Category: Student Organization

REVIEW: Funny Girl

IseeUsee Leave a comment

I remember walking past the sign “Funny Girl Auditions ↘” in the Michigan league and wondering what “Funny girl” was. This was in September. I find it hard to wrap my head around the fact that Ummusket was able to audition for people in September and showcase something as good as Funny Girl in November.

The actors were phenomenal. From the very beginning, watching the protagonist Fanny walk down the theatre aisle, I could guess this will be a show to remember. The actors had skillful control over their voice and there were hardly any-if any at all-moments when the signing or the dialogue delivery was not good. The actors had good chemistry: not just the main lead and her love interest but the mother, the brother, the aunt, and many more.

The dances were well done. There were scenes where Fanny took a trust fall while singing, actors sang while jumping, pretending to fall etc. and their singing was still impeccable. The costumes mimicked the period of the play very well. The props, the lighting-all these were planned strategically and their use was top notch.

The orchestra, like always, was just wonderful and really helped the musical.

One thing about the musical was that the story does jump around a little. The beginning is about Fanny not being pretty/skinny enough to be a broadway star but she gets the main roles quite easily and then the story turns into a romantic drama and we don’t really touch on the subject we started off with. The jokes, dances, and songs of the play keep the story interesting.

All and all, hats off to everyone who worked in the production of Funny Girl. All throughout the play, the audience members were loving it and cheered everyone on. In the end, people gave the cast a standing ovation so you know this was a crowd favorite!

Do. Not. Miss any productions from Ummusket.

REVIEW: Candle-Making with the Coven Mavens at Booksweet!

havaliebowitz 1 Comment

For those who prefer more intimate Halloween celebrations, this Samhain candle making workshop at new North Campus bookstore Booksweet was not to be missed. The Coven Mavens curated a truly magical experience right down to the golden place settings and the abundance of dried herbs and essential oils. Before we made our striped candles, Coven Mavens Juliana and Sara shared with us a bit about Samhain. “Samhain is the traditional celebration in Celtic and Wiccan belief at the end of Harvest before winter begins when the veil between worlds is understood to be thin. This means that we might feel the closer presence of the dead, or ancestors, or even spirits like fairies.” The Coven Mavens are two alumni of the University of Michigan who now facilitate magical events around Ann Arbor.

The Coven Mavens at the divination table
Coven Maven Juliana pours wax for a participant

This workshop attracted local Ann Arbor families and students a like. There were people like myself there who practice witchcraft and other types of spirituality but I would say we were outnumbered by participants as equally passionate about scented candles and candlemaking. The Coven Mavens helped us along every step of the way with tips to make even stripes and a large variety of ingredients including palo santo oil, dried lavender, and sea salt. My favorite scent to try was the white birch! The workshop also featured optional Tarot reading and a raffle. Each participant received a goody bag with a metal candle snuffer among other treats. I was really impressed with the quality of it all and excited to add my new candle and snuffer to my altar!

I hope in the future the Mavens will host more events and give us an even deeper glimpse into some of these magical traditions. The Coven Mavens may attract a wide range of customers but when it comes to witchcraft, they are the real deal. They practice magic themselves as part of a larger group and hold specific events to share some of their practice through their business. They are what Booksweet owner Truly Render calls “community experts”, local practitioners, writers, scholars, and activists based in Ann Arbor who collaborate with Booksweet.

Booksweet is a family owned and operated business that seeks to showcase the work of these experts and foster community around literature and discussion. The shop features curated reading lists, including a Racial Justice List and a Gender Reading List. Past partners have included Black Men Read and Booksweet is a proud partner for monthly Family Book Parties when the weather is nice. Next month, Booksweet is hosting  11/6 event with with Rise, a student-led advocacy organization committed to restoring funding for public higher education to make public colleges and universities affordable and accessible to all.

A selection of books on the topic of racial justice
Participants at the candle making table
My new Samhain candle!

