Preview: Women’s Glee Club

The Women’s Glee Club Concert is tomorrow! This will be the second time I’ve been to a concert of theirs, and I’m really looking forward to it. The last time I went, I didn’t know what to expect, since I don’t attend choral concerts often, and I enjoyed myself very much. I have a few friends in the club, and I know they do really good work, so I can’t wait to see what they sing tomorrow. I’m also excited to hear the other choir they will be singing with, since I believe logistical issues prevented that from happening the last time.

The concert is Saturday, November 19, at 8pm in Hill Auditorium. Tickets are $5 for students and can be purchased at the door.

PREVIEW: Helicon’s Synesthesia

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UM’s campus is hardly lacking for artistic talent. In its varying forms, students are quick to represent their abilities. Helicon, the History of Art Undergraduate Society, will be giving a space to such talent and displaying student curated and student made art in a one night only pop-up exhibition titled: Synesthesia. The event is open to any and all looking to check out some art in a cool and casual setting.

Synesthesia will be taking place on November 18, 8-11 p.m. at 504 Catherine St.

PREVIEW: SMTD@UMMA

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from umma.umich.edu

If you’re an indecisive appreciator of art, or an enthusiast of all forms, the upcoming SMTD@UMMA performance, Image in Motion, is for you. In this collaboration between the Department of Dance and the University of Michigan Museum of Art, U-M Dance students will use UMMA’s new exhibit Europe on Paper as inspiration for the performance. The Europe on Paper collection features the work of German and Austrian Expressionist painters; dancers will interpret the works’ emotion and color through movement.

These two artistic modes lie close to my heart, and based on past STMD@UMMA performances, the beauty of UMMA’s gallery space only further brings SMTD work to life. This marriage of artistic forms is happening Thursday, November 17 at 7:30 in UMMA, and is free and open to the public.

REVIEW: Battle Espresso Royale-Comco

The line to get into the show
The line to get into the show

I knew I was in the right place for yesterday’s Comco performance because of the gently rumbling din of voices in the distance. The line to get into the auditorium snaked around the corner and into the lobby, despite us having arrived over a half an hour early.  By the time my friend and I made it inside, there wasn’t a seat to be found. We ended up leaning against a wall for the entire performance while even more students packed into the aisles.  Even less-than-ideal “seats” couldn’t take away from how fun the performance was. I can’t remember a favorite skit or moment from the night, because I was laughing the entire time! At one point in the show I even shed a tear or two, it was genuinely that funny.

In the long run, the large crowd added to the excitement in the room.  Audience members were reacting to the jokes and shouting out suggestions with gusto.  For their part, the cast of Comco gave a wonderful performance, keeping the mood light and fun the entire hour and a half, bouncing off each other quick-wittedly, and recovering easily from the few jokes that fell flat.  For those who missed the performance, there is another one coming up December 9th, ready to give you that last jolt of energy right before finals!  To keep up with the latest updates from Comco, checkout their Facebook page, https://www.facebook.com/Comedy.Company/ .

 

PREVIEW: Battle Espresso Royal- Comco

We could all take a cue from the age-old-adage “laughter is the best medicine.” After a long, long week14976815_10154609894388818_6795676064434312967_o of stresses and woes, loosen up and laugh for a bit with one of the University’s oldest and most well developed comedy groups, Comco, as they present Battle Espresso Royal. For those who have never attended an improv comedy show before, it’s a spontaneous, one-of-a-kind performance that features talented actors and comedians bouncing off one another with a quick wit and good comedic timing.

The show will be in Angell Hall Auditorium A starting at 8 PM Tomorrow, November 11th. Tickets are only $2 at the door, so for the price of a Starbuck’s (or Espresso Royale!) latte bring a friend or two and take some time to laugh together.

Review: Shiva Shakti

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This concert, held on November 5, was organized by SPIC MACAY (Society for the Promotion of Indian Classical Music And Culture Amongst Youth). While I love seeing student performances,  I like that SPIC MACAY brings professional performers to campus because it is also really interesting to compare student work and professional work. This concert was an evening of Odissi dance, which is a classical dance form that originated in the Indian state of Odisha, and featured performances by two Odissi dancers, Dr. Ileana Citaristi and Sreyashi Dey. Interestingly enough, one of the performers, Dr. Citaristi, is of Italian extraction, which is, I think, the first time I’ve encountered a performer of classical Indian arts who is not Indian. Indian classical dance is, more often than not, very heavily based on Hindu mythology, and it was interesting to think about how she would have had to really immerse herself in the religion to gain the understanding of the mythology that an Indian by heritage might have ingrained.

The difference in the two ladies’ styles was another interesting aspect of the performances. Ms. Dey had much more resounding footsteps – it was the first thing I noticed about her technique – and in a dance where one of the main features is the sound of the dancer’s feet on the ground, this was very effective. Dr. Citaristi didn’t step as loudly, and this makes me wonder if, perhaps, the loudness of the footsteps is a personal choice, or something that varies according to the mood of the dance.

In the previous SPIC MACAY-hosted performance I attended, the dancer took time before each dance she did to explain the story she would be illustrating and gestures she would be using to do so. This was done here as well, but not, I think, to the extent of the other performance. This kind of explanation greatly helps an audience, since many are not intimately acquainted with the art form, and allows the audience to spend less time wondering about what is happening, and more time appreciating the dancer’s technique. I also liked that there was a Q&A session with Dr. Citaristi and Sreyashi Dey afterward: I think that is very helpful in gaining a deeper understanding of the art form and the way in which the dancers approach their art.