REVIEW: The Revenant

The Revenant stars Leonardo Dicaprio who plays an 1800’s fur trader named Hugh Glass. His crew is split up when there is an attack from a Native American tribe. He, his son, and a small group escape the attack by boat. However, Hugh’s good fortune doesn’t last long when he is mauled by a bear and his crew leaves him for dead. This movie follows his story: how he survives and seeks revenge on those who left him.

Typically, in movies when the action picks up the director uses quick cuts of the intense scenes. In the Revenant, however, the director uses long continuous shots when the story picks up. This results in you feeling like you are directly in the action. On top of this, the film features some of the most awesome landscapes and scenery that you will ever see. I can confidently say that, cinematically, this was the best movie I have ever seen.

I would encourage those who see this movie to also read more into how the movie was filmed. In the readings I have looked at, there were multiple times where the cameras would die due to -40 degree weather. There were also several occasions where Leonardo Dicaprio was very close to hypothermia. The story of the filming is almost as intense as the actual story.

This movie is definitely a must see. The filming will leave you in awe and the story will pull you in. You don’t want to miss out on the film that (maybe) will finally give Dicaprio an Oscar.

PREVIEW: NT Live: Shakepeare’s “Hamlet”

Fans of film, BBC’s “Sherlock”, theater, “The Imitation Game”, and Shakespeare alike, hold on to your deerstalkers! On Sunday, January 17th at 7:00 pm, the Michigan Theater screen will feature Benedict Cumberbatch in an encore showing of the National Theater Live: Shakespeare’s “Hamlet”.

Photo Credit: Johan Persson (Photo from UMS website)
Photo Credit: Johan Persson (Photo from UMS website)

This production stars the Academy Award nominee Benedict Cumberbatch as Hamlet and is directed by Lyndsey Turner. The show opened in August 2015 in London and ran through October 2015. Lyn Gradner of the Guardian said in an October 2015 review that this was the “fast-est selling show in London theatre history”. In a New York Times review of “Hamlet”, Ben Brantley commended the show on being “full of scenic spectacle and conceptual tweaks and quirks” (August 2015). Brantley also expressed irritation, though, over some performance and directorial choices that seemed to serve no purpose in furthering the plot. Since the show’s previews there have been many similar conversations about the contrast in the production’s beauty and its different (and possibly strange) interpretation.

I for one can’t wait to see the show and decide for myself! I am a huge fan of BBC’s “Sherlock”, which also stars Benedict Cumberbatch, and will thoroughly enjoy watching one of my favorite actors tackling such a prestigious role. If you’re looking for a fun weekend event, this screening of a live performance of “Hamlet” is something you won’t want to miss.

Tickets are $12 for students (and selling fast) and $22 for adults. Run time is 3 hours and 20 minutes.

REVIEW: Star Wars: The Force Awakens

Star Warsss(Please note: This review is written in such a manner as to not spoil the film.)

Star Wars: The Force Awakens crashed into theaters this past weekend, breaking nearly every record it’s faced at both the domestic and global box offices—and it deserves it.

Episode VII of the Star Wars saga picks up thirty years after the end of Episode VI, but you wouldn’t realize it had been that long based on the fervor of the fans. Opening night, lines stretched around the theater. A merchandise booth took up the corner of the lobby. And so many cars clogged the theater parking lot and all the adjacent businesses’ lots that moviegoers had to park several away.

Director J. J. Abrams and crew got so much right with this film. It’s the return of the Star Wars with which the world first fell in love—better than the prequel trilogy (by far) and reminiscent of the original trilogy in all the right ways. More than anything, The Force Awakens shows that the filmmakers who have taken over the saga understand, respect, and love what made it so iconic in the first place. And that is exhilarating to see.

A big part of what makes the movie work is how Abrams masterfully blends the original and new cast. Going in, it’s easy to be invested in the lives of Han, Leia, and Luke—but by the end, the newbies feel just as precious and wonderful as their predecessors. In addition, it’s exciting to finally see a major franchise with a diverse primary cast. Finn (John Boyega) and Poe Dameron (Oscar Isaac) have amazing chemistry—both with the camera and each other—as an existential crisis-ridden Stormtrooper and Rebel pilot, respectively. Both are the kinds of heroes for whom I want to root.

However, more than either of them, the most incredible character to watch take over the Star Wars story is toughened scavenger Rey (Daisy Ridley).

To put it succinctly: Rey is bae. She has a strength, independence, practicality, determination, and passion unlike anything we’ve seen on screen before. She is not a “girl” action hero, but rather an action hero who just so happens to be a girl. Her femininity is part of who she is, but it does not define everything about her; it’s a nonissue. And that is beautiful.