Booksweet is not your typical Barnes and Nobles type of experience. Where as larger bookstores might provide variety and anonymity– a place to drink a coffee and work undistracted– smaller bookstores like Booksweet offer a curated, interactive experience. They have a unique selection of books ranging on topics from religion to current events to young adult fiction to graphic novels.

I picked up a gem I have been coveting, Misfits: A Personal Manifesto by Michaela Coel, the genius writer, director, and star of tv series I May Destroy You. Included at this event as well were various books of magic and tarot decks discounted to the participants of the workshop. If you’ve been craving a change in perspective, check out Booksweet on 1729 Plymouth Rd!

 

REVIEW: Basement Arts’ SLUT The Play

Madison Krumins Leave a comment

Content warning: this play and review contains topics of rape and sexual violence. 

Centered around 16-year-old Joey’s testimony about the night she was assaulted by three of her friends, Slut: the Play interweaves Joey’s interviews and the reactions of Joey’s female classmates. The play itself has a rich history, initially created by the all-girl, non-profit theatre organization The Arts Effect. Slut: the Play was eventually adapted into the Netflix Series Grand Army.

The organization of the play translated well to a Zoom format, utilizing a mix of filmed (masked) group scenes, Zoom calls, and individual recorded monologues to tell the story. The ability for monologues to be filmed in genuine locations was a powerful dynamic in Basement Arts’ adaptation. Joey’s friend Jane talking to an unseen mother in a kitchen. The sister of one of the perpetrators pleading him for answers while sitting cross-legged on her bed, laptop on her lap. 

Strong acting throughout, I was gripped by the cast’s performance. The play was difficult to watch at times, with disturbing content matter both in terms of sexual assault descriptions and some character’s reactions to the events in question. However, I think it was a brutal call to recognize the many different aspects of a toxic culture that often discourage survivors from speaking up. 

The titular word, ‘slut,’ starts off as a sex-positive term among Joey’s classmates for their dance team nicknamed “The Slut Squad,” but turns into a horrible, derogatory, blame-filled word once Joey steps forward with her story. A community reacting with victim-blaming and accusations of lying leave Joey wondering if there will ever be resolution for her, considering the way her community has responded to her coming forward. The play ends, however, with a small glimpse of hope–the words “I believe you.”

Basement Arts did a speaker series to accompany this show, including interviews with Sexual Assault Survivor Advocate Vanity Catoni-Ellis and co-creator of the play Meg McInerney, which I think was an important supplement to the show, considering the heavy content material. Overall, I believe Basement Arts handled this production well, making it work for the current circumstances in order to ensure the meaning of the material wasn’t lost.

Basement Arts asks patrons to consider donations to the following organizations in lieu of ticket prices:

First Step – https://www.firststep-mi.org
Safe House Center – https://www.safehousecenter.org

PREVIEW: Range of Reaction

Jenna Segal 1 Comment

On Friday, January 29th, Arts in Color will premiere a digital student choreography showcase entitled Range of Reaction.The virtual dance showcase is produced, choreographed, and performed entirely by University of Michigan dance students. Five dynamic choreographers have created short dance films that seek to answer the question “how does the world that we live in right now affect the choices that we make daily?” Range of Reaction showcases thought-provoking art, tackling a variety of topics including colonialism, groupthink, racism, and queer identity.

 

Range of Reaction began as a cathartic discussion of the creative silence COVID-19 has brought to art communities, and transformed into an imagining of what art may look like as our communities heal. Each work was filmed throughout the fall in Ann Arbor, with every party involved strictly following University of Michigan and statewide COVID-19 safety guidelines. This week’s showcase highlights the perseverance of artistic communities, as it offers the premiere of five original works despite the numerous hardships and challenges the pandemic has presented.

 

Range of Reaction will be posted to the Arts in Color Vimeo on Friday, January 29th at 8pm EST and will be available to view free of charge. Supported in part through the School of Music, Theatre & Dance Meta Weiser EXCEL Fund, as well as Arts at Michigan, Range of Reaction is a must-see showcase for those looking for a refreshingly original and thought-provoking performing arts event from the safety of their home.

