Hello everyone!! As we approach the end of the semester, I wanted to take a moment to extend warm regards and share a unique collaborative endeavor that has been brewing in one of our classes, involving students from the PAT, Stamps, and Dance departments.
Titled “Missing Piece,” this project is more than just a performance; it combines live performance art, dance movements, and live piano interludes. What makes it truly special is the active involvement of our audience. We’ve extended an invitation for them to bring objects of personal significance, items that hold meaning and significance to them, and seamlessly incorporate these objects into the fabric of the performance itself.
As we eagerly await the culmination of this project, I can’t help but anticipate the final recorded performance. It promises to be a testament to the power of collective creativity and the magic that ensues when diverse talents intertwine to create something truly special.
Stay tuned for the final performance video, as it’s sure to encapsulate the essence of our collaborative efforts and the meaning behind “Missing Piece.”
Did I say “next week” in my last column? Oops. I kinda forgot that Thanksgiving break was coming up, and then I ended up too busy with personal life stuff to actually make this post. Anyway, now I’m making this quick-ish overview of paper terms and types for making prints!
When making prints on paper of your artwork, something important to keep in mind is paper weight (which is almost always equivalent to thickness). Thicker paper is sturdier and harder to damage or bend, which both keeps your stock safer and also feels better for your customers compared to receiving a super thin paper print. Usually the way to evaluate printing company paper weight is through points, which is a whole number version of how many fractions of an inch thick the paper is. For example, 12pt cardstock is .012 inches thick. There’s also other ways of evaluating weight such as pounds or gsm (grams per square meter) that sometimes show up, but I’m less familiar with how those work.
A sampling of papers with different gsm. Source: samedayrushprinting.com
There’s also a myriad of different paper types available for printing, but the ones used most often for poster prints are text and cardstock. Text paper is thinner paper similar to office printing paper or the pages of a book, while cardstock (also known as cover stock) is closer to the paper used for a greeting card or the cover of a softcover book. There’s also giclee, which is an archival-quality paper used for more expensive fine art prints that are meant to last, but I don’t use it since the per-unit cost is much higher than cardstock and my customer base prefers relatively affordable posters.
If you want personal recommendations, the paper I use from Catprint is specifically their Light Cardstock – Satin, which I feel has a good balance of sturdiness, light-weightness, and a finish that subtly enhances the artwork (I’m not sponsored, but I definitely wouldn’t turn down a sponsorship if I got an email about it). I’ve also tried 12pt gloss cardstock from Greko Printing (a Michigan-local printing shop) and found it similar in thickness and quality to Catprint’s Light Cardstock Satin, so that’s a valid alternative if you want to support local.
The print I made with Greko is on the left, while the print I made with Catprint is on the right. Greko’s feels slightly thicker, but otherwise the two prints are quite comparable.
If you print at home or (as a Stamps student) in the Digital Printing Lab using an Epson printer — which is a valid option if you prefer total control over your prints and can tolerate wrangling the printer yourself — Epson typically makes several types of papers that are good for art prints. I personally liked their matte premium presentation paper the most — their non-premium paper is way too thin and light for my liking, and I didn’t really like how the gloss finish on their gloss papers made my artwork look overly shiny. They’re typically available in packs of 25 or 50 online in various sizes (usually 8.5×11″ or 11×17″), and they even have some extra premium options like a canvas finish or extra thick paper that I’ve never tried but might elevate your prints.
Don’t make my mistake — make sure that the paper you’re getting has the “Premium” at the top!
Honestly, the best advice I can give in the end is to order a sample pack (usually either free or at a small cost) from the printing company you’re interested in to actually see and feel for yourself which paper type would work best with your own artwork. Enjoy having your artwork physically sit in your hands as a custom print!
In terms of next week’s topic, maybe I’ll go back to showing and talking about my own artwork, since it’s been a few weeks of just talking about art business-related topics. Of course, I’d like to hear if you guys want me to cover anything specific in the future!
Name: Sophia Singh Mix: Indian & Serbian Major & Year: Neuroscience; Sophomore
Q: How has being mixed affected your campus experience?
A: People are very quick to assume, and simultaneously, dismiss who/what I am based on my appearance. It’s very disappointing, because I thought that narrative would change from the South (where I grew up) when I moved here for college, but it really hasn’t. Ignorance and micro aggressions permeate every part of this student body still, and it has created an overall sense of weariness.
Q: What do you wish more people knew about the mixed experience?
A: It has been so difficult to grow up in a society that has forced you to put yourself in one box or the other. It’s so jarring at times, because I’m not “Indian enough” for some , but also not “white enough” for others. Growing up not being able to place yourself into any singular category makes you really question yourself and who you are. I still go into doctor’s offices today that place emphasis on “only checking one” in the race section.
Q: What is your proudest moment?
