The Struggle to Continue an Instrument in College

I vividly remember the day my piano was delivered. My family had been saving up for a year or two, and after scouring Craigslist and testing out a variety of used pianos, we settled on a beautiful chestnut-colored Yamaha. The moment it was delivered, the upright piano became my most prized possession. I was ecstatic to have my own piano and no longer need to pretend to pedal when using the keyboard. As such, I remember playing the piano for hours on end in the following weeks; however, these days tell a different story.

I live in East Quad, which has practice rooms accessible to students. In fact, this was one of the most exciting parts about touring my new home before the start of school. Yet, using my ten fingers, I could probably count the number of times I’ve actually sat down and played for over an hour. But why?

Before I continue this reflection, I’d like to make note I wasn’t always the best piano student. I started lessons when I was nine yet often feel as though I have nothing to show for it, especially in comparison to the hundreds of extremely dedicated or musically gifted students here at U of M. I’ll admit, when I was younger, there were times I didn’t like the assigned pieces or going to lessons. I frequently faced frustration with myself when I would make mistakes. There were times throughout middle and high school where I practiced only once or twice a week. Yet, somehow I always carved out time for it. Playing the piano was often a stress relief. It was something I enjoyed. Finding a daunting piece and eventually conquering it was one of the greatest feelings in the world. So what changed?

Time management is a huge factor. It can be difficult to juggle work, clubs, and hobbies while maintaining academic success. Additionally, while there are hundreds of organizations that make it easy to find groups of like-minded people or activities you enjoy, it’s just not feasible to do absolutely everything like many of us did in high school. Don’t get me wrong, it’s definitely possible to still tackle plenty of extracurriculars. Several of my friends have been able to continue playing their instruments by being in marching band, orchestra, or chamber music. For me, the gist of time management in relation to playing the piano is the lack of setting aside time to specifically play. Amidst homework, tests, and other commitments, I’ve failed to put practicing as a priority.

While time management is an obvious and monumental reason for not playing the piano, I’ve come to realize that self-consciousness has also been an inhibitor in my musical ventures. For some background information, it’s easy to hear sound coming from the practice rooms in East Quad’s basement, whether you’re outside of them or in another practice room. Whenever I hear people around, I can’t help but feel pressure to perform under some sort of expectations I can’t live up to. When I hear another piano player in the practice room next door, sometimes I can’t help but feel inferior and fearful that he/she is judging me for my mistakes or lack of fluidity. It’s difficult to refrain from comparing myself to other talented students that I hear playing. This probably sounds silly, but it’s strangely something that has had an impact on my confidence and willingness to play. It also goes along with the fact that while I’m comfortable speaking, singing, or acting on stage/or other people, playing the piano is another story.

While self-consciousness is something that affects my playing habits, I hope to move past these insecurities and focus on my own progress. After all, if I stop playing because I feel that other people are much better than me, how am I ever going improve? And as far as time management goes, I’d like to go back to viewing practicing as something done for enjoyment or as a stress relief rather than a simple check off an imaginary to-do list. I hope to remember to actively think about setting aside some time to play, even if just once in awhile. Ultimately, I’m extremely grateful to my parents and piano teacher for the opportunity to learn such a skill as how to play the piano, and I don’t intend to let it go to waste.

I’ll just send in an application…

I know I’m not the only University of Michigan student stressing out about their summer plans right now.

The summer is an important time for a musician because it provides free hours in the day for one thing: PRACTICING– well, for some people. I do my best to try to avoid practicing for long periods of time. That’s a story for another day. I’m looking at a few different options for my summer but I keep going back and forth on one idea, so I thought I would write about it this week.

I have never been a camp counselor. I understand it’s like some sort of rite-of-passage thing for college students but I feel late to the game. I’m going to be starting my senior year in the fall. I feel like by now, being a camp counselor should be a “been there, done that” situation for me. The truth is that college has actually gone by very quickly and I didn’t fully realize how much I was supposed to accomplish by now… again, a story for another day.

