PREVIEW: Once Upon a Pops

Once upon a time, a student-run, student-directed orchestra formed on the University of Michigan campus, bringing engaging, exhilarating music to the stage. With special effects to blow your mind, these familiar tunes from all your favorite movies will make you dance internally and sing along as your inner child rejoices.

The Michigan Pops Orchestra’s “Once Upon a Pops” concert will be at the Michigan Theater on April 7 at 7pm. Tickets are $5 for students and $8 for adults, but it’s FREE with a Passport to the Arts voucher! So snatch one up around campus and take a trip down memory lane this weekend!

REVIEW: Bloom

NERDS can lift any sad or sick spirit. After a couple days of feeling under the weather, involving little movement and work, I made my way to the Union to watch this semester’s production of Bloom. And that was certainly the highlight of an otherwise bad weekend.

As a purely student-run theater group, this original production was amazing in terms of its talent in acting, singing, composing, and writing, as well as the powerful message it conveyed. Despite some curtain technical difficulties (handled with poise and laughter) and an extended intermission due to the game (GO BLUE), the cast carried on and performed this important work filled with heartfelt, heavy content that is not represented in media enough. The importance of the opportunity NERDS provides students cannot be emphasized enough. Diana Yassin, part of the ensemble, said, “It was a really good experience because I’ve never done anything theater-based in high school because it was always really intense and stressful and scary. But then I came here…and it was really fun and there’s not a lot of pressure on it and everyone’s really nice.” You heard it here folks: NERDS makes dreams come true.

Leah King and Asritha Vinnakota’s portrayal of best friends Margot and Aggie, each struggling to make sense of their own sexualities, was very real and authentic. Their misguided intentions and projected insecurities are problems all too common in friendships and the community. The fact that this Austen-era world highly resembles today’s world still is disconcerting. But it is works like this that is changing the narrative.

This musical had many intricate layers that complicated the lives of the characters. Playwrite Sarah Costello did an amazing job highlighting the difficulties of being understood, even among close friends and people who might understand you better than you might think. The tension between Margot and Aggie was heartbreaking, as their struggles were more similar than they knew, showing how one’s identity may obscure the understanding of another’s.

Taking place in a world where impromptu love duets determine your fate, Margot’s inability to romantically duet led to many raw solos that Leah absolutely killed. Asritha’s gut-wrenching performance of “Right In Front Of Your Eyes” showed everyone the silent struggles Aggie also deals with as she grapples with her own feelings of bisexuality. Toby Jaroslaw’s well-intentioned Ollie complicated the situation but despite his embarrassment, his continued support at the end is a perfect example of how one should treat someone who comes out as asexual and aromantic — exactly how you treated them before (and his proposal number “Next To You” was stuck in my head for the rest of the night). As the town’s outcast, Ellen Paquet’s song as Aunt Clarabel was so beautiful, it was exactly what Margot needed to hear. And the platonic duet between Margot and Aggie at the end was truly heartwearming as each character began to accept that they are exactly who they are meant to be.

The costumes were beautifully designed and symbolically important. Margot’s stunning dress — purple, white, and black — was the color of the flag for asexuality, and Aggie’s was the color of bisexuality — pink, lavender, and blue. The subtle symbols may seem small, but they are huge for raising awareness, as well as being an integral part of each character.

Bloom was truly groundbreaking in terms of representation for invisible and misunderstood minorities. Castmember Fareah Fysudeen commented on the significance of this musical, saying, “I think it’s really important for representation…and I’m sure it meant a lot to people in the crowd and onstage. Overall, it was just a really enriching experience.” Just as Sarah wrote the change she wanted to see, every member of NERDS believed in the power of this musical and dedicated three months of their time to this production, being the change they also wanted to see onstage.

Championing platonic love over romantic love, a concept foreign to many heteronormative people, is not weird or abnormal. Being aromantic or asexual does not mean something is wrong with you. Just as Margot was a beautiful character that gradually found her way to happiness and acceptance, if you are struggling to find your place with your sexuality, Bloom shows that there is a community that cares. You are wanted, you are accepted, you are loved, and you are supported. You, too, will bloom.

REVIEW: Who Can Relate

After an amazing week full of mental health awareness, it all led up to the Who Can Relate concert featuring not just Logic but many many more, as Hill Auditorium filled with people committed to destigmatizing and fighting mental illness.

With a surprising video greeting from Bill Clinton as the opener, the UM Men’s Glee Club took the stage with powerful vocalists to perform “Glory.” Then Glenn Close came out, talking about her work with her organization, Bring Change 2 Mind, changing the narrative around mental health after her sister was diagnosed with bipolar disorder (fittingly, yesterday, March 30, was national bipolar day) and her own struggles with depression. And as the stage worked on some server technical difficulties, we got treated to an impromptu performance by Glenn Close, which was amazing in itself.

Kevin Hines, a Golden Gate Bridge suicide survivor, led everyone in shouting “Be here tomorrow.” A phrase so simple, yet so powerful. As the auditorium rang with these three words, I felt the reassuring tension as they echoed into silence. Hakeem Rahim performed spoken word pieces that struck a chord about rising up again. As the founder of I Am Acceptance, his work is also changing the world, and having his presence onstage was truly special. Finally, NFL star Brandon Marshall and his wife Michi talked some more about the importance of support groups and getting help, as Marshall himself lives with borderline personality disorder. Seeing these prominent successful figures united around a common cause that affects all their lives personally is a reminder that, though it is a hard journey, the future is bright and worth fighting for.

