REVIEW: Aida Cuevas with Mariachi Aztlán

8:00 pm • Friday, November 4, 2022 • Hill Auditorium

It struck me at some point during Friday’s performance that I was witnessing true mastery of an art form. Aida Cuevas and the musicians of Mariachi Aztlán–and their surprise guest, Valeria Cuevas, Aida’s daughter–demonstrated the kind of personality and confidence onstage that is only achieved by a lifetime of commitment to one’s craft. Aida in particular wowed me with her showmanship. Her banter with the audience felt warmly familiar, almost like they were all in on a little private joke. In a way, they were: conducted almost entirely in Spanish, the performance created a special celebratory bubble of Hispanic language and culture on a predominantly English-speaking, Euro-American campus. In an artistic environment that has historically been exclusive, Aida transformed Hill Auditorium into a space where Hispanics and Latinos were the insiders.

Little moments throughout the evening added to the mood of familiarity and celebration. Before the performance started, El Ballet Folklórico Estudiantil, a dance and mariachi company from Flint, performed a short set in the lower lobby, a space where audience and performers seemed to intermingle at one level, as one community. When I sat down in the auditorium, the couple sitting next to me made small talk for a moment, asking whether I spoke Spanish and suggesting that some 10% of the audience wouldn’t understand a word of the performance, but attended because they love how the music sounds. Later, in a particularly sweet moment, Cuevas wished a young audience member a happy birthday, having chatted with the teen’s mother via Facebook Messenger some time before the event.

The evening’s program took time to spotlight each performer, including the instrumentalists from Mariachi Aztlán. The improvised duet between the company’s pianist and percussionist especially has stayed with me–from my vantage-point on the main floor, I could see their hands flying across their respective instruments, exploring the synergy between their sounds. Near the middle of the performance, after Aida had left the stage to the band for their solos (and so she could complete a total costume change), her daughter, Valeria, entered in her mother’s place. Valeria’s voice balanced dynamically with her mother’s, adding richness to the program, especially their beautiful duet rendition of La Llorona.

Probably my favorite part of the evening was when Aida performed “El Pastor.” Aida’s voice is operatic in quality, and El Pastor exhibits her ability to deftly switch between vocal registers as well as her stunningly regular vibrato. She completed each of these challenging vocal maneuvers with ease; during the instrumental build-up to her vocal entrance, I even noticed as she jauntily tossed her microphone and caught it to reposition it in her hand.

If you didn’t make it to Friday night’s performance, I encourage you to take a look at the video attached below for a small sample of Aida Cuevas’s talent. One thing I know for sure is that should she return to Ann Arbor during my time here, I will be among the first in line for tickets.

 

REVIEW: Aida Cuevas

Throughout the days prior to the most anticipated night of the week, I thought about how grateful I was to be able to see Aida Cuevas perform with my parents here in Michigan. On that evening, the sun had set into a dark blue sky and crowds of bundled-up people walked towards the Hill Auditorium to enter the event. My parents and I stopped at one of the glass showcases outside of the auditorium to take a picture with an event poster of Aida Cuevas; she stood proudly in a traditional mariachi suit, looking up and smiling in the light of green and red that surrounded her. Iconic, I thought to myself; I would come to know that the essence of the photo wasn’t exaggerated in any way.

 

Once the doors opened, my parents and I took our seats on the main floor, sitting fairly close and off to the side nearest to stage left. We had another nearby concertgoer take our picture with the stage behind us and I couldn’t help but notice that it was already glowing a dark red. Throughout my life, I have noticed that color in its waving flag, on the accessories worn by the mariachi, in the dress of a woman celebrating her quinceanera, and in the fireworks that burst over the hills of Mexico City with each end to the week. That color has an extraordinary essence that more represents the aspects of traditional Mexico that have persisted throughout several generations. In that respect, I knew that this performance would not be a mere interpretation of what was authentic but would truly be the living, breathing authentic art that upheld the traditional roots of Mexico as if they would never fade.

 

Finally, the lights dimmed for the performance to begin. Within a few seconds, the lights on the stage burst bright in a golden orange color and the mariachi made a robust entrance, kicking up the beat immediately and the several violinists already sounding as if there were a whole sea of them. The music felt so much like home and the Mexico that I knew, and my eyes stung. I could hear my parents cheering beside me, my dad howling like traditional mariachi players do as a way to cheer on the rest of the performers.

  

Soon after, Senora Cuevas made her entrance, showered with applause and cheers as she moved towards center stage in her big, illuminescent magenta dress. She performed each song with raw emotion, dramatizing each word and showing pure passion with each hand motion that emphasized the grand sounds of the band. Near the middle of the performance, she changed into a mariachi traje, which everyone adored as much as the dress. Her deep voice cut through the air with each ballad and I consistently felt comforted by its richness. She presented herself as a such a powerful woman figure, demanding true love and sharing the pride of being Mexicana in her songs. She returned for an encore and finished the performance with “Mexico Lindo y Querido”, a timeless classic that resonates pride and love for belonging to Mexico. As a final remark, she exclaimed, “Estoy muy orgullosa ser mexicana!” and in that moment, I was reminded of the beautiful sensation that comes with being authentic to yourself and being proud of where you come from.

 

PREVIEW: Aida Cuevas

 

Since 1975, Aida Gabriela Cuevas Castillo has demonstrated to her beloved homeland of Mexico and to the expanse of Latinoamerica her extraordinary talent as a traditional mariachi vocalist, hereafter deemed “La Voz de Mexico” and “The Queen of Ranchera Music” by many. As a girl originating from la Ciudad de Mexico, Aida Cuevas was born with a deep, rich tone that resonates throughout the hills that envelop the city and naturally cuts through the vast blue skies of the Southern Hemisphere. With her arrival in Ann Arbor on Friday (11/02/18), viewers should expect the same authentic musicality and powerful energy to reverberate between the walls of the Hill Auditorium. As she takes the stage with her accompanying mariachi band, Mariachi Juvenil Tecalitlan, performing a tribute to Juan Gabriel, Aida Cuevas is certain to pull the heartstrings of those who know her music, make those belonging to the Hispanic community proud that she is representing and sharing their culture in an authentic way, and capture the hearts of those who have yet to experience her moving charisma and zeal for el mariachi.