When I was in high school, I went to lots of different string camps and orchestra festivals during the summer. All of these summer camps had such rigorous schedules of rehearsals and supervised practice time that progress was inevitable, and succeeding with my instrument provided more motivation for me to work harder. In true summer camp form, there were also cabins, counselors, and camp traditions. I wore a uniform of navy pants and a light blue polos when I went to Interlochen for two years. On Sundays I had to wear white polos or a counselor would send me back to my cabin to change. We all had a love/hate relationship with the counselors. Most of them were college girls and their personalities ranged from cool to power hungry. I felt like too many took pride over being able to control us, but I had one or two that were kind of like second mothers to me and my cabin mates during our six week stay away from home.

Maybe I would be a good counselor. I feel like I do well with high schoolers and kids. Since I went to the camp myself, I would be able to help them enjoy camp in all the ways that I did, as well as encourage them to take advantage of the opportunities I didn’t pay attention to. I would be able to revisit a place that changed my life: where I discovered that I loved music and wanted to pursue it for a career.

But maybe going back to Interlochen to be a counselor would ruin the magic for me. The nostalgia might be too painful being in a place I loved without my friends. Maybe I would be jealous watching the campers go to orchestra rehearsal. It could replace my old memories of a place where I thought I was the best version of myself. But also, I need money, and it wouldn’t hurt to have the experience. I’ll send in an application and think about the hard stuff later.

Embracing the Sentimental During Difficult Times

I love “The Wizard of Oz” and think it deserves to be considered a classic of American cinema. This week, one of my professors showed the ending of the film to my class to make a relevant point during lecture. Tears formed in the corners of my eyes, and I remembered how I actually did cry the first time I saw it. I’m not a big fan of fantasy, but the message that nothing can replace the ones you love is very moving. The way the lecture hall had people audibly sniffing after the clip ended let me know I wasn’t the only one that found the movie powerful.

After the video ended, my professor addressed the class by saying that although the scene is “cheesy” it was still insightful for the purposes of studying witches. My mood soured when I heard her say that. “Cheesy”? The fact that the movie came out in 1939 at the end of the Great Depression and the beginnings of World War II makes it unsurprising that it was a box office hit. In my English classes, I learn about how history provides relevant context to literature that allows the reader to understand texts more deeply. In therapy, I have learned that a useful coping mechanism when emotionally distraught is to pretend that you are somewhere far away physically from your problems so that you do not become so emotionally attached that you are incapable of working towards solving them. What better way for the people living through such brutal times to be given a glimmer of hope, than to be transported to a magical wonderland that shows there’s no better place to be than home, with their loved ones who make struggling in life worthwhile?

I wonder if my professor didn’t like The Wizard of Oz or just was self-conscious about including the G-rated movie in lecture. The way she talked about it made the film sound more out there than it really is, in my opinion. Compare Oz with the song “Pon Pon Pon” by Japanese singer Kyary Pamyu Pamyu. She has said what drove her to become a singer is to make other people happy. This can be seen by how her first performance was a charity event called “One Snap to Love” in 2011 to raise funds for victims of the 2011 Great East Japan Earthquake. On the English-language Internet, I’ve heard people speculate that she made such an over-the-top music video for her debut single in order to cheer up the people of Japan as the nation started to repair and mourn after the massive devastation of the earthquake. The lyrics are really sweet, full of optimism and vitality as it calls people to become vulnerable by exploring where they live and joining hands as one in order to take life by the horns. The music video, however…

is full of surreal imagery as Kyary dances around a psychedelic room fulled to the brim with cute junk and faceless backup dancers. It’s wacky and colorful and way over-the-top. If my professor was weirded out somehow by the ending of The Wizard of Oz, then I’m sure she would have a cow watching this. But I for one almost teared up when I realized the context that this wild music video was released in because at the end of the day it tried to inject life into desperate times full of death. Let the people struggling decide what’s too weird to appreciate.

Andrew Lloyd Webber

With the rise of popularity of the Broadway Musical Hamilton for the past several years, the entire Broadway community has gained more popularity.  While Hamilton was one of Lin Manuel Miranda’s first musicals, there are several other composers and playwrights that have created hit after Broadway hit for decades.  The most popular of these composers is Sir Andrew Lloyd Webber.