A: The moment I truly learned to love myself and the cultures I represent. Being born and raised in Louisiana has definitely been a interesting experience, tainted with the underlying forceful assimilation into white southern culture. It’s something I will never be, but it took me until middle school to truly appreciate the unique experience I have from having a Sikh-Indian father and Serbian mother. It’s something I am so extremely proud of, because I have seen the sacrifices they have made to get to where they are, and the sacrifices they have made to be together. Why wouldn’t I be proud of how I represent that?
Q: What are you most anxious about right now?
A: I think the general trend of “backwardness” we see going on in the United States right now. It’s naive to ignore the rise of the ultra- conservative right in this moment, and it’s something we should all, as a modern society, be more wary of. There is going to be a lot on the line in this next election, and I fear the most basic fundamental rights for every marginalized group will be at risk.
Q: What kind of person do you aspire to be?
A: I aspire to be seen as someone who has spent a lifetime being kind and helpful. There is nothing more rewarding in this life than helping as many people as you can, in any way possible. Most importantly, to have led a life filled with kindness. It costs so much more to be mean, so why not approach everything with kindness?
Mixed on Campus was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!
Welcome back to another week of Industrious Illustrating! Last weekend I was selling at Motor City Comic Con Fall 2023 in the Artist Alley, which ended up being a lot slower sales-wise and traffic-wise than Youmacon was the previous weekend but still an okay profit. I think that my stuff just isn’t as popular with the comic con crowd, which makes sense since almost everything I draw fanart of is a Japanese or East Asian media property (even including Armored Core). Weirdly enough my Pacific Rim print sold way better at Youmacon than at Motor City, but I think that can also be attributed to Motor City Comic Con’s fall show having lower attendance and buying interest overall than either Youmacon the weekend before. I still hope that I can try spring MC3 in May next year since I’ve heard it’s much better attended than the fall show, but I don’t plan on doing the fall show again since it didn’t really feel worth my time or the table cost.
Something I’ve definitely noticed is that selling big-ticket items (large prints, specialty prints, deskmats) has helped increase my revenue and profits at conventions. My profits at MC3 were salvaged by several people making large purchases of multiple prints or items, and a significant chunk of my far better than expected profits at Youmacon was also people making large purchases of deskmats or multiple items at once. There’s only so many days in a convention weekend, which means that making more money means making more sales or making larger sales. Because my products are mostly for a specific niche (mecha art) rather than a broadly appealing mass market, I can’t count on making more sales at every event. However, I can count on making my art and offerings good enough to encourage larger purchases per interested customer that are worth as much as or more than several smaller purchases. That’s just my personal business strategy, though — other artists may find greater success selling lots of small cheap items that add up into good profits.
In terms of future conventions, I received acceptances for two early 2024 cons within the last few days — Anime Milwaukee and Katsucon (Washington D.C. area) — which means I will finally be branching out from Michigan/Ohio cons and traveling further away to get my work in front of more people who haven’t seen it before. This also means that a bunch of the money I just earned at Youmacon and MC3 is immediately getting reinvested back into the business since I have to book hotel rooms and transportation to get to these cons, which goes to show the importance of making a profit rather than merely breaking even. Without making a profit off of these past few cons and my online sales, I wouldn’t have enough money to both pay off personal expenses and grow my business at the same time.
Anyway, I won’t have any more cons until January, so I probably won’t be talking much more about conventions until then and I’ll focus on other art and art business-related topics. Next week I’ll discuss different ways to make prints (at-home printing, outsourcing, etc.) including a few on-campus or local options for UMich students!
“There is no difference in what we’re doing in here,”
I’m in the home stretch of the semester. Lots of final papers, exams, and projects are coming up, but in the back of my mind, I know that there is a month of rest waiting for me once I complete them. I haven’t spent much time at home in the past year, and I’m looking forward to being able to have more than a few days at home for my upcoming winter break.
“That doesn’t show up as bigger symptoms out there.”
Today, my mom bought Alanis Morissette tickets so we can go to her concert together this summer. Music has always been something that my mom and I have bonded over, and even though the concert is over six months away, I am very excited for it and grateful that my mom is as well. This inspired me to listen to Alanis Morissette on my walk to class today, and I was reminded of how her music makes me feel so understood. Right now, the song “Underneath” resonated with me because of its emphasis on the need to heal yourself before you are able to most effectively extend that healing outward.
“So why spend all our time dressing our bandages?”
This past year, I’ve learned something very important: in order to do my best externally, I have to feel good internally. This internal healing can happen through many activities: recharging alone, going on a run, spending time with friends, journaling, calling my loved ones, going to therapy, and more. For me, it’s been a combination of things, but as I gear up to finish the Fall 2023 semester, I feel great inside – I feel satisfied, hopeful, and capable. Of course, I occasionally feel doubt, anxiety, and unease. This is natural, and I now know that these feelings are not permanent and never are. As I keep working on myself and my inner mentality, I am confident that my strength, courage, and positivity will continue to see me through.
“When we’ve the ultimate key to the cause right here, our underneath.”