By the time Logic took the stage (wearing a Zingerman’s shirt no less), everyone was on their feet and ready for a night of great music. This was the very first time he was performing his newest Bobby Tarantino II mixtape, and though it was only released earlier this month, everyone was singing every word. At the end, he performed his hit “1-800-273-8255.” Seeing everyone sing this song with their phone lights waving in the air was truly touching.

Logic’s story is also one of great admiration. He started on food stamps, and now he has a Netflix documentary and is about to start his summer tour. The first time he performed in Ann Arbor, it was at the Blind Pig as an opener for a small crowd, and yesterday he performed in front of a crowded Hill Auditorium where everyone was singing along. His journey is an emblem of hope for many others that started from nothing that the future will allow them to make something of themselves.

However, the concert did not end there. After Logic left the stage after his last song, Harris Schwartzberg, the man who put this all together, called Logic back to the stage as “You Will Be Found” from the amazing musical Dear Evan Hansen was performed as a thank you for Logic. This breathtakingly important song about mental health was a perfect ending to a night filled with inspirational people and songs.

The night was just amazing. Full of uniting strength and infinite support, it was a beautiful reminder that you truly are not alone. If you or someone you know is fighting with mental illness, there is hope and love. Stay strong <3

PREVIEW: Lost in Wonderland

There’s an extraordinary amount of talent on this campus, from singers to actors and dancers to speakers. Now, get ready for the best Chinese Yo-yo-ing and glowsticking you’ve ever seen! Photonix and Revolution present Lost in Wonderland, featuring many talented guests from around campus, including Groove, G-Men, Flowdom, and Funktion.

The Mendelssohn Theater at the Michigan League is about to be filled with wonder. If you want in on the action, get your tickets at the door for $7 on April 1. The performance starts at 7pm, so arrive early to get your tickets before they sell out!

PREVIEW: Bloom

Have you ever loved to write, compose, direct, produce, and perform musicals but just didn’t have the time to be involved with major productions or declare an acting major? Well there’s a group on campus filled with talent and passion — just not necessarily that time. However, that doesn’t make them any less amazing.

Not Even Really Drama Students, or N.E.R.D.S. is dedicated to exactly that, and they’re bringing an exciting never-before-seen treat to the Union this weekend. This semester’s original musical is called Bloom, and it explores underrepresented sexualities in a world where impromptu love-song duets are of the utmost importance.

Showtimes are Friday, March 30 at 6pm and Saturday, March 31 at 1pm and 7pm in the Anderson room in the Union. And did I mention they’re all FREE? So there’s nothing stopping you from coming out and supporting some of the biggest theatre lovers with their hard work and commitment toward bringing original works for you!

REVIEW: In The Heights

America is the land of opportunity. Many people from many countries immigrated to the United States in search of a better life, of a better future for their kids. And as this new generation grows up in the land they call home, they must grapple with what home truly means.

MUSKET’s performance of Lin-Manuel Miranda’s baby, the predecessor to Hamilton, embraced this culture that seems lost in the face of white America. With an extremely diverse, and truly phenomenal, cast, you could see in everyone’s eyes that they were proud and thankful for their heritage as they sang and danced their hearts out onstage at this sold out show. With flags proudly waved and memories preciously cherished, this production of In The Heights was filled with overwhelming talent and pride.

It touches on the sacrifices that parents make for the sake of the children they love and wish to provide for. The selfless hardships they endured are appreciated, not lost, on the continuing road of struggles as we all try to reach a higher pinnacle of greatness and hope. Kevin’s desire to escape the life of farming led him to leave his father’s footsteps and to pave the perfect path for Nina that he always envisioned, despite the difficulties that proves to be.

It touches on the struggles of Latinx minorities to succeed as first-generation college students. The pressure for Nina to make it out and make something of herself, and the reality of how difficult that is with financial burdens, is something that universities must take into account as they provide more assistance for more opportunities for better education.

It touches on the importance of family and community. Abuela Claudia’s presence and legacy roots Usnavi in Washington Heights and the Dominican Republic simultaneously. Benny may not be Latino, but he is among family in the Heights as well.

It touches on the dreams of leaving only to be pulled back by the weight of home.

It touches on a Latino community with no power — singing repeatedly “We are powerless” in the midst of a blackout — still powering through such adversity.

MUSKET brings all these aspects of life to the surface through powerful vocals and classic Miranda lyrics and savvy Salsa moves that exposed these struggles and difficulties — and the strength and perseverance of immigrant families.

I left the Power Center speechless, pretending I didn’t just cry after basically every number. I witnessed some of the best choreography I’ve ever seen and heard some of the best music I’ve ever laid ears on. The band’s power just enhanced the vocals and power displayed onstage, providing an amazing backdrop that set the tone for every note sung and fit with every move made. There was excitement in the air and celebratory joy and stunning sadness. It was real.

This musical forced me into a position of intense self-reflection. It made me appreciate my parents — immigrants from Taiwan — even more, and it’s given me a lot to think about in terms of my own story and my privilege and the life I’m going to make for myself here at Michigan.

However, it also brought my attention to the greater world around me, and the journey of everyone here. The diversity represented onstage was truly groundbreaking, and having such an inclusive show at the University of Michigan right now is so important. The chemistry among the cast is only natural as they share a common piece of history and understanding. The uniting factor for everyone on the cast, crew, and band was a pride in the past and a vision for the future, and that power and passion made this performance resonate beyond the stage and into the real world.

Tl; dr: The vocals: WOW. The choreography: WOOWWWW. The passion: WOWOWOW. And the message? Just *wow*.