On the flip side of the Force, new antagonist Kylo Ren (Adam Driver) presents a different interpretation of the dark side than any we’ve previously seen, which is also to the benefit of The Force Awakens. He is not a ready-made villain the way his predecessors were. Rather, he is still figuring out who he wants to be and how to reach that point, and this makes him so much more interesting as a character. As excited as I am to watch our protagonists evolve and come into their own in the next two movies, I’m easily just as excited about Ren.

Of course, the movie’s not perfect. Some of the storytelling is clunky and I’m worried about how obvious this film made some of the twists that are sure to come later in the trilogy. Additionally, while The Force Awakens returns primarily to the model-based special effects of the original trilogy, it does still contain a couple CGI characters, a la the prequel trilogy. This is to its detriment, as the (honestly sort of cheap-looking) CGI stands out in starch contrast to the beautifully-puppeted and crafted models that populate the rest of the film.

Still, these are minor complaints in an otherwise very strong movie—one that reminded me (and clearly a whole lot of other people) how magical a movie can be. The Force Awakens is selling so many tickets not only because it’s Star Wars, but because it reminds viewers why films are worth loving and what it feels like to truly fall in love with a new one.

Really, if I have any true complaints about The Force Awakens, it’s that I don’t have my own BB-8 droid with whom to pal around.

Until the day that happens, I guess I’ll settle for being ridiculously excited for Episode VIII (and seeing Star Wars: The Force Awakens in theaters a billion more times).

Star Wars: The Force Awakens is in theaters now. Tickets are available for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave). See it before a friend (who’s clearly been corrupted by the Dark Side) spoils you.

REVIEW: The Danish Girl

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it.)

The Danish Girl is a fictionalization of the true story of painter Lili Elbe—the first transgender woman to undergo a sex change operation—and her wife, Gerda Wegener. It stars Eddie Redmayne (The Theory of Everything) and Alicia Vikander (The Man from U.N.C.L.E) in these roles, respectively, and is a bittersweet little film set in 1920s Copenhagen.

Everything about The Danish Girl is beautiful and tragic, from the brilliant acting by Redmayne, Vikander, and the supporting cast, to the gorgeous cinematography and settings and costumes, to Alexandre Desplat’s haunting score. Director Tom Hooper clearly has a knack for period pieces—and for filming Eddie Redmayne, with whom he previously worked on Les Misérables. Hooper perfectly captures both the prickly uneasiness of Redmayne’s Lili first experiencing the discomfort of being subjected to the male gaze and the lovely empowerment of her discovering what it feels like to be at home in her own body for the first time.

However, if anything, Vikander actually upstages Redmayne in many respects. While this film definitely feels like it was made primarily as a vehicle to showcase Redmayne’s range after last year’s Oscar win for The Theory of Everything, Gerda’s pain, love, and desperation to understand and help Lili are apparent in every shot of Vikander. The film is easily as much hers as it is Redmayne’s.

The Danish Girl is perhaps a little too long, and feels almost a little too proud of itself for tackling the story it has, especially considering how the filmmakers cast a cisgender male in one of the few roles built for a transgender actor. Despite this, it still accomplishes what it set out to do—not to tell the drama of Lili transitioning from man to woman, as much as to share the love story between Lili and Gerda.

In the end, the title character of “the Danish Girl” could be either one of them. Perhaps, it is up to the audience to decide.

The Danish Girl opens at the State Theater on Thursday, December 24th. Tickets are available now at the box office.

PREVIEW: Star Wars: The Force Awakens

If you haven’t heard by now that there’s a new Star Wars movie coming out, you probably live in a galaxy far, far away.

Star Wars: The Force Awakens will hit theaters in a little under a week, on Friday, December 18th, with opening night showings beginning Thursday evening. The film is set thirty years after Episode VI – Return of the Jedi and will feature a mixture of new and returning cast members. Newcomers Daisy Ridley and John Boyega will play a scavenging wanderer and existential crisis-ridden Stormtrooper, respectively. Little else is known about the plot or characters.

Directed by J. J. Abrams, who is best known for his recent, wildly successful reboot of the Star Trek franchise, this will be the first Star Wars film made without the direct involvement of franchise creator George Lucas. However, some argue that this could be a change for the better after the wary performance of Episodes I through III earlier in the 2000s.

Either way, Star Wars fever has taken over the world. Advance ticket sales already forecast the film as easily producing the biggest opening weekend of 2015–likely ever. Popular ticketing website Fandango even crashed for many users the day tickets went on sale, and screenings were already selling out back in October.

As a lifelong Star Wars fan, this is incredibly exciting. I have countless memories of watching the original trilogy with my family when I was little–dressing up as characters for Halloween and even hunting down some of the iconic filming locations when my family visited Death Valley once on a road trip.

