Preview: UofM Basement Arts Presents ‘Dead Man’s Cell Phone’

Dead Man's Cell Phone Image

It may be old news that cell phones have changed our everyday lives and changed our culture as a whole (Check out David Brooks’ editorial this week on sexting and the like) however, Dead Man’s Cell Phoneeven further personalizes the cell phone’s power.  The show by American playwright and MacArthur Genius Award recipient, Sarah Ruhl, tells the story of Jean who answers the phone of a stranger sitting at the next table, who she soon finds out is dead, and her subsequent discussions with his friends and relatives. 

Ruhl is the author of ten original plays including, the Pulitzer Prize nominated, The Clean House.  In a statement honoring her MacArthur Fellowship, the organization states that she is a “playwright creating vivid and adventurous theatrical works that poignantly juxtapose the mundane aspects of daily life with mythic themes of love and war.”

This evening, Friday, November 6 at 7pm and 11pm and again tomorrow evening at the same times, the Basement Arts, a student-run theater organization, presents this new comedy with the exceptional talent of University of Michigan student actors, directors, choreographers.  Responsible for the now world-famous, A Very Potter Musical, The Basement Arts have a solid history of presenting free theater as a priceless experience.

Tonight, Friday, November 6 @ 7 and 11pm.  Tomorrow, Saturday, November 7 @ 7 and 11pm.  All shows at Studio One, Walgreen Drama Center (1226 Murfin), North Campus.   Free Admission!

Check out the trailer for the Basement Arts production of \’Dead Man\’s Cell Phone\’

Bennett.  bstei@umich.edu. No Shirt, No Radio. Wednesday nights Midnight-1:30 WCBN 

PREVIEW: Gal Costa and Romero Lubambo

Gal Costa

What: Gal Costa and Romero Lubambo

Where: Hill Auditorium

When: Saturday, November 7, 8 pm

Tickets: http://ums.org/s_tickets/

According to Wikipedia, Gal Costa’s mother Mariah listened to classical music  for hours during her pregnancy so that  her unborn child would grow to appreciate music.  Little did she know that her daughter would go on to be Brazil’s most famous diva, with over 35 albums and a successful career in music spanning  over 40 years (and still counting).  I listened to a sample of her music on her website (http://www.galcosta.com.br/index.php?language=en). In her  deep full-bodied voice, Brazilian pop sounds so refreshing.  She will be performing alongside Romero Lubambo, whom Herbie Mann,the 1960s’ jazz music’s preeminent flautist, described as “the best Brazilian guitarist there is”. When artists get such glowing reviews, it is one’s duty to go check them out. Don’t you think so?

Krithika Srinivasan

PREVIEW: Keith Terry and the SLAMMIN All-Body Band

When: November 6, 2009 7pm
Where: Hill Auditorium
Tickets: $10 (may be purchased at the League, leftover tickets sold on the night of the show)

Musicians
Bryan Dyer, Vocals
Zoe Ellis, Vocals
Steve Hogan, Beatboxing
Keith Terry, Body Music
Kenny Washington, Vocals
Destani Wolf, Vocals

Dancers
Evie Ladin
Nuria Bowart
Namita Kapoor

Apparently, Keith Terry and his band will perform a concert using themselves as the instruments in a concept known as “body music.” Feet stamping, fingerpopping, and chest whomping are just a few of the different actions used to create a percussion noises in this dance-like show. The program will be announced by the artists from the stage – I’m curious to see what the names of the dances/pieces will be called! What do you all think about this new “form” of art?

Arts and Incarcerated Bodies

Arts and Incarcerated Bodies

Arts and Bodies

Tuesday, November 3, 7:00pm
Stamps Auditorium
Walgreen Drama Center
1226 Murfin Avenue
North Campus

In the so-called “land of the free”, the United States of America, approximately 1 in 100 adults are currently behind bars — with emotional, psychological, intellectual, and physical effects on the individuals incarcerated. What role can the arts play in liberating the human spirit from the confinement of the body?

Prof. Buzz Alexander, Jon Deak, Janie Paul, and Josh White, Jr. will have a conversation about the work they do in the arts with prisoners, and others.

