Review: Cyrus @ Sundance USA

Usually I’m running ten minutes late and only hoping to find a seat before the film starts – trying to find a red velvety chair rather than the lap of a stranger.  Thursday night at the Michigan Theater, however, was an event.  There are 1700 seats in the main theater because film going used to be an event – a night out at the cinema.  Unfortunately, Ann Arbor rarely packs the Michigan Theater full these days (recent sell outs have included Michael Moore’s Slacker Uprising and Fahrenheit 9/11 as well as a Lord of the Rings showing).  Thursday night held a sold out crowd, full of excitement.

Honored to be a part of the Sundance USA inaugural series, the crowd cheered Michigan Theater Executive Director, Russ Collins, announcement that we were making history as well as the pre-taped thank you message from Robert Redford.  Unfortunately, once the film started, the crowd’s energy quickly faded.

‘Cyrus’, a new movie from the Duplass Brothers (The Puffy Chair, Baghead), tells the story of Cyrus (Jonah Hill- Superbad, Funny People), Molly (Marisa Tomei- My Cousin Vinny, The Wrestler), and John (John C. Reilly- Chicago, Walk Hard: The Dewey Cox Story).  Cyrus is the 21-year-old son and life partner of Molly while John is Molly’s first boyfriend since Cyrus was born.  ‘Cyrus’ tells the struggles of this love triangle.  It is only about this relationship as it takes place.  We never receive information about Molly’s past or Cyrus’ childhood- we never even know what city we are in, just a generic American suburb.  ‘Cyrus’ is, at its core, an in-depth analysis of the power struggles between the three.  It makes us question the Oedipal suggestions of Cyrus and Molly’s relationship, the honesty of a divorced and depressed John, and the nature of innocence.  The movie, however, is about a power struggle that has been played out and examined in culture too many times to count.

The Duplass Brothers did not want to make another crass, vulgar humor movie – Jonah Hill’s specialty.  In the mostly-failed attempt to appeal to a wider, more mature audience, the opportunities to laugh with the whole theater were few. Instead of full on laughs, the movie tried to feed us awkward chuckles.  When the movie finally finished, I felt drenched in the soppy relationship humor that plagued the movie.

Jonah Hill saved himself a few points when he came on stage wearing the traditional, maize & blue, block M fitted cap.  His girlfriend, a Michigan student, gave it to him- he told the curious crowd.  The Duplass Brothers saved themselves a few points as they introduced their editor and friend, Jay Doobie- a Northville native.  Sundance USA, the idea, seemed to thrive in the Michigan Theater setting- ‘Cyrus’, the movie, failed to match the hype.

A ridiculous week of arts events awaits us- The Bad Plus on Thursday night, University Dance Company’s (Re)Visionary Dance on Friday Night, and Só Percussion on Saturday Night. That is truly absurd.
When will I do econ, Bennett

‘Cyrus’ Trailer:

Sort of weird, Sesame St. mustache video:

Review: MLK Makes the Day

The Martin Luther King Symposium was a beautiful display of spoken word and visual art. Taking place in the Pendleton room in the Michigan Union, this event really embodied the work of the great Dr. King and the freedoms that he fought for.

The slam was dazzling, with many talented student poets, such as AJ, TJ, Aisha, Brandon, and Chloe, who all spoke from the heart about freedom, peace, and inequality. The judges unanimously declared AJ the winner and he received a $100 visa gift card, while the crowd favorite was undoubtedly Ame (sorry, I don’t know the exact spelling and she told us to write “Amy” if we wanted to vote for her) who won the gift bag. Both were poets of amazing talent and emotion.

There were four artworks at the event also, paintings and drawings, to be admired and rewarded. These works were creative depictions of what civil rights meant to the artists, or at least shared some relation to MLK and his dreams.

The best part of the night, however, came with the feature poets Jessica Moore and Dee Matthews. They were Amazing! Dee was definitely my favorite with her second poem telling the untold story of Eve. She is such a passionate performer with such wonderful word strings and ideas. I could listen to her for hours, and so could most of the crowd, I believe. She also read a poem about the old folk that decided to ride the storm during hurricane Katrina and another about the revolution that never happened for the African American community. Both were intriguing and amazing, but the poem about Eve outstripped them emotionally and made us want to cry.

Airea Dee Matthews
Airea "Dee" Matthews

Jessica Moore was another great addition to the show. She read so many amazing poems that I can’t list all of them, but I can suggest that you look her up. Jessica Care Moore is the CEO of a poetry company, an Apollo legend, and a proud single mother from Detroit. What I really like about Jessica was that she was so real, I mean soooo real. She told us about what it is like to be world famous and still broke. How it feels to have people in countries all over the planet recognize your name and still have to receive welfare to feed your child. Moore is a beautiful person and I think to know her would make a person’s life better. I wish her and her son all the best, because she is fantastic.


Jessica Care Moore

The entire slam was amazing, it’s not just about the features, so I would suggest that everyone go to a slam sometime. They happen every two weeks on Thursday nights. Most of the time they start at 9:00 in the U-Club and are always hosted by the U-Club Poetry Team. Definitely make a cameo and maybe even slam or open mic. It’s a truly liberating experience.

