, you don’t have to brush your hair, but sit back and let these songs melt over you.

 

Cait

Saying the Things That Never Get Said

When I was in New York City this past Summer, I made sure to make it to my favorite spot in the city – The Strand. The Strand is the most amazing book store you can possibly imagine and I spent over an hour reaping the bounty of their shelves. One book that particularly stood out to me had an all mustard-yellow cover. Whoever said you can’t judge a book by its cover was far from right in this case. The off-yellow of the cover wound up perfectly matching the sort of off-beat humor and quirk of this book. The book actually turned out to be a collection of short stories called No one belongs here more than you. Stories by Miranda July. I’ve always loved short stories and the description on the back of the book really made me feel that this was the book for me. “July gives the most seemingly insignificant moments a sly potency,” it says. She does indeed. The power of these stories is the way in which they give voice to all the thoughts in one’s mind that are so often silenced for their out-of-placeness in common culture. Her stories reveal the depth of human complexity through seemingly insignificant experiences. I was able to see myself in so many of these characters and hear my own unspoken thoughts through all of their voices, no matter how extreme or unlikely the circumstance. I felt truly touched and inspired by this work. Miranda July has a presence in film, writing, and art and has just released her second book entitled The First Bad Man, a novel. I highly recommend No one belongs here more than you. It takes you on a journey of profound empathy that never fails to reveal something to the reader about his or herself.

Art of the Box

We say that art is thinking out of the box. That freedom and open space offer inspiration and this inspiration is what forms art. The higher ceiling, we think, affords more wondrous creation. But I think this is wrong.

I think boxes create art.

Orson Welles, the director of Citizen Kane and other great films, believes that the best art rises out of constraints. Whether physical or financial, constraints force artists to push their creative limits, and it offers an economic edge to a work. Welles believes that constraints are necessary for art to exist. With no deadline, for instance, a work would never be finished. Or in the absence of a budget, unnecessary costs will occur. Without a container to provide shape, how could art hold any form?

The enemy of art is the absence of limitation.

Too often we push for divergent thinking and “innovation” but do not give it the proper limitations to grow. This may seem oxymoronic, but it carries weight. When given a white canvas and hundreds of paints, the possibilities are limitless. While this abundance is a wonderful privilege, the artist may struggle to make something beautiful–for there are no setbacks to excite her creative ingenuity. But this is not something the masses have understood, historically. For a renaissance period to occur, a civilization needed peace and prosperity. When basic functions have been satisfied, art could be produced. More time could be devoted to creative ventures, so the arts would flourish. But after a time, the period would end and some calamity would begin–famine, war, etc.–and the arts would go dormant. This makes sense, of course, because why would anyone paint a portrait when they should be growing food or building weapons?

But do these struggles not spark inspiration? The hardships and constraints of war and famine have motivated some of the greatest art. This is not to say that horrible things are necessary and that art can only exist in hard times, but unbridled freedom is not an incubator for art.

Some of the best ideas rise out of brainstorming sessions when clear requirements and constraints are defined. Once given boundaries, the creative process can ensue. Fresh ideas are sparked from the friction between constraints and can form thoughts that challenge the boundaries. As they burn, these ideas can find innovative means to operating within and around limitations. Some red-tape is good, for when it binds our hands, we let our feet do the creating. If our hands were never bound, our feet would’ve never had the chance to express themselves. Constraints can be frustrating, but they challenge us to think different. To think inside the box.

Things that go Bump in the Night

Growing up, I hated the basement. My mother would often send me to the pantry and, unwilling to admit I was scared, I would creep slowly down the stairs, flick on the lights, and close the door on myself as I rummaged through the pantry. Once I had found the requested item I would peek my head out of the door and bolt as fast as I could back up the stairs, back to the kitchen, back to my mom and back to safety. This process was almost immediately repeated as my mother knowingly would ask “Did you turn off the light?”

As we grow older childhood fears fade away as logic and reason replace mystery and uncertainty. Yet as we outgrow childhood fears new ones take their place. The boggie man is not a dark shapeless creature hiding in your closet, but ISIS will behead or burn you alive if somehow you end up their hostage. The boy wearing a Halloween mask is not a monster like you thought, but he may be contagious with measles. And while the mere sight of a spider used to make you cry, the termites which could infect your house eat away the largest investment you will ever make.

These adult fears cannot be easily reasoned away. Speaking practically, there is very little that one 21 year old can do about ISIS or the measles outbreak. Here is where I think the appeal of reality Tv comes from.

Tv, in general, is a mindless indulgence which helps us relax after a busy day of work or classes. The news is a sharp reminder of reality, exploiting our fears by sensationalizing the news and prodding our sense of responsibility. Dramas often explore the subjects of our fears making the possibility of being kidnapped by supposed terrorists (Scandal) or murdered by a crazy neighbor for a coincidence beyond your control (choose any crime show, NCIS, Castle, Law and Order etc.) seem more and more likely. Yet, when we turn to comedies the humor is based upon coincidence and situations which seem beyond our acceptable threshold of possible within the context of an “average” day.