Here is a description/review of a previous arts event (from last Winter) at UM that also had to do with art and incarceration.

Below are some data showing the current state of the prison-industrial complex in the USA.

Graphs

Graphs

Preview: Poe’s Got Nothing on These Poets

The one and only U-Club Poetry presents another of their amazing slams. Whether you like poetry, your friend drags you to these events, or you are required to attend one for a class, U-Club Poetry Slams draw a very diverse and supportive crowd to the Michigan Union. Everyone should attend to see the wide range of talented writers and performers that hide in the masses of the U of M student body. Who knows, you may even see me, Danny Fob, up on stage performing in the slam (hint hint). Plus the entrance fee is only $3.00. Can you get better than that? Also bring a little extra to donate to the winnings jar. The best slammer wins a jar of cash donated by the audience! So don’t forget:

U-Club Poetry Slam
Thursday, November 5, 2009
8:30pm to 10:45pm
U-Club in the Union

This is also a very special slam because it features two, count em’, two key-note poets; Adam Falkner and Jon Sands. For more info, join the Facebook event. There are already 70 confirmed guests!

Danny Fob; Artist and Art Reviewer

Review: Robin Williams and His Talking Rectum

Twas quite a night for Hill Auditorium when Robin Williams and his raunchy brand of comedy came to town this past Friday.  Having waited since March (after Williams postponed most of his tour in order to have and recover from open-heart surgery) with expensive tickets in hand, the Hill Auditorium crowd was edging to laugh and laugh hard.  A sold-out crowd welcomed Williams, and the two jumbo screens streaming live video of his antics all night, with a long and loud ovation.

Early on, Williams showed he had done his homework.  While many comedians have an established nightly routine, Willliams spent his first 20 minutes clowning on local issues.  Among other topics, he commented on Rich Rodriguez and the Michigan football team (“Coach Rodriguez is having extra practice sessions – not that they’re really helping right now”), Detroit (Canada’s “neighbor with a meth lab”), as well as noting that  “Kwame Kilpatrick makes Marion Berry look like Nelson Mandela”.  This local flavor won the crowd over immediately.

From there, Williams physicality and character humor took center stage.  As we know from his many roles in film, Williams truly becomes his characters.  In his 90-minute set, he became celebrities (Gregory Peck reciting porno lines, Arnold Schwarzenegger failing to pronounce “California”, former MLB pitcher Dock Ellis who pitched a no-hitter on LSD, Joe Biden campaigning for “Barack America”, Walter Kronkite telling a sexual joke- to name a few), animals (Scottish raccoons protesting recycling, a cat antagonizing a dog, and more), and he was, often times, himself- speaking about his heart surgery, his alcoholism, his movies, and his family.

Unfortunately, Williams’s material lost its edge in the second half of the show.  Gone were the local references or the riffs on current events.  Instead, Williams took turns with “Fuck”, “Asshole” (usually referring to his actual ass hole), and “Rectum” to pull laughter from his audience.  His especially vulgar set- a slightly uncomfortable scene for this 19 year old surrounded by the 50+’ers that could afford the tickets- relied upon material that, although consistently drawing a strong response, is no longer fresh.  Along with his talking rectum, Williams continued to mock the already most-ridiculed person of the decade, former President George W. Bush, as well as prolonged rants on the 2008 presidential campaign and Sarah Palin, along with many other not-so-current events.  Yes, Williams has not toured since 2003 so this is perhaps new material for him, but, in the meantime, the rest of the stand-up world, not to mention Jon Stewart and Stephen Colbert have squeezed this material dry.

Williams left Hill Auditorium to a standing ovation and a pleased crowd.  He made funny faces, did impeccable impersonations, and shocked the crowd with his slew of obscenities and innuendos.  However, despite his early success in commentary on local issues, Williams’s material failed to showcase his status as a master of modern culture.

Bennett Stein.  Ann Arbor, MI. bstei@umich.edu. No Shirt, No Radio-Wednesdays @ Midnight-1:30am.  WCBN.