aSoSS 44 | Freckles

Nice nails!

Thank you, they’re for Valentine’s Day!

[…]

South Quad, 1:00PM, 2/3/2025

skip the middle man, shall we? there is nothing left to say; i have torn the dictionary apart searching for the words to give you. entrust to me your heart and let me cast it in gold, so it may be preserved for the world to admire. one soul to another, without syllable nor stress, for this is the gift of a language repossessed. temple to temple: we are mothers kneeling and mothers weeping, hands clasped and prayers unanswered. how can we be damned when we have each other? your eyes tell me it does not matter; this altar holds enough room for two.


I think about you a lot. What does that make us?

Alice Lloyd Hall, 4:00PM, 12/8/2024

i can feel the melody of your thoughts through the heat of your touch–an excellent conductor, in more ways than one–your pulse rippling but not breaking the surface, a swordfish streamlined against the ocean. everything we have to say has already been written above, a cosmic braille blotted by the sun. you wear the stars as a cape; i trace the freckles on your back, brush tears away from your cheek. don’t you see? a night sky splashed across your skin. a kiss made salty by sweaty lips, fingertips charting the seas you once commanded. you have been graced with ethereal beauty. in the nowhere there is only the rush, the crash, the silence.


I’ve got no one to cuddle with, [so] I’m gonna buy a body pillow

Stockwell Hall, 12:00PM, 1/9/2025

a seed of resolve: i am going to love you to the moon and back. you protest weakly, the way a tired child insists on staying awake. do not set your words on me, for i know your tongue too well. i will wrap my arms around you and never let go, until the daylight bleeds into darkness and you fall asleep, the thump in your chest in line with the echo in my eardrum. it will take more than death to separate us. atrophy or infinity, whichever comes first.

~Sappy Daze~ Day 16

From Your Secret Admirer Probably

I like your smile:
the way it crinkles your eyes at the end
like an elderly person’s 
despite your youthful face. 

It makes me dream 
we’ll grow old together,
like your overworn white tee 
that I wore too:
I liked how the shirt smelled of you.

Your scent makes me hungry.

I can keep my hunger at bay by listening 
to my favorite piece on repeat: 
a cacophony of a symphony 
performed by our starving bodies. 
The melody of our groans and 
the rich vibrato of our stomachs
harmonize beautifully. Our laughter: 
the percussive and catchy beat.

I think we should become music majors. 

That way our starvation for 
one another will forever 
play in a cannon 
more famous than D.

- Sappy

Crooked Fool: Are you angry yet?

Witness.

I was young, crooked femme, buzzing with energy, a nova of anger that was pathologized, bad-ified, otherized, punished…

A performer adapting to the endless energy and life force late-stage capitalist performing arts charge as the price of admission to a club that will blacklist without hesitation. I was easy to work with. Disciplined. Energized regardless of fatigue, a vessel down to my fingertips, twisted body best when unnoticed and unclaimed.

I am a rebel in circus garb, prepared for the tower to fall, knowing my role when it happens.

A clown questioning the colonized, controlling, punishing logics of the state, somehow more threatening in a red nose, but not always thought of as such.

Arlecchino, Brighella, Colombina, Pierrot surviving, working, playing my way through a system designed to keep me wanting, needing.

The crooked, hunchbacked witch who served literal communion to an actual demon in the scariest place there was. The gods rewarded me with a red nose and a spine full of titanium so that eyes, breath, spine will forever be grounded and protected in the act of cursing systems that need to crack, crumble, re-puzzle.  

But remember, it’s just a show…

I am the deformed artist who was told by a psychic that I mastered dark magick in a past life and by a spiritualist reverend that even the darkest creature goes to the light.

I am the one who spent years seeing THIS quilted together in dreams, and now feeling the living, pounding, vital force in those hazy green, buzzing and burning images come to life.

I dance in darkness, a ghost in the making, a demon falling madly in love with my mangled form, the footsteps in the night, screaming the angry children out of sleep because they are the ones who know that something is not right, and that something is not them.

I am, apparently, The Bad, so why not play games with the worst of the worst, week after week?

And why not argue where I can? When nice accomplishes nothing, I can at least still play the game – wrong if I choose.

