The Art of Involvement #5

Using his poetry to advocate for Palestine is Yahya Ashour’s persistent mission as he tours from college to college across the United States. He grew up in the Gaza strip and has family there now. His pain and struggle is ever present, and he admits the darkness that completely overtook him following Israeli attacks following October 7th was crippling and is something he has to process everyday. This deep sadness that was at first paralyzing is now the force that drives him to continue traveling endlessly, sharing his art, and advocating for his people.

Ashour visited the University of Michigan-Dearborn in February. I remember sitting down in the auditorium as he set up, scanning the audience and passively noting how this was one of the first campus events that I saw such a diverse age range attending. Ashour gently spread a keffiyeh atop the podium. And then he read.

He had several poems to share, all with a clear, steady voice. He discussed dreams haunted by survivor’s guilt, life among rubble, and the abandonment of Palestinians in Gaza as neighboring nations looked on. Each poem was phenomenal in its craft, but the audience hesitated to applaud. How do you clap for someone’s suffering, laid out in front of you, eloquent as it may be?

Art is in many ways a way of breaking yourself open and giving your vulnerability to the world to digest. Sometimes, our appreciation of other’s skills in relaying their pain makes me feel rotten inside. I feel like I am intruding on the complex suffering of another human being. But from art, from expression, comes a greater understanding of the world and motivation to change it. 

It also gives space to conversation. Through audience interaction, I met the man that housed Ashour and helped him through the lows of the months following the beginning of Israel’s brutal retaliation. I met Palestinian elders that expressed their pride for Ashour’s dedication and heart in speaking for their people. 

One of the most key components of this conversation, however, was the critique Ashour laid out. Having spent extensive time in Michigan and some time in Dearborn specifically, Ashour delivered direct, relevant complaints to the audience about how he expected more origanization and action from Dearborn, known for being a heavily Arab American populated city. Ashour also spoke to the United States at large, to the masses of people going through the motions of life without a care for those being slaughtered with American money and arms.

Certainly, not everyone avoids despair over this genocide. Since November, I feel like I scroll through a terrifying display of war, bombing, death, mutilation, and starvation each day and shut down, unable to process the monstrous inhumanity. But I let myself be paralyzed by it too often, and end up doing nothing but engaging with them online or ranting about the genocide to friends.

When I thoughtlessly asked how one rose out of despair to take action, he responded, “I am not the person to ask. I am in despair… Perhaps you need to despair,” he commented, likely thinking of the many, many Americans that go through life with a shield of apathy and a cutting sword of unjustified helplessness.

There is a desperate need for active morals instead of default “neutrality”, which I feel more often than not describes ignorance that persists through a helplessness we grant ourselves, or else an avoidance of the pain that needs to be addressed. We think that reposting on social media infographics and Palestinian art is enough to assuage our moral failings, but this is supplementary at best. We think that we are only responsible for ourselves, that our morality is self contained, while our elected leadership continues to make decisions that cause death after death.

It is all too easy to despair, but Ashour tries to call us into action and not just well meaning empty promises. We have more agency and power than we know, particularly when we organize. We need strategy, which is what those who implement oppression excel at.

Now I see college encampments across the globe and I am proud. I see how they engage art through poetry readings and posters in a way that has much more meaning in person, in community. They are acting on the art as opposed to just consuming it, which reflects Ashour’s belief of art being a motivating core of the Free Palestine Movement. I know these actions have brought Palestinians and Ashour some hope. There is still much to do. I pray that more come forward and continue in allyship to liberate others, maintaining the lessons learned in organizing and effecting real change.

So as we engage with art in all of its thematic and political allure, we must remember that it is more than just entertainment. Poetry has been a lifeline for me, and in it I find humanity inseparable to a call to action. In suffering, I find the urge to soothe suffering. In joy, I find the desire to create and protect that joy for others. Art is survival. May we continue to create and recite and share and act until we are all free.


Buy an ebook of Yahya Ashour’s poetry here. Proceeds go to helping his family get out of Gaza.
Follow Yahya Ashour to learn more about his work and how you can help Palestinians

@yahyaashour98

Wolverine Stew: Travel Log

There was always going to be a list

First wandering far past downtown to

A bus stop where once I walked westward with

Mud-caked boots and a rain-soaked umbrella

And two friends, all doing our best to flee

The Hash Bash haze awaiting us

And at that point I made a goal

To cover every cardinal direction

And see how far I could wander

East had long been done, a loop

That sent me past the first flowers,

Mannequins, ant colonies, and mourning doves

Of a spring with five false starts

But one always welcome all the same

Travelling together, time spent speculating

About what makes a “good” scary

And in between my trips I stopped

For a moment amidst tabletop memories

Or going through the graveyard, daisies blooming

Or an overlook of Shakespearean summers

Or a last time wandering the Arb for me

And the first for another

Before I made my way north, by bus, by foot

Into that setting sun with turkeys in the trees

Deer in the dark, raccoons by the road

Each a reminder of my final walks

As I took in the same stars

And finally, I decided to

Replace that chance to

Take a southward route

With a carnival, one more roll of dice

And a “see you later” to

Friends I go through the witchlight with

Because I’ll be back to finish my goal

Of four ways to wander

And start a few more trails anew

After all, I remember the paths

And the ones I walked them with

~Sappy Daze~ Day 11

Taiwan is the Sweltering Heat 

where stray cats purr and street 
food hisses. Stinky tofu stinks 
of unassumed deliciousness,
daring the foreigner to try it. 

