Witness the Small Life – I-I-Icon

“Patience is a virtue” -Me (probably)

Is it just time going fast or do I not have my glasses on, cuz everything sure is a blur right now. Hour after hour I go to class, I do work; I get out of class, I do work; I go to sleep, I dream of work. Everything flashes by in a haze and I continue to work. Call me Sisyphus because this boulder just keeps rolling down!

Although everything happens so fast around me, my spare time has been filled with doodling on Photoshop with my laptop trackpad (my new best friend!). Lulls in lectures and commutes on buses have regained a sense of whimsy and color when I’m able to fill it with goofy little stars and apples. It’s been almost meditative this week: pulling up a blank canvas and going with what my heart tells me. Recently, I’ve dedicated these doodles to becoming new icons for my desktop (shout out to the Gargoyle for being my first muse). The doodles on the page are my shiny new folders that live amongst the picture of a double rainbow over my camp’s shimmering Half Moon lake. Through drawing these doodles, and drawing with my trackpad in general, I’ve found myself to grow a new form of patience and mindfulness with art-making. It brings me back to my early days of digital art when I could only use my trackpad to make various drawings of colorful My Little Pony characters. Nowadays I have a plethora of resources that would make my 11 year old brain pop! Trackpad drawing has brought me back to my roots, while also forcing me to learn how to draw again in a kind of way. There’s a certain kind of method and resilience needed to constantly press undo and redraw the same line over and over again until it reaches its best potential. There’s also a kind of acceptance that is required to come to terms with when something doesn’t come out exactly how you envisioned but it still doesn’t look bad. It’s similar to printmaking in that way, the apple of my eye lately, to where you learn to roll with the punches and how to take something both simple and meticulous to new heights through experimentation in tandem with trial and error. I feel more connected to my creative process in my trackpad doodling and more aware of what I’m making, how I’m doing it, and how I can play with ideas of shape and form. These doodles are simple, yes, but they bring out a joy in doodling that I’ve been missing lately. I encourage everyone to pull up their drawing program of choice, stretch your fingers, and play around with making fun little characters and creatures. Even if it looks like a hot mess of lines and color, keep playing around with it! Find what works, find what absolutely doesn’t work, and enjoy the process as you do so. Exploration, experimentation, and process are so important to art making, and also life living, so try it out and see what joy it sparks in you.

To take into our next week:

Ins: Simple syrup, my bright orange hoodie, copper and brass, little dogs, limes, tomatoes, bunny slippers, reaching out.

Outs: Timezones, cracked heels, freezing rain, the crust on a milk jug, the smell of room temp coffee, hit snooze a little tooooo long, sleeping with only one pillow.

Enjoy the last full week until break (as much as one is physically able) and appreciate that trackpad!

Industrious Illustrating #54 – Progress Pictures

This week’s column is a day late because I’ve been tabling at Isshocon, a new 3-day anime convention located near us in Novi Michigan! So far it’s been going fairly well considering that it only has fewer than two thousand attendees — I’ve made more money than at Motor City Comic Con Fall for a much less expensive table, though my work is much better geared to anime conventions. Here’s a picture of my table:

The main topic of this week’s column is going over some work-in-progress pictures from my recent drawings, which has been on my mind because the application for Fanime Con (a large anime convention that happens in San Jose, CA on Memorial Day weekend) required a signed work-in-progress picture to weed out AI “artists” and art thieves. I’m in a group chat with a bunch of other artists who sell at conventions and seeing everyone else’s progress pictures was really interesting for seeing how other artists work. I won’t use the work-in-progress images I used for my Fanime application to keep it private, so I’ll instead go over a chibi mecha design I drew last year with WIP screenshots I took during the process.

My typical digital working process starts with “blocking” out the drawing as a color sketch, working more on getting the general idea down rather than having perfect proportions or coloring.

As I work on this base colors sketch, I freely use the lasso tool and eraser to resize and edit parts I don’t like in addition to working more with the default oil paint brush tool I use for my work.

Once I have a baseline I’m happy with, I start doing lineart from the top to the bottom on another layer, working more on the rendering and polish as the lineart solidifies what I want the drawing to look like.

Compare with my finished drawing:

Would you guys like to see me do more breakdowns/work-in-progress sequences of my drawings in the future? I’d love to know if you do!

Industrious Illustrating #52 – Experimentation

Hello, and welcome back to another week of Industrious Illustrating! It’s now 2024, which opens up a lot of new possibilities and directions for the rest of the year. That means I want to highlight a few drawings I’ve made recently that are more experimental or different from what I usually draw.

This was more of a graphic design-esque drawing I made for some zippered coin purses that I ordered from a supplier during a sale depicting a plastic file, two different types of plastic nippers, and two hobby markers that would all be common tools for building model kits. I wanted to go for something simple yet bold, as my usual style focuses a lot on details and elaborate painting.

This, meanwhile, is a quick digital doodle of the cell towers disguised as palm trees that I saw all around the Los Angeles and Orange County areas when I was visiting family there over winter break. I wanted to convey the feeling of driving home after a long day and realizing something is slightly off with one of the freakishly tall palm trees lining the freeway. I also wanted to free myself from needing every drawing to be highly polished, so I set myself a time limit on this one and stopped drawing once the 20 minutes was up.

That’s all for this week, but I want to wrap things up with a quick question. What ways have you personally experimented with your artwork recently — and if not, how will you experiment with it in the future? I’d love to hear about it!

