Capturing Campus: Dichotomous Nothing

dichotomous nothing

the air bleeds 

honey cough syrup

stirred by a Southern wind

winding ribbons around the soul

symphonies around suffering

boxed up in pairs

sweet like pears

the taste of bitters on my tongue

lick the surface of starving minds 

tired bones buried 

deep

in the earth 

dormant dead and dusted 

dreaming of something better

than sallow skin 

bone marrow chipping in

to make days of dichotomous nothing

will there ever be something

Capturing Campus: I’ll meet you there

Content Warning: Mentions of suicide, abusive relationships

I’ll meet you there

I’ll climb down to hell

with its flat plains and dry heat

to reach you 

not to save you

but to die there with you

I’ll swallow what I’m drowning in

and find you at the bottom

a swollen face

apart from vitality

I’ll fill a bathtub to the lip

feed the wire three feet

into the socket

on the other side

of bubbles and brutal force

track my end in beats of five

on the railroad

until the engine begs

and I spill open

on the grass

I’ll kick my feet

to tighten the rope

a necklace just for you

a party favor

that never loosens

I’ll host the funeral service

an open casket

for all to see

a blackened pit

and the soul

you never took from me

Capturing Campus: Hummingbird

Hummingbird 

what must it be like to know someone?

not their favorite color or where they went to high school or where they want to retire or how they like their scrambled eggs on any given Sunday

but the texture of their skin

the patterns on their fingertips

born in the womb of their mother

the webbing and weaving 

are they high-strung or laid back?

with skin that sags around soft eyes

and peach fuzz

molded lips that taste of

dark-roasted coffee 

and the beating in their chest like a hummingbird 

when I press my ribs against theirs, my hip bone against theirs

we make a sculpture that breathes and pours

with sweat and some saccharine 

pleasure in the moment 

a pulsing and pressure

the roughness of legs

shaved two days ago

the bowing of their side and the curve of their arms 

bracing and borrowing glances

eyes closed, mouth wide

taking honeysuckle and morning dew

speaking only of cardamom and chamomile

whispering of rapture

to be enchanted in a body

to feel, to know

Capturing Campus: The Archway

The Archway 

my great-grandmother had a house

she’s gone

but the house breathes

its strange breaths

strange faces

strange furniture

strange footsteps

imprinted by foreign feet

I remember the house

and it’s frightening to think that someday I won’t

that nobody will

that the memory will die with me

you’re getting so tall

she said before we left

beneath the archway in her living room

neither she nor I will ever stand beneath it

again, I am frightened that the memories

won’t be memories anymore

not that they will be conflagration-charred

cataclysmically-consumed

made holed and holy by a marksman’s arsenal 

but that they will dry up and fade

wet footprints on concrete

during the fourth of July 

when the weather was warm as the parade marched by 

I sat inside a home I might never see 

again, I am frightened

that anyone and everything is only mine

for a little while

that life is only for a little while

Witness the Small Life – Signed, Sealed, Delivered

There’s always a pull between a pencil and surface that you just can’t stop. I’ve been calling a lot of people recently and I’ve always noticed my need to fidget or be active when I’m on the phone. 9 times out of 10 I have some paper and a pencil or pen next to me and somehow my hand finds its way to drawing doodles and scribbles and then some. My favorite places are those with words and sentences and even whole essays splattered across its walls. From bathroom walls drenched in gossip columns to hidden graffiti under a strategically placed flyer, I love seeing the endless possibilities found in lines on surfaces.

As I’ve been thinking about writing this week, I’ve also been thinking about the beauty of handwriting. I’ve always been victim to those complaining about my handwriting (“Why do you write in cursive?”) while also graced by many a compliments (“You’re handwriting is so graceful!”). I always took these comments at face value and considered my handwriting as weird or abnormal. In my time thinking about writing as marks on a surface, I’ve been able to appreciate the oddities of letters and the uniqueness of one’s approach to these letter forms a lot more. Someone’s writing tells you so much about them, of course, but also how they approach communication. Sharp and quick lines show how emphasis on speed and necessity of no wasted time for that person, whereas thick and heavy curves can show how someone takes their time to leave an impact with their words. The ways we choose to communicate with each other whether it be verbally, physically, or something else entirely represents such a large part of our person. Like I always say, communication is key! The way you decide where and how and why you write connects you not only to those you’re writing for (yourself, a class, a stranger) but it’s a snapshot of that exact moment you chose to lay those lines on a page (or a wall or a board or even a window). As we live in a world where convenience is king, the time it takes to handwrite something says a lot about the way you chose to share with the world. I think we should encourage ourselves and others to write more. After all, the pen is mightier than most things really.

To take into the next week:

Ins: Waking up before dawn, kombucha (always), charcoal, blackberries, overnight oatmeal, productive meetings, mittens, brown sugar, scan beds, surrounding yourself with true friends (always).

Outs: Chapped lips, hair in the drain, glossy paper, scary mechanical noises, less than 7 hours of sleep, letting dry skin get drier, a lack of lamps.

My task for you all: Watch your hands as you write and draw and create. Notice how you grip the pencil, how the swoops of your Gs intersect with the crosses of your Ts. Watch someone else write. Find the wondrous quality of sharp against curve and how the blank space makes it all come together. And do a little bit of vandalism. Because why not?!