Webber was born in London in 1948, and has been composing since 1965.  His two most famous musicals are the Phantom Of The Opera, and Cats. He has also composed Evita, Joseph and the Amazing Technicolor Dreamcoat, School of Rock, Sunset Boulevard, and Starlight Express.  Most of his most popular work, like Phantom of the Opera, and Joseph and the Amazing Technicolor Dreamcoat were filmed and made into DVD’s. They were filmed as a Broadway musical using the stage and sets from when they performed on Broadway, they just did not have an audience during the filming.  Another musical of Webber’s musicals that got made into a movie was School of Rock. The School of Rock movie was different from the other two movies that were made because School of Rock was not filmed on a stage. It was filmed on a movie set, the movie was a film adaptation of the musical, whereas the other movies were just recorded versions of the Broadway shows.

All of his movies have some famous actors in them.  Johnny Osmond played Joseph in the movie of Joseph and the Amazing Technicolor Dreamcoat, and Jack Black was the main character in the movie adaptation of School of Rock.  Webber has a new movie adaptation that is in the works. The movie rendition of his famous musical Cats is casting right now. Cats is set to star several famous actors and singers such as Jennifer Hudson, James Corden, and Taylor Swift.  Webber has been a big face in creating and composing musicals since the 1970s and he is not going anywhere soon.

Detroit’s Arenas

Detroit has been a hub of activity in the state of Michigan since the state was formed.  Like all big cities in the US, there are a lot of events that are constantly going on in Detroit.  Everyday there is some form of sporting event, conference, and concert. Detroit has an abundance of concert venues from The Detroit Opera House to the Fox Theatre.  The newest venue is the Little Caesars Arena that is the hockey stadium for the Red Wings and also doubles as an event center. Little Caesars has replaced the Joe Louis Arena for the home of the Red Wings and for a concert venue.

The Joe Louis Arena was built in 1979 and replaced the Detroit Olympia.  The Joe Louis Arena was the 2nd oldest hockey arena in the U.S. with only Madison Square Garden being older.  The Arena hosted many other things besides just hockey games. They hosted figure skating competitions, basketball games and tournaments, and concerts. In 1980, the Palace of Auburn was built and had taken over a lot of the concerts that the Joe Louis Arena used to hold.  

The Little Caesars Arena opened in September 2017.  It succeeded both the Joe Louis Arena and the Palace of Auburn Hills as the home of the Detroit Red Wings and the home of the Detroit Pistons.  Like both the Palace and the Joe Louis Arena, the Little Caesars arena is also a concert venue, and it is now the only of the three venues that hosts concerts as well.  The Arena has a capacity of 22,000 for concerts, 20,000 for basketball games, and 19,000 for hockey games. This is bigger than the Joe Louis Arena by about 1,000 seats.

As Detroit grows and the sports teams become more popular, the stadiums and arenas increase in size.  The transition from the Joe Louis Arena to the Little Caesars arena is a perfect example of this because not only is the Little Caesars Arena bigger than the Joe Louis Arena, it also has newer amenities and a newer look.

Springfest

The University of Michigan has a lot to offer.  From academics to sports to arts and culture. The University and the city of Ann Arbor have several big events throughout the year to highlight the art and creative side of Ann Arbor.  The Ann Arbor Art Festival is the most popular of these events. The University puts on an all day event each year in the beginning of spring called Springfest. Springfest is a way to bring the community together and to highlight the arts at Michigan.  This year Springfest takes place tomorrow (4/4).

The highlight of Springfest each year is the musical guest that comes to perform at Hill auditorium.  This year the performers are Louis the Child, and the Lost Kings. This musical event is what makes Springfest popular because students get a chance to see some pretty popular artists.  In 2016, Migos performed during Springfest.

Music isn’t the only thing happening during Springfest.  During the day there are also events going on on the Diag.  Clubs and organizations set up booths for people to attend and play a game or do a fun activity in between or on their way to class.  There are also food trucks set up for students to buy food and walk around the Diag.

Springfest is an event to help students to relax and have fun in the middle of the day.  It showcases fun events and activities for people to try, and ends the night with a big concert.  It is a wonderful event to remind people what Michigan has to offer.