Mixed on Campus #16 – Alice Conner

Name: Alice Conner
Mix: Japanese & White-American
Major & Year: Industrial Engineering; Junior

Q: How has being mixed affected your campus experience?

A: My racial identity and the racial/ethnic identities of other mixed people are often scrutinized by others. People choose to accept or not accept my racial identity based on when it is convenient for them. Constant scrutiny on my appearance and the validity of my experiences is alienating, exhausting, and psychologically distressing. How you look is not a choice. Before joining the student organization Mixed@Michigan, I did not have the vocabulary to defend myself and other mixed people. People did not listen to me until I educated myself, even if all I learned were the “proper” words to explain what I already knew was true. Mixed people should be heard even without statistics and well-spoken words.

Q: What do you wish more people knew about the mixed experience?

A: I believe a lot of the prejudice towards mixed people is a result of ignorance, which is why it’s so important for mixed people to be able to speak about their own struggles and experiences. I want people to understand that the mixed experience is a real lived experience and not just an interesting debate topic. I’m tired of hearing arguments on whether or not a mixed person is allowed to identify with or represent a specific racial identity based on the percentages of their racial makeup and opinions on what the person looks like. How a mixed person is perceived by others will depend on the mixed person, the person perceiving them, AND on the context of the situation. In the end, monoracial people do not have authority on how a mixed person chooses to identify.

+1: Mixed people are not buffers between different racial categories. People should not be measured and judged based on their perceived proximity to whiteness. Oppression is often discussed in binary terms (a person either experiences it or they don’t), but reality is not so easily categorized. Mixed people are used to this idea– they are good at tolerating contradiction and ambiguity.

Q: What is your proudest moment?

A: I’m very proud of this project. What I wanted to do with Mixed on Campus was provide other mixed people with the opportunity to speak up about things they might not have been able to before. I’m very grateful for all the responses I’ve received and the opportunity to use my platform to provide a voice to the mixed community at this university. Mixed@Michigan is a club in which we are bonded not through a specific racial or ethnic identity but because we have all experienced what it means to not fit into the monoracial paradigm of racial purity that society expects. We are able to support each other and provide a safe space free of judgement and questioning. There is so much diversity in experiences within the mixed identity and I wanted to be able to show that by providing other mixed people with the chance to tell their story.

Mixed on Campus was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!

Mixed on Campus #15 – Giana Mae

Name: Giana Mae
Mix: Filipina, Mexican, Polish, Italian
Major & Year: Business; Junior

I am the Director of Event Planning for Michigan Esports

Q: What do you wish more people knew about the mixed experience?

A: The percentage of your mix does not determine how you identify. I am often met with the uncomfortable question “what percent are you” as an attempt to see how much I can relate to a person. I find this extremely inaccurate to how I was raised. I can be proud of my culture and how I grew up even if my blood percentage is less than reflected. I want people to know that to be mix does not mean you accurately align with your blood at all times.

Q: What kind of person do you aspire to be?

A: I aspire to be someone who can be counted on by others. I know how hard it can be to handle something all on your own. Whether it is at home or in the workplace I want to help carry the load. I have noticed the competitive spirits of some people, which can be draining. We can get so absorbed in grind culture and “making it” that we forget to lean on others and accept help when necessary. I want to be someone that others come to for advice and can be trusted.

Q: Who is the most influential person in your life?

A: The most influential person in my life is my older sister. She always seems like she has everything figured out and is one of the hardest working people I know. She enjoys the little things in life. I can see her living out the life I want. This helps me when my dreams feel like a reach or unattainable.

Mixed on Campus was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!

Mixed on Campus #14 – Sophia Singh

Name: Sophia Singh
Mix: Indian & Serbian
Major & Year: Neuroscience; Sophomore

Q: How has being mixed affected your campus experience?

A: People are very quick to assume, and simultaneously, dismiss who/what I am based on my appearance. It’s very disappointing, because I thought that narrative would change from the South (where I grew up) when I moved here for college, but it really hasn’t. Ignorance and micro aggressions permeate every part of this student body still, and it has created an overall sense of weariness.

Q: What do you wish more people knew about the mixed experience?

A: It has been so difficult to grow up in a society that has forced you to put yourself in one box or the other. It’s so jarring at times, because I’m not “Indian enough” for some , but also not “white enough” for others. Growing up not being able to place yourself into any singular category makes you really question yourself and who you are. I still go into doctor’s offices today that place emphasis on “only checking one” in the race section.

Q: What is your proudest moment?

A: The moment I truly learned to love myself and the cultures I represent. Being born and raised in Louisiana has definitely been a interesting experience, tainted with the underlying forceful assimilation into white southern culture. It’s something I will never be, but it took me until middle school to truly appreciate the unique experience I have from having a Sikh-Indian father and Serbian mother. It’s something I am so extremely proud of, because I have seen the sacrifices they have made to get to where they are, and the sacrifices they have made to be together. Why wouldn’t I be proud of how I represent that?

Q: What are you most anxious about right now?

A: I think the general trend of “backwardness” we see going on in the United States right now. It’s naive to ignore the rise of the ultra- conservative right in this moment, and it’s something we should all, as a modern society, be more wary of. There is going to be a lot on the line in this next election, and I fear the most basic fundamental rights for every marginalized group will be at risk.

Q: What kind of person do you aspire to be?

A: I aspire to be seen as someone who has spent a lifetime being kind and helpful. There is nothing more rewarding in this life than helping as many people as you can, in any way possible. Most importantly, to have led a life filled with kindness. It costs so much more to be mean, so why not approach everything with kindness?

Mixed on Campus was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!