Spectacle and Substance

In writing, a common complaint is suffering from writers block or the inability to write something meaningful or even to find a topic which inspires deeper thought. Since writing involves the creation of something from nothing often when writers block occurs nothing is created because there is nothing to be said.

In the world of performance art there are many times when a performance is done but nothing is said. Since the performers are provided with lines, music and blocking it is easy to simply go through the motions of the piece without looking into the greater meaning. Often in musicals and operas this ignorance is permissible as much of modern performance practice relies on spectacle rather than creating a connection between the written work, the performers and the audience.

For big budget venues their reliance on spectacle results in high quality performances which fill the houses because of the awe which million dollar sets, choruses of a hundred or more voices, dancers and technically brilliant singers inspires in the audience. Yet, for smaller companies who lack donors with deep pockets to supplement ticket revenue relying on spectacle is impossible due to monetary restrictions. It is these companies who are forced to say something with their performances or serve the stereotype that these “High Art Forms” are unrelatable to the masses.

To relate to the masses and make “High Art” relevant to modern audiences without big budgets and the crutch of spectacle, companies must find the meaning behind the words and notes on the page. It is only by finding this meaning that the audience will be moved, and will begin to develop a relationship of understanding with these smaller budget companies. Their productions will be just as, if not more powerful than those of the big budget theaters where spectacle fills their houses supported by interpretation. However, if these companies do not find something to say they will find that shortly there will not be an audience there to listen.