Umbrellas are used 
on sunny days but can’t 
protect you from getting wet, 
so changing clothes three 
times a day is a must. 

The clothes first stained 
with sweat are then hung 
up to dry on the rusty chains 
crisscrossing the balcony, 
a constant victim of the 
perpetrator that is the weather. 

- Sappy

Wolverine Stew: Same Stars

This begins with a question

How to thread a handful of years

Through a thousand words

And at first, I went for that

Sunset over Palmer Field

Over the classes where I learned about

Bioluminescence and serpent hoards

And what to do when a screw’s

Let loose through the fan of your laptop

(Which is mostly panic, by the way)

But I couldn’t quite catch the wisps of

Orange giving way to the night

So down I walked past

Two theatres, tonight with no moon,

Halls formed from paper monsters

From which celebration echoes

A courtyard of black-feather leaves

Where first this all began

Where I found a world of

Strange music and a good few

Kind words of encouragement to

Try this all out in the first place

And I kept on going

Stumbling upon the

Pothole pock-marked path

Taken in a parade of maize and blue

Trying to keep the cold at bay

I ended up before the stadium

A family necessity when our weekend came

Where I realized that the screams of a crowd

Are quite contagious

And I smile with the static

Still singing in my ears

But this isn’t quite it

So I wander a little more

And the sky darkens in

The sweet scent of shadowy lilacs

As I turn my attention upward

And there it is

How do I write a goodbye?

How could it hold

Every last thank you for the

Laughter I was let into?

I think of every

Walk with a friend spent trying to

Rot each other’s brains when

They became too full of phantoms

Every evening spent shouting at dice

Made of benevolent stones and troll skulls

With the friendliest chaos one can conjure together

Every post-it note needed to make a

Smile that stood in a window for a semester

And maybe one more that stays a little longer

Every mask I carefully made

As I joined in the revelries of

The one night each year I start to come back

From the ghost I can make of myself

Every strum and song and

Wild of words hustling towards happier trails

Every moment before the lights dimmed

And showed their rising beams of dust

Because each scene was built beforehand

And sung of afterward, the words a flash

Across a screen we all crowded around

Scenes made of plastic trees and hot glue gun thyrsi

Pinprick green constellations and roses, real and parchment

And all the days spent

Going from forests to films

To markets to midnight vaults

To arcades and on across Ann Arbor

Always with those I will be

Grateful to call my friends

All of that

How does goodbye hold all of that?

Well, it doesn’t

So instead, I’ll thread a hopeful “see you later”

Through the thousand words above

And look to the streetlight

That we’ll pretend is a sunrise for now

Because no matter what

For all those memories and people

That a goodbye could never hold

I’m under the same stars as you

aSoSS 25 | Terminus

Here, sign it.

[Reading card] “Thank you for everything, you’re a great teacher and I’ll miss you.”

Angell Hall, 1:30PM, 4/19/2024

often we spend the ends in a state of regret instead of relief. in the corner of my room lies a box of blank paper: memories that could have been made, people that could have been approached, bucket list checkboxes that were discarded. i still carry the weight of the paper, but there is nothing to look back on. instead i am reminded that i could have picked up a pencil and created a masterpiece. why didn’t i try harder? why didn’t i? why? what grief lies behind a touch-starved heart!

so hug your favorite teachers and keep in touch with your friends. smell the sunshine and taste the earth on the air. plant flowers with your smile and paint meadows on your conscience. make the world a better place, even if only for yourself.


The end of the year is upon us! Here are a few more collected fragments from the semester that I did not get the chance to use. Enjoy your summer and remember to look and listen for modest wonders–life is too short to walk with your eyes glued to the ground.

Until next time~

If you were a windup toy, you’d be cranked up to the max right now!

Pierpont Commons, 5:30PM, 2/6/2024

I’m good at slogans, in middle school I used to sit in the car and recite all the slogans I heard on the radio…

Target, 10:00PM, 2/16/2024

I think this bus has a jerking problem!

Yeah I think I had it the other day too.

I remember you saying something like that…

Blake Transit Center, 11:00AM, 2/19/2024

She will attend to any name as long as I call her Cookie… she’s so big! I wanted a chihuahua and [points to Doberman] look what they gave me!

Green’s Antiques, 2:00PM, 2/28/2024

That’s the only non-Newtonian fluid I know.

What about Jello?

Pierpont Commons Murfin Outbound, 7:00PM, 3/7/2024

It’s a bread place, and you’re getting noodles?

It’s a bread place, and you’re getting soup?

It has bread in it!

GG Brown Laboratory, 11:30AM, 3/9/2024

Would you rather have super intelligence or lightning speed?

Super intelligence.

So a hundred times smarter than you are right now.

Oh… never mind then. I want the super speed instead!

Central Campus Transit Center, 7:00PM, 3/14/2024

I’m going to the bathroom. If I’m not back in ten minutes, get a plunger!

Duderstadt Library, 7:00PM, 3/21/2024

It’s for kids with cancer, they don’t have hair so they make wigs for them, and I go in and donate my hair.

Yeah, hair is a commodity for those patients.

My hair is valuable too, ‘cause I’m a redhead. Rare hair color.

City Hall, 2:30PM, 4/3/2024

Fish can’t jump.

Salmon?

No one’s keeping salmon in a fish tank!

Traverwood Library, 3:30PM, 4/3/2024