This film’s tagline is “every generation has a story.” I can’t wait to experience ours.

Tickets are on sale now for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave). Grab ’em fast, because the Force (aka the chance that the screening you want to attend will sell out) is strong with this one.

 

REVIEW: The Hunger Games: Mockingjay – Part 2

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it and/or who are yet to read the book.)

The Hunger Games: Mockingjay – Part 2 marks the conclusion to box office sensation and critically acclaimed series The Hunger Games. As the title suggests, the film follows the second half of Suzanne Collins’s young adult dystopian novel Mockingjay. It does this in a manner which remains largely faithful to the source material, with brilliant acting by its all-star cast and amazing production value, from the sets to the costumes to the special effects.

However, despite the more intense and action-heavy material of this second half of the Mockingjay story, Part 2 continues to suffer of the same shoddy pacing and occasionally overdramatic writing that led to Part 1’s decline from the earlier installments in the series.

I wanted to like Mockingjay – Part 2 more than I did. As a huge fan of the Hunger Games franchise, I had high hopes for the Mockingjay films, especially after the roaring success of the second film in the series, Catching Fire (which doubles as one of my favorite movies of all time). However—perhaps because of how much I wanted to love this movie—I walked out of the theater Thursday night feeling like I’d been cheated. Not a lot, but a little.

This stems from the way director Francis Lawrence—who has helmed the franchise from the second installment onward—handles the pacing in Mockingjay. The novel itself struggles to find a good rhythm as the trilogy transitions from its traditional setup of pre-Hunger Games build-up, to Hunger Games intensity, to post-Hunger Games fallout. Now, the country of Panem is at war, which is a different game entirely. But rather than fixing the pacing as the filmmakers claimed to hope they would when they announced they would be splitting the third book into two movies (as all good YA book-to-film franchises should be, clearly), they’ve exacerbated these issues. Pivotal scenes in Part 2 move too quickly for the audience to keep up with what’s going on, let alone feel their full impact; scenes between action sequences drag, drawing attention to the film’s bloated two hour and seventeen minute runtime.

This becomes most evident in the scene that finds itself at the heart of Mockingjay’s climax. I don’t want to spoil you if you don’t know how Mockingjay ends, but essentially this scene is the one that makes the series. It’s what Katniss’s journey has been building to from the beginning, the scene that ultimately drives the lessons of the series home. It is the scene on which, more than any others in the entire series, the filmmakers should linger. Instead, we hurry through it, like Francis Lawrence is desperate to get this difficult moment over with. And yes, this is not a happy moment, but it is one that matters. It is one that deserves the extra weight that comes with pausing on it, letting it sink in, so that it can resonate with the audience.

Rather than lingering on this moment, however, we instead spend loads of time on a love triangle that leads to more derisive laughter from the audience than actual investment, along with clunky dialogue rendered decent only by the immensely talented cast speaking it. Indeed, the script spends a lot of time trying to come across as being As Grim and Serious as Possible, which results in more awkward laughing at the movie than genuine laughing with it. For a film about the horrors of war, this is especially unfortunate.

Despite all this, however, Mockingjay – Part 2 is far from a bad movie. In fact, it’s actually a pretty good one, especially when you compare it to the majority of adaptations made from young adult novels. While the Hunger Games franchise’s greatest asset has always been its cast—which includes a bevy of Oscar-winners and household names—the amount of passion and detail put into constructing the world has also been key to its success, and that passion continues to be on display here. Everything about the Hunger Games world is intricate, thought-out down to the smallest detail and too complex to ever fully catch while watching. It is a feast for your eyes. Now, throw Jennifer Lawrence into a world like that, and even the most outrageous elements of The Hunger Games feel horribly real.

While Francis Lawrence might be confused about pacing, he does understand that Jennifer Lawrence is the linchpin to the series. Part 2 thrives on close ups of her face at key moments that tell us more than any exchange of dialogue ever could. She is both parts strong and weak, hardened and dissolving before our eyes, a child thrown into these terrible circumstances and a brave young woman rising to not only meet her fate head on, but to take control of it as well. She truly is the Mockingjay.

So: Mockingjay – Part 2 is not the best film ever made. In fact, it’s a far cry from even the best film in the Hunger Games series. But despite this, it does its best to give moviegoers a valid and satisfying conclusion to arguably one of the best book-to-film franchises ever to come out of Hollywood.

More than anything, Mockingjay – Part 2 is a reminder that this series has been a fantastic ride. And for that I’ll always be grateful.

The Hunger Games: Mockingjay – Part 2 is in theaters now. Tickets are available for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave).