REVIEW: Hubbard Street

Dance is somewhat of a challenge for me to understand. I lack the proper vocabulary and background knowledge to truly and accurately describe what I see performed in front of me. That said I thoroughly enjoyed Hubbard Street Dance Chicago’s amazing performance of, One Thousand Pieces. I will do my best to tell you why.

First off, it’s beyond beautiful. The dancers move with such grace and precision – I sort of made up this game to try and see if I could see someone’s knee twitch or foot slip out of place, but I never caught any slip-ups. Every move was deliberate and precise. They would rush to complete a phrase then slow to a gentle glide across the sleek dance floor. It was spectacular. Their performance also featured a mist curtain, hanging as a billowy and ever-changing backdrop to their movements. The scene change with the mist curtain also left the stage littered with water droplets, in which the dancers continued to glide and float on stage to the rhythms of Phillip Glass’s music. The sound of the water could reach me in the balcony. I was even able to make out sparkling droplets of water dancing through the air as the artists flipped their arms in the mist.

This dance performance was not a story ballet or anything – the aim, as defined by Hubbard’s first resident choreographer, Alejandro Cerrudo, was to show how images are shaped and distorted through stained glass. Why stained glass? The choreography was inspired by Marc Chagall’s America Windows, as seen on display at the Chicago Art Institute. The props were simplistic but did include a few mirrors, tilted this or that way. It was also cool to watch the dancers when the lighting adjusted to show a vibrant reflection in the floor beneath their spinning bodies. So many of their movements seemed to me to be in a singular plane, moving within some sort of field of restraint. When I would glance at the dancers’ reflections in the mirrors or the floor, their movements seemed flattened and more distant – as if I were watching the performance through a window. It was unlike anything I’d seen before. It gave a whole new dimension to the work for sure.

Hubbard Street is an amazing company and worthy of all the praise they receive. Bravo to the dancers and thanks to UMS for bringing this fabulous company to our Ann Arbor stages.

PREVIEW: Hubbard Street Dance!

This weekend come check out the UMS presentation of Hubbard Street Dance. Performing a piece inspired by Marc Chagall’s America Windows and written by Hubbard Street’s first resident choreographer, Alejandro Cerrudo, the performance is sure to take your breath away. Cerrudo, when interviewed, commented on how windows shape and distort images – this is the inspiration of the piece. They use water effects, like mist curtains, and special backlighting to exemplify the beauty of the dancers. It is sure to be a spectacle of a performance, so get on those tickets, folks!

PREVIEW: Julian Allen Senior Recital

Julian Allen Senior Recital

It’s recital season. This means that every venue in Ann Arbor is jam packed with parents, friends, and artistic talent on any given day of the month. On Saturday April 27th, The Yellow Barn hosts the Julian Allen Senior Recital. A musician in the School of Music, this performance will feature original music and lyrics by Julian Allen and multi-media collaboration with local artists. Both jazz and electronic, vocals and rap, this dynamic and varied recital will explore a number of themes, techniques, and messages. In conjunction with Dance BFA student Julia Smith-Eppsteiner, local hip-hop artists Tree City and Kadence, and a number of U-M School of Music students and alum, this performance will run the gamut of Ann Arbor talent. The show starts at 6 pm. The Yellow Barn is located on 416 W. Huron Street. See you there!

PREVIEW: Please Don’t Feed The Animals

Please Don’t Feed the Animals

This Saturday, April 20th there will be multiple gallery- both openings on campus and off- that exhibit the year long Integrative Projects of the senior students in the Penny Stamps School of Art & Design. This particular show, “Please Don’t Feed the Animals,” features the work of Erica Neumann, Anna Schulte, and Claire Jones. Each artist practices a different medium: typography, photography, and sculpture respectively. Two of these three artists are in my Book Arts class so I have already previewed their work. It is stunning- so professional, clean, intriguing, and unprecedented. Erica Neumann has fashioned animal figures out of various fonts and tells the narrative of evolution, both of typography and animal species. Anna Schulte’s photographs are a meditation of happiness. Claire Jones has created her own version of “taxidermy.”

This creative and labor intensive process will finally be on display at the Ann Arbor Art Center from April 20th to May 4th (117 W. Liberty St). An opening reception to celebrate the artwork will take place beginning at 5 pm on Saturday. Don’t miss the special  opportunity to see the talented designs of these up and coming artists. See you there!

PREVIEW: GUTS

GUTS Senior IP Show

Every year, the senior cohort of the Penny Stamps School of Art & Design works on a year long project called “IP” (Integrative Project).  At the end of a 10 month journey, the students gather in clusters to present their work. Either in galleries on campus or off, groups of artists host an opening event followed by a two week period where the art is on display. This particular exhibit, GUTS, presents the independent work of Liz Luidens, Justin Hein, Taylor Bultema, Alex Kaufman, and Ronan Lyman.  Using the mediums of print, drawing, and illustration, the works are both varied and dynamic but also cohesive. About arriving at the title “Guts,” artist Alex Kaufman said:

“We all got together once we had our venue set so we could start brainstorming.  we each pinned up a couple pieces to get a feel for what all of our work looks like together, and started throwing out ideas. Our concepts are really self-reflective, and a lot about our internal thoughts, feelings and personal experience.  So, in a way our work is our guts on paper.  And its a vague reference to our aesthetic, which is fairly direct and in-your-face.  So yeah, once we put all that together it made perfect sense, and that is the story of how Guts happened.”

The opening reception will be held on Saturday April 20th from 7-10 pm with a closing reception on May 5 at 6 pm. The off-site exhibit is in The Yellow Barn on 416 W. Huron with regular hours Tuesday-Saturday 5-9 pm. For an inside look, check out Alex Kaufman’s blog. See you there!

REVIEW: GROOVE

GROOVE

On Friday night, the student group Groove put on an energetic, fast paced performance in the Michigan Theater. The bi-annual event has a different theme each year and this season the subtitle was “Innocent Until Groovin’ Guilty.” The evening opened with a spoof film of a criminal case in which Groove members were prosecuted for making too much noise. The convicts were detained in a cell and when they were finally freed, they sprang forth from the silver screen onto the stage and began drumming with spirit. Using non-traditional instruments, such as garbage cans, bicycles, ladders, umbrellas, newspaper, and more, the show turned regular objects on their heads and made them entertaining in a whole new way. The performers also demonstrated their talent with traditional instruments, like guitar, drum set, electric violin, and keyboard. Each scene told a story using a variety of wild costumes and lots of bold singing and acting. One of the funniest sketches was a rap battle between two sections of a middle school band in which the lyrics spoofed off of popular rap songs but using lyrics associated with pre-pubescence and the terrible awkwardness of middle school. Another memorable sketch was a play on the James Bond theme, where some Groove members were taken hostage while others came to the rescue, all the while hammering away a beat.

The audience was totally packed and seemed to love every second of the show. It takes a lot for a student group to pack a full house at the Michigan Theater!  Some fans were also there to support to opening acts, EnCore and Rhythm student dance groups, as well as interluding musicians James Cornelison and Julian Allen.  The exciting evening concluded with a sentimental- albeit comedic- farewell to the senior Groovers as well as an audience shout out from a large sum of Groove alumni who had returned to Ann Arbor for the special event. It was a totally energetic evening, full of comedy, musical talent, and pure entertainment.