PREVIEW: Rachana (presented by Michigan Sahana)

Meaning “creation” in Hindi, Rachana, Michigan Sahana’s first performance of the year, will showcase Michigan students’ original choreography and skillful mastery of Indian instruments. The musical and dance sub-groups that collaboratively make up Sahana celebrate the traditional art forms of Classical India. Count the dancers’  graceful spins and wonder at their ability to avoid dizziness. Tap your toe to the percussive rhythms of the tabla, the Indian version of bongos (watch this amazing tabla video!)  Indulge in a dip into Indian cultural history and power up for the rest of your Halloween night with a little sitar melody.

What: Michigan Sahana presents “Rachana” – a night of Classical Indian Music and Dance

When: Friday, October 31st at 7:00 pm

Where: Stamps Auditorium on North Campus

How Much?: Free!

Find out more about Sahana at michigansahana.com.

REVIEW: UM’s Jazz Ensemble puts on a Big Swing Face

University of Michigan’s SMTD Jazz Ensemble

Rackham Auditorium

October 23, 8:00 p.m.

On Thursday, UM’s Jazz Ensemble put on their ‘Big Swing Face’ and transformed the Rackham Auditorium into a nostalgic 1940’s concert hall. The concert showcased mostly contemporary pieces of up-and-coming big band composers, such as Christine Jensen and Alan Ferber, but paid homage to classic favorites like Duke Ellington and Leonard Bernstein.

I was disappointed that of the 22 musicians in the ensemble, zero of them were girls, especially considering that it is not an “all-boys only” group. Nevertheless, the musicians gave an outstanding performance. Each soloist perfectly intertwined their own creativity and soul with the common themes and emotions of each piece, and passed the improv torch between each other effortlessly. Even when there wasn’t a solo, the collective group played with a very colorful energy. The ensemble jumped right into the swing of things with Bill Potts’ “Big Swing Face,” a piece that showed off the ensemble’s brilliant talent from the first measure. Music Director Ellen Rowe had so much trust in her group that she stepped to the side and let the group take full command of the audience.

A highlight of the performance was the Duke Ellington piece, “Day Dream,” which truly painted a picture of love-filled haze in my mind. The ensemble accompanied U of M student Lauren Scales, whose vocal range and singing talents are off the charts! I could close my eyes and pretend that I was in a smoky bar with Ella and Billie serenading me until dusk.

Overall, the concert was fantastic, but that should be expected from the top Jazz Ensemble on campus! Mostly, the audience was made up of parents and other relatives of the musicians. The pep and nostalgic atmosphere is a must for students who have ever suffered from “Midnight in Paris” syndrome and wish that they could time-travel to an earlier decade, and perfect for a free escape from the campus world.  I definitely recommend staying up to date on when their next concert is! You’ll be jumpin’ and jivin’ all night.

REVIEW: Flying Lotus

Flying Lotus incorporates stunning visuals in his shows.

After a winded day at Royal Oak the night before, I was ready to get back to the music theatre for round 2 by seeing Flying Lotus with opener Thundercat. I was tired heading into the concert venue but still ready to open my musical horizons and see what the show had to offer. Once again, I was in for a visual and musical treat.

Thundercat honored his name well by dressing up in a cat costume before proceeding to jam out with the piano guy. As a band who made all of their sounds live, I was very impressed with his ability to play in such a limiting suit while still maintaining a high level of performance. The music was feel good and positive, and I was able to notice the reverb he use with his electric guitar as well as the popular wah wah effect to get a wailing sound. While I was not familiar with the group’s music beforehand, I think they did a fairly good job of introducing people to what they were all about. They didn’t try to be too over the top, and instead, successfully hyped up the audience for the headliner act.

While struggling to stay awake for Flying Lotus, I was quickly recharged with energy when he came out in a suit and light glasses that stood out behind his large white screen. Standing behind this screen added to the mystery that is Flying Lotus, as he conducts his live performing behind a screen that projects his visuals. The visuals were like something I had never seen before–very trippy and very mesmerizing. They would go from feeling like you were traveling in space to protruding out different shapes and colors for a 3-D effect. All the while, you were able to take in the atmosphere of people happily dancing around you and connecting to the music in ways they never could listening to it on their own at home.