 

To watch the Range of Reaction Promotional Trailer, visit https://vimeo.com/504178628 . Range of Reaction will be posted to the same channel.

REVIEW: Five Lesbians Eating a Quiche

Kellie M. Beck Leave a comment

In the light of today, I didn’t suspect to be given the opportunity to write a review for Basement Arts’ production of “Five Lesbian Eating a Quiche”, but last minute, the theater department received an email inviting us to see the show, despite it being what was supposed to be the show’s dress rehearsal. So at 7:30p, fifty-one people filed into the Newman Studio in the Walgreen Drama Center, program in hand, and cheered on five lesbians with a severe quiche addiction.

The show was a delight. It was funny, satirical, well-acted, clever and all-together a terrific production. Anna Demarinis served as Lulie, the president of the Susan B. Anthony Society for the Sisters of Gertrude Stein, leading the show as a true powerhouse. Ruby Perez, “Dale”, and Patricia Joseph “Wren”, portrayed a compulsive, but heartfelt couple, so glad to be able to admit, in the face of the nuclear apocalypse, that they were in fact, lovers. Sofia Angelopolous portrayed Vern, a rigid, and rather intense officer in charge of maintaining the community center. And Maddy Paxson, with an unexpected British accent, served as a perfect contrast to the rest of the group, as the new officer “Ginny”, who was unawares to the lesbianism of the rest of the group. Sydney Prince’s directing was spot-on, and despite the news of the day, all fifty-one of us left laughing.

But what struck me about “Five Lesbians…” was its timeliness. After today’s announcement and as many students mourned the closing of campus for the rest of the semester, seeing five women look down the barrel of the end of time was hard. No, I’m not comparing coronavirus to the nuclear end, but for many students in STMD, they saw the majority of their work go down the drain. Performances were canceled, projects were postponed indefinitely, and no one seemed to know what was next. Basement Art’s production reminded me though, quite clearly, that in times of uncertainty, there are certain things we can, and have to, rely on.

We’ve had many discussions through my time at SMTD about creating art in the time of uncertainty. And while some may not consider a show as silly and entertaining as “Five Lesbians Eating a Quiche” art that addresses such a subject, I would wholeheartedly disagree. By the end of the show, I could’ve said, with great certainty that I felt a little more hopeful about our situation today. Maybe it was the relief of knowing I didn’t have to walk out the door and face nuclear fall-out, or that I wouldn’t have to decide which person in the room we’d have to kill. But whatever it was, it was enough to know we’d all survive.

More than that, “Five Lesbians…” was willing to share a little part of their process knowing that most of its audiences had given up theirs. Art in times of uncertainty relies on what art is founded on; community and generosity. Art provides us with a safe place to go, to return to, and to look forward to. Our art, whatever it may be, has the possibility to be an anchor in our lives, and in times of chaos and unknowing, times like today, it can provide us a roof over our heads in a storm: it doesn’t stop the weather outside, but it gives us a place to rest our heads. Thanks, Basement Arts, the cast, and all involved for a little bit of shelter tonight. To anyone reading this, I wish you could’ve been there.

 

 

PREVIEW: The Captive

Kellie M. Beck Leave a comment

The Residential College Players, better known through campus as the RC Players, is presenting their first full-length play of the semester, “The Captive” this Friday and Saturday, at 8:00p both days, in East Quad’s Keene Theater! Originally written in 1926 by French playwright, Edouard Bourdet, the three-act melodrama was shut down after 160 performances on Broadway because the lesbianism portrayed in the play was considered “obscene”. The story depicts a young woman, Irene, who is hopelessly and painfully in love with the unseen character, Mdme. d’Aiguines, despite her imminent engagement to a young gentleman, Jacques Virieu. Her love for Mdme. d’Aiguines keeps Irene captive, in more ways than one.

Be sure to stop by the Keene Theater this weekend to catch this one-of-a-kind performance!

.