Witness the Small Life – Print Stint

I’ve reached a newfound love for sunrises. I’m now starting my days in the darkness of 7am, and in these too early mornings I find myself witness to the magic of the sun warming the world as it rises the horizons. Yes, I love sunsets as much as the next person, but there’s something about the sun rising and waking tired eyes that feels like a hug after a night spent too alone.

As a professional workaholic, I spend my sunrises and sunsets in the Stamps print studio most days. My lifelong growing love for printmaking has only grown tenfold this past year during my printmaking classes, and in its wake my love for the print studio has blossomed as well. Although I come home bruised, stained with ink, and the sorest I’ve ever been every time after working in the print studio, I’ve never been happier. The print studio has become some what of long lost home in my time here in Ann Arbor. It’s where you go to find someone willing to laugh with you and gossip after a long day working. You’re able to find secrets tucked away in the donated artwork pinned across the walls, lasting memories of those who came before. There’s a peace that exists in the studio when no one is there, and you can feel it right before you walk it. The air is stagnant with the smell of ink and linseed oil, and the metal of the presses sit still and cold until you will them awake for the next step of work. The dust of litho stones are settled into corners never touched by brooms and the crinkle of newsprint stay silent until a breeze shakes them to life. There’s a certain special kind of life breathed into the studio when you step in and see an assortment of people you never would’ve met if it wasn’t for this shared love and you start to create alongside them. There’s a special connection made through printmaking and I find it to be most tangible in the life of the studio. From late nights to early mornings, from spilt ink to perfectly polished plates, the print studio exists as a world entirely its own and it’s something that can never be replaced.

To take into our next week:

Ins: Pomegranate tea, hosting movie nights, reading before bed, sunrises, the color mauve, hummus, thermoses full of coffee.

Outs: Sleeping after 11pm, broken appliances, wind tunnels, dry knuckles, static electricity, grease.

I always believe time is well spent no matter what you’re doing as long as you’re in a space you love. I hope everyone is able to enjoy the places that bring peace, happiness, or even just respite from the chaotic world in the coming days.

Industrious Illustrating #32 – Risograph Printing

Lately I’ve been playing around with different methods of design and printing, which has led me to make use of the risograph printer available at UMich Stamps. Risograph printing is a type of printing that uses a type of Japanese office printer that layers bright halftone dots of ink, creating a visual effect similar to a screenprint or a retro comic book.

Below are some examples of bicolor and tricolor risograph print designs I recently made or converted into risograph printing format:

Risograph printing is great for creating its signature pixellated texture and intense colors, as well as for mass-producing large print runs nearly instantly — a risograph printer can pump out dozens of identical prints in under a minute once the master copy of the print has been burned into the pigment rolls. The risograph can also print in fluorescent orange, fluorescent pink, and metallic gold — colors that I want to try out once I come up with some good ideas for them. I’m looking forward to bringing more risograph prints with me to conventions as well as for my own personal enjoyment in the future!