As an annoying clown once said to me, and as I once said to someone who talked down to me like I was a noisy 27-year-old child, cheating is a mode of play.

Apparently, there are those who genuinely hate crooked, hunchbacked witch clowns. And they’ll dress up their deep, burning hate like light, saying I’m sick, unfriendly, whatever, because they know they can’t say Bad.

Except now they probably can.

I will play the game with all the Bad ones, overdressing, playing ferociously, cheating if I have to. If they want a demon, I know a few. If they try to cut off my rough edges, I’ll crack their rigid walls and dance on the rubble, and everyone loves to dance. Eventually they’ll join.

Slainte to the Bad ones. When this ending happens and this tower crumbles, we will dance in the flames and build with our disfigured, tired bodies in our own image. The vengeful gods will die. And there will the demons be, in the light, turning to ghost with Mad, irrational love and screaming into the dark in joy and rage as our dance party goes on atop the elements that once made us. Who’s the demon now?

Are you angry yet?

You should be.

Capturing Campus: The Archway

The Archway 

my great-grandmother had a house

she’s gone

but the house breathes

its strange breaths

strange faces

strange furniture

strange footsteps

imprinted by foreign feet

I remember the house

and it’s frightening to think that someday I won’t

that nobody will

that the memory will die with me

you’re getting so tall

she said before we left

beneath the archway in her living room

neither she nor I will ever stand beneath it

again, I am frightened that the memories

won’t be memories anymore

not that they will be conflagration-charred

cataclysmically-consumed

made holed and holy by a marksman’s arsenal 

but that they will dry up and fade

wet footprints on concrete

during the fourth of July 

when the weather was warm as the parade marched by 

I sat inside a home I might never see 

again, I am frightened

that anyone and everything is only mine

for a little while

that life is only for a little while

aSoSS 43 | Annoyance

She used the word assure when she meant ensure. which is not a typo, it’s a language problem, which is a big deal! People type fast, whatever, it’s okay, but somebody wants to be a writer and they don’t understand the difference between assure and ensure?

Traverwood Library, 5:30PM, 1/14/2025

there are windows of opportunity and there are doors of regret, sometimes both, but never neither. you have blown into my life like a wayward leaf. where did you come from? darling, i was born in a hurricane. the windows are boarded but the door still swings off its hinges. you shake your head–whether in denial, or disbelief, or innocence, as if it would make a difference. Isabel Allende was right: two words is all it takes to change a person’s life. everyone could see the eyes of the puma soften as she steps towards him and takes his hand~


Back when I was in Livonia… the school district said kids can bring their phones to school and I remember being like “we’ve lost the war!”

Jerusalem Garden, 12:30PM, 2/1/2025

who gets to control the narrative? the caution tape flutters, a moth snared in a spiderweb. i am an ambulance chaser in every sense of the word. you tell me it is immoral, and i remind you that morality is a price to pay for your wellbeing. are we only in love because we love emergencies? sometimes we make bad decisions and they blossom into the undeserved fruits of our labor. other times they burrow into the belly, out of sight and out of mind. you are delicate in this life, just as i am delicate without you–mother nature plays such cruel tricks on her children! my stomach rumbles in agreement: there are no dormant volcanoes, only overdue ones.


…I didn’t even get my freaking cheese grits this morning!

Duderstadt Connector, 5:00PM, 2/4/2025

annoyance is worse than tragedy because it fools you into believing that your emotions are unjustified. we allow grief to permeate the barrier, unregulated, like a broken floodgate. this luxury does not extend to inconvenience without the eye of guilt, an ever-present watchman. the caterpillar and the butterfly, two sides of the same coin–what is a tragedy but an annoyance left unchecked? it is human nature to rot from the inside. even the phoenix dies from an ironclad heart: thinking of you turned me into ashes.

~Sappy Daze~ Day 15

The First of Many Love Poems 

We should make love in a bed 
of ticklish holly and narcissus; 
that way our child will be joyful
-ly lacking your lack of self-esteem.

I wish you could see how I see you, 
especially with my rosy forget-me-
not tinted irises. That way you’ll know 
our time together has & will always grow 
eternally, though our bodies age annually.

- Sappy