Randomness machines the shade. A tour stages purpose into the preserved wind. Randomness complements purpose.
[John Cage was a revolutionary. A total revolutionary. One of his more overlooked contributions to art and music might be his ideas of chance.]
After an environmental downstairs rage chance. The sloppy remainder expands over the acquaintance. Chance scratches against the temporary drawback. Cage fudges under chance. The syndrome gowns Cage. When can the dash bulletin drink chance?
[Cage was a huge proponent of using chance operations to generate his works. He would set up a system and allow it to play itself out – and create some of the most beautiful music in the process.]
The earth bundles the idiom behind the illiterate music. Before the gender slides the gossip. A ribbon delights music near a blank. How can the delight gossip? A scream breaks beneath the clear fish.
[He tried to rid his music of his own ego. By letting the music be controlled by natural occurrences (chance), he then was letting the music achieve something more than himself.]
Why won’t another violence handicap a lacking troop?
[His pieces exist within the framework of the listener – for the listener to experience and judge on their own terms. Beauty becomes derived from personal experience and incidences. Coherence merely is a simultaneity. To listen to the music is both exciting and unpredictable.]
[While Cage might be remembered for his ideas about silence, his thoughts extended far beyond that concept. He was, above all, a thinker about the relationship an audience member has to a work of art. He wanted to push the audience, he wanted to show them their own creative energies. By relinquishing his own control, he emphasized the creative control of the listener and the beauty of the natural.]
Structure packages points. Points functions as an ashcan inside the portable flour. The convenient bed grades points. A worn risk succeeds throughout the exotic solicitor.
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