Even when the music was something I didn’t like, I tried to understand the reasons for his putting that section into part of the show. Artists make very calculated decisions, especially when it come to electronic music where music order is super important as it aligns to the visual production side of things in this case. Flying Lotus live was absolutely worth the money to attend on a Thursday night in the middle of a busy week. I was impressed with the enthusiasm generated by him and his visual team to create an unparalleled concert experience. Even though I left early because of feeling way too tired, for the time I was there I had a great time.

REVIEW: The Glitch Mob

Love Death Immortality was featured at the show.

The Glitch Mob at Royal Oak Music Theatre on October 22 blew my expectations away for what an electronic music concert can be. As a fan of them since high school, I was excited to get a chance to finally see them live. I discovered upon attending my first show last year (at the same place for a Krewella concert) that electronic music with heavy synthesizers, beats, and oscillators, is a far better listening experience when seen live than when listened to in your headphones or on loud speakers in your house’s basement. There’s so much to take in with regards to what sort of visuals an artist’s visual team will throw up to accompany the music and make your time in the few hours they have with you a total body experience. All senses are activated for the duration of the set, and tonight was an exceptionally well done production all around by the Mob.

Before I go into the main act, I wanted to give a shout out to openers Chrome Sparks and The M Machine. One of the three percussionists of Chrome Sparks gave a big shout out to Ann Arbor as a Michigan grad and noted how cool it was that he was back in the area again. Additionally, they all wore white turtlenecks and white pants in front of their performance stands, reminiscient of the ways in which Kraftwerk uniformly dressed at their shows when they were performing (and they stil do). However, unlike Kraftwerk, they really got into their playing with head bangs and enthusiasm, a large contrast to Kraftwerk’s deadpan stares. The only reason I know about this group who pioneered electronic dance music in the 1970s is because I am taking a class through the RC on electronic music and they have been an integral part of our study.

The M Machine was fun as well, who performed a DJ set while mixing for a dance vibe. I picked up on the beginnings of a track I had heard at the Dirty Bird BBQ in Detroit during Labor Day weekend that is very deep house sounding, but they mixed it up in their own way by adding more layers and complexity to it. My friend mentioned to me during the show that they likely played it as a homage to Claude VonStroke, the owner of Dirty Bird label, who hails from Detroit.

This class has also managed to help me listen more closely to the music I love, and tonight was full of learning opportunities in listening in to how the music is made. I was able to recognize whenever they would open or close a note, or make a note darker or brighter. The common use of oscillators and synthesizers was ever obvious as well, as we have played around with different devices in class to get a sense of the many ways in which to produce electronic sound.

The music off of their new album Love Death Immortality has a musical theme of triumph and victory, which fits in well with their style overall. I couldn’t help but smile and look over at people all around me having a good time swaying to the music. Their stage, called the Blade, featured kick and snare drums they played live while they triggered songs through their manipulation of MPC instruments. While it was difficult to pick out tracks by name because they rarely use vocals, I felt the concert did an awesome job of showcasing the big tracks from this album as well as sounds from their previous work.

I was really glad to take the time to get out of Ann Arbor for a few hours and listen to some great, entertaining music. Thank you, Glitch Mob, for an amazing time!

REVIEW: Autumn Fest – Performance with a Purpose

For a student organization whose motto is “Students Helping Students,” Appreciate + Reciprocate nailed the line-up for their second annual charity variety show. The diversity of artistic talents and cultural backgrounds showcased at Autumn Fest truly was a celebration of human life. Beginning with the notorious Violin Monster, whose unique wolf mask is an inspiration to all humans and wolves alike to pluck, fiddle, and howl to their own tune, Autumn Fest raised awareness to support the talents and dreams of all people, no matter their ethnicity, their interests, or, in the Violin Monster’s case, their species!