Here is where reality Tv steps in. Real enough to seem like an average day in their lives, the problems which the actors(?)/contestants/people face are trivial in comparison to the real world problems which affect our daily lives. From stolen boyfriends to wearing the same dress to a party, these conflicts provide the viewer with enough drama to entertain without being substantial enough provoke thought or self reflection.

While our fears may never be as simple as they were in our childhood, reality Tv provides us with a temporary respite from the world where the conflicts are sometimes irrational but always understandable and the consequences aren’t dire.

The Myth of Being Well-Read

Okay, hold up. If you haven’t heard the big news, I want to be the one to tell you.

Wait for it…

*drumroll*

Harper Lee is releasing her second novel ever.

*cue excited screams*

I know.

Frankly, when I first read the news somewhere on Facebook, I didn’t actually freak out on the spot. I mean, I was happy, but it took like a solid hour or two (or maybe three more posts on Facebook) to get me really, really pumped for this. Honestly, the weight of the news really didn’t hit me until then. This is huge.

And actually, it’s funny that this news has been released, because it coincides perfectly with a topic I’ve been meaning to write about lately.

Now, okay, maybe you’re reading this (or you read one of the various other news sources), and you’re thinking “Okay, so what?” To this, I would come up with two possible conclusions about you:

  1. You aren’t a reader and thus don’t understand the gravity that is when your favorite author announces that they’re publishing another book (think Harry Potter and the Deathly Hallows or The Winds of Winter, the forthcoming 6th book in the Game of Thrones series), or

  2. You’ve never read To Kill a Mockingbird

These are both completely valid conclusions to come to if someone says “So what?” to this kind of news. The part that gets tricky is what comes after.

Maybe you are a reader, and that first conclusion isn’t true about you. You really really like sci-fi novels, and can’t wait for the next book in your series to come out, so you understand how it feels when this kind of announcement is made. But you still say “So what?” Maybe you don’t really like other types of fiction. Maybe you got into sci-fi because your mom really liked it growing up, and she got you reading, but because she doesn’t read much else neither do you. Maybe you tried to branch into mystery and got bored. For whatever reason, maybe you haven’t read To Kill a Mockingbird and the second conclusion does apply to you.

Like I said, the conclusion is valid, but the judgement that comes right after is not.

After being officially declared an English major for a year now (though in my heart I’ve been an English major since I got accepted to UM), I’ve noticed a trend within the English department, that I have to say also applies to me. And it’s not the English majors’ fault, because it’s not just English majors, but also any intellectual who studies/studied the humanities.

What I’m talking about people is the concept of being “well read.” If you go up to an English major and say “I haven’t read To Kill a Mockingbird” many will gasp loudly, protest vehemently, and automatically insist you pick it up right this minute, you know what, I’ll go buy it for you right now at The Dawn Treader. But what makes a book considered worth reading in the first place? It obviously isn’t popular opinion, because then Twilight and The Hunger Games would be included in the lexicon.

But more than that is the whole concept of it all, and the judgement that comes immediately after. Although comments such as these have never been directed at me, I’ve often felt uncomfortable in my classes when the topics of books comes up. This comes up most often at the beginning at the semester, when the favorite ice breaker seems to be “the last thing you read” or “the last thing you enjoyed reading.” For someone like me, who is seriously considering either going into creative nonfiction journalism (such as this blog) or into YA Lit, this question is always, without fail, a way to embarrass me, and I always have to have an acceptable back-up answer ready at hand. Last semester my back-up answer was the piece written by the Washington Post journalist that went to and was arrested in Ferguson. I don’t remember my back-up answer this semester, but I sure as heck wasn’t going to say that I finished The Moon and More by YA romance author Sarah Dessen. But that was my honest answer, it was in fact the last book that I finished. And the last piece I read was probably any sort of online article about music, movies, TV, you name it. In the stage of life I’m in right now, it’s honestly what I like to read. Sure, I have Water for Elephants and Life of Pi on my Kindle right now ready for me to read at a moments notice. But I’m also in the middle of reading Paper Towns by John Green, and I plan on finishing it sometime soon.

So why is it that when people talk about Dante’s Inferno or name drop Nietzsche (who I really didn’t know until last semester), I get really anxious and uncomfortable? I know enough about Inferno to get by when it’s mentioned, but I’ve never read it and I’m not planning on it any time soon. Why would I when there’s so many other books I’d enjoy much more?

And yes, okay, I am planning on reading “adult” books eventually. I finally read Frankenstein this past semester for class, and I do actually want to read Life of Pi, which is why it is actually on my Kindle right now. But if I don’t read them right now, does that make me less of a reader?

I’d like to argue that it doesn’t, and I’m sure this argument has been made many times, but I thought it was worth considering in the terms of a highly intellectual University. I’m not saying that every time a professor makes a connection between a novel and Paradise Lost they’re wrong and shouldn’t do it, because intertextuality is important when understanding the novel and its merits, but the judgement that comes when individuals have conversations about books and I just haven’t read one yet should not be happening.

But yeah. Harper Lee. Get excited. Or not. Whatever floats your boat.