As always,
This is Danny Fob: Artist and Art Reviewer

PREVIEW: Ladysmith Black Mambazo

Ladysmith Black Mambazo
Ladysmith Black Mambazo

You may have not heard of Ladysmith Black Mambazo but you most likely have heard their music. (Curious? click here!) Hailing from South Africa, Ladysmith is one of the most globally celebrated groups of the last few decades.  In addition to being the “cultural emissaries” of South Africa, their collaboration with Paul Simon almost 20 years ago launched “Graceland” as a pivotal album in world music.  Their roots are unique to South Africa, singing in a musical style called isicathamiya (Is-Cot-A-Me-Ya) which was traditionally sung by black, displaced rail workers for entertainment, but their voices also have the influence of gospel.

They have collaborated with many artists, including Natalie Merchant, Sarah McLachlan, Mellissa Etheridge, Emmylou Harris, Pete Seger, Eric Clapton, Phil Collins, and many others.  They have numerous grammy nominations and recived their second grammy in 2005 for Best Traditional World Music Recording.  Their music has been featured in many familiar films and advertisements including Lion King and The Land Before Time.  Aside from setting a world example of peace, harmony, and hope through music, Ladysmith continues to grace the world with their unique and beautiful music.

This is A UMS first so if you have an interest in world music, or learning more about another culture through music, tickets are still available through the UMS website.   The event will be tomorrow at 4 pm at the Hill Auditorium.  It will be a great experience and is part of UMS global focus.  If you can’t make it, be sure to check out other upcoming events in the next few months (may I suggest Béla Fleck or Baaba Maal with local heroes Nomo).

PREVIEW: Ann Arbor Folk Festival

Power Duo Ben Gibbard and Jay Farrar
Power Duo Ben Gibbard and Jay Farrar

Excitement is in the air my friends!  A longstanding tradition in Ann Arbor, the Ark brings you the 33rd annual Ann Arbor Folk Festival this Friday and Saturday.  If you have never been, I highly suggest you try to make it to this one as the lineup is extremely impressive (as always).  I am a folk festival newbie so I’m very excited to see how the night will play out.

Both shows start at 6:30 p.m. sharp at the great Hill Auditorium.  Friday’s lineup includes favorites Iron & Wine as well as Ben Gibbard and Jay Farrar performing their new collaborative release, One Fast Move or I’m Gone, inspired by Jack Kerouac.  If those two acts aren’t enough to get you excited there are a host of other performers including Band of Heathens, Hoots & Hellmouth, Po’ Girl, Jer Coons, and Nervous But Excited.

That’s not all folks! Saturday night focuses on the roots and traditions of folk and the lineup includes Rosanne Cash, Richie Havens, Doc Watson, Raul Malo, Hot Club of Cowtown, and Enter the Haggis.  Both nights are hosted by Patty Larkin.  Tickets may still be available through ticketmaster.  I hope you can all make it but if not here’s something for you sleepless fans, amazing concert!

Click here!

Preview: I Have a Dream…

…And it is coming true this Thursday night, January 28, 2010 from 8:00-11:00 pm. The dream is materializing thanks to Alpha Phi Alpha, Inc. Epsilon Chapter, in conjunction with MESA and UUAP, and U-Club Poetry. A Right to Dream: An Art and Poetry Exhibition! Is an annual symposium that comes together to honor the life and work of Dr. Martin Luther King Jr. Tomorrow is the 24th annual MLK Symposium here at the University of Michigan and it promises a venue that is not to be missed, including art from the campus at large, student performers in the open-mic and poetry slam, and two speakers: Jessica Care Moore and Airea “Dee” Mathews. The art and poetry competition winners will be rewarded with over $500 in prizes, including visa gift cards and gift baskets!

This event is a wonderful way to honor the dreams that MLK gave us and to see some of the talent your classmates have to offer. You should definitely show up, especially since there is only a $5 cover charge, $2 of which is being donated to the construction of the MLK Monument in Washington, D.C.
So, details:
What: MLK Symposium-A Right to Dream: An Art and Poetry Exhibition!

When: January 28, 2010 8:00 pm to 11:00 pm
Where: Pendleton Room, Michigan Union
How Much: $5
Who: Jessica Care Moore, Airea “Dee” Matthews, and UofM Students

I hope to see you there!
And As Always,
This is Danny Fob: Artist and Art Reviewer

PREVIEW: Interview with Pierre Boulez (conductor of the Chicago Symphony Orchestra on Wed Jan 27th!)

Thursday, January 28, 2010
12 pm
Rackham Building, Fourth Floor Amphitheatre

Interviews are fascinating. I also wonder how and why the interviewer chooses certain questions…and are there any taboo questions? Although, I can’t really think of a taboo question when it comes to orchestras and music.

According to the UMS website, “U-M School of Music Professor Emeritus of Musicology Glenn Watkins and Maestro Boulez will discuss the past, present, and future of orchestras, live performance, artistic choices, and contemporary composition.”

How do you feel about live performances? With advances in technology and sound recording, do you think orchestras and concerts will become a thing of the past? What about contemporary music? I’m particularly curious to hear what Boulez has to say regarding contemporary music (he’s a composer as well). Occasionally, contemporary music is too crazy for my baroque and classical music brain, but I’d like to hear his thoughts. Perhaps I’ll be able to “understand” the music better.