Did you know that Michigan has its own Magicians Club? Most people don’t typically think of magic as a form of art, but to perform the trick correctly certainly takes the skill of a deft artist. Isn’t the magic of art the fact that it tricks you into thinking that it is done effortlessly? We think, ‘Van Gogh didn’t spend months on the exact expression of his Self-Portrait. Donna Tartt didn’t take 10 years to write The Goldfinch, a book we devour in 2 days. Gene Kelly didn’t work on his ‘Singin’ in the Rain’ routine 13 hours a day for 2 months.’ Likewise, the magic of art plays a part in the artistic form of Magic. Onstage, the magician brought up 2 audience members. He had them write their names on a certain playing card. Once the card was shuffled into the center of the deck, he snapped his fingers, and *poof* the signed card appeared at the top of the deck. To all of you magicians out there, this is probably very simple. But even after the magician explained his trick, I couldn’t see how he had done it. Perhaps I didn’t want to “see” because to see would be to uncover the illusion, the entertainment factor, the sense of wonderment that is art. The power of art is expressed on two levels: through those who possess the talent and can appreciate when it is performed well, and to those who have no knowledge on the skill and are simply mystified.

Next up were the beauties of the Arabian Dance Ensemble. Their exposed bellies not only sent the powerful and important message that the human body is beautiful in every shape and color, but provided the audience with the chance to fully appreciate the dance style. Set to upbeat drum rhythms, the girls moved their bellies in and out and up and down and in some ways I didn’t know were possible! And it was beautifully inspiring! The fact that a diverse group of girls could come together to celebrate a culture different from their own and most importantly, celebrate the amazing capabilities of the body is one of the greatest things about art. I highly recommend checking out the ensemble when they next perform.

The three a cappella groups were incredible, too! I listened and watched simultaneously, trying to pinpoint each layer of sound on the stage. The vocal cords of our fellow Michiganders are so strong and powerful. Each singer brought their own sound and talents to the group, and I was happy to see how each group let a new soloist take center stage for each song. The beatboxers reminded me that perhaps the human voice is the most diverse of all musical instruments. I really loved how Maize Mirchi, the South Asian a cappella group, combined 2 songs, 1 popular Western piece and 1 South Asian song, together to mix seamlessly into a melodious blend of cultures. They showed that art from all over the globe can bring people together; music is something we all have in common and can touch the human soul in its own way.

Lastly was Groove: “those guys who bang on garbage cans.” Their act celebrated the human drive for innovation, resourcefulness, and that little bit of childhood craziness that rests in our veins, waiting to leap out. Their syncopated beats and choreographed routine made my head bob and my feet drum on the floor below me. They made you want to do what they do – to be spontaneous and go wild in an act of creative freedom. They showed that you don’t need expensive equipments, tools, or supplies to be creative and artistic. You just need to tap into your inner heart and do what you love.

I am very much looking forward to next year’s Autumn Fest, and suggest that everyone explore each of these unique Michigan groups and prepare to be inspired! Perhaps, Appreciate + Reciprocate needs to change their motto to “Students Celebrating Students,” for indeed, that is what Autumn Fest accomplished.

PREVIEW: Ryoji Ikeda’s superposition

Ryoji Ikeda’s superposition brings a Japanese visual and sound artist to prove that art and science can interact. As a part of UMS’s International Theater Series, Ikeda creates a show that combines “synchronized video screens, real-time content feeds, digital sound sculptures, and for the first time in Ikeda’s work, human performers.” (UMS.org)

Photo by Kakuo Fukunaga

When: Friday, October 31 at 8pm -and- Saturday, November 1 at 8pm

Where: Power Center for Performing Arts

Tickets range from $12-20 for students, with ID. If you are first-year or sophomore, you are eligible to go to an UMS performance for free thanks to Bert’s Tickets program. Read more about how to claim your Bert’s Ticket and/or use other Student Ticket deals here!