Welcome back everyone! Hopefully you all enjoyed the holiday break and are settling into the new semester smoothly 🙂
Today we’re gonna take a bit of a deep dive into brush pens. I’ve talked about them a lot before, but I’ve never fully gone into all the different types and variations, so let’s get into it!
First and foremost, there are three major materials brush pens can be made from: hair or bristles, felt, and plastic.
  
 
For beginners, felt or plastic is definitely the way to go–these are firmer, less flexible, and generally easier to work with. Personally, I prefer plastic nibs, because they don’t really fray, they last a long time, and they’re usually a bit juicier. The one I have pictured above is unusually large and clunky–usually these are small and very easy to work with. Felt tips are probably the most common, but they fray pretty quickly if you don’t use a certain kind of paper, and dry out more easily than plastic. Brush pens with bristles are the most difficult to handle, as they’re the most flexible. That said, if you’re good at it, you can get incredibly results with these.
From there, size is the other important factor to consider, and it kind of goes hand in hand with elasticity. Brush pens that are more elastic will be more flexible, which means you can get thicker strokes with them in addition to the thin strokes. Below you can see some different types of brush pens, from super small and firm–you may recognize the monami plus pen 3000 here, which I reviewed a while ago–to really big and flexible.
In terms of major categories, there’s essentially just super small pens (as in, monami plus size), medium sized (I don’t have a lot of these, but the faber-castell is probably the closest bet), and then large (ecoline, marvy uchida, tombow, and karin are all good examples of this). Hopefully you found this interesting and learned a bit about brush pens, and have a lovely first week of classes!
As I’m sure you’ve all realized by now, the size of my pen collection is a bit absurd, and definitely not the most conducive to college housing. I had to leave a lot behind when I came to school, so whenever I go home, I get really excited to use them all again. I have a lot at home right now, and a little more room than I thought I would for pens, so I thought it would be fun to show you guys how I went through them all and picked what to bring back to Ann Arbor. For the major pen sets, I included their swatches and my opinions on them below. I know the swatches for some of the smaller pens are really tough to see, but I hope you can at least kind of see the colors and the size of the nib. I did also bring home the posca set you can see in the box picture, but I forgot to take pictures of those swatches.
After that came all the random, individual pens. I tested a ton, but here are the ones I brought back. From left to right:
Before we get into my opinions, let’s introduce these guys. The Monami Plus Pen 3000 (I know, a bit of a ridiculous name) is a fine tip pen. It’s also a felt tip, although I would argue it’s closer to a plastic nib (for felt tips, think Papermate flairs–these are a lot sturdier and skinnier). Even though they have a fine tip, they have enough give to them to act as a pseudo-brushpen if you want them to. I use these more often to color in small things or write, though. You can see some different ways to use these in the picture I included. One thing to note about the ink, though, is that it can be a bit splattery. It’s not juicy enough where it will leak or splatter enough to stain things, though, it’s just worth noting because sometimes it can be hard to get clean lines.
The pen body isn’t my favorite–these guys are really tall and thin, and feel kind of cheaply made, which makes sense because they’re known for being super affordable. They’re also known for coming in a huge color selection, including a lot of pastels, fluorescents, and muted colors. The set of twelve I have is mainly just classic bright colors, but I’m obsessed with the case it comes in–it’s super satisfying to unclasp it for some reason, and it’s super convenient to keep in my bag.
The basics all come down to upstrokes and downstrokes. Upstrokes are thin lines that use just the very tip of the brush pen, and they start from the bottom and go in an upwards direction (as the name implies). Downstrokes, again, what a shocker, start at the top and go in a downward motion. These are thicker lines because they involve using more pressure on the pen. I demonstrated this with the pictures below, using my favorite brush pens, Karin brushmarker pros.
 Once you get these basic strokes down, you can start experimenting with more complicated strokes. I’m not sure who originally came up with this set of strokes to practice, but I know I’ve seen @thehappyevercrafter and @ensigninsights use these on Instagram (highly recommend their accounts, especially for beginners!). In any case, these are essentially the core kinds of strokes or lines you’ll need to be comfortable making, because they appear in a lot of letters.
 Here’s your basic lower-case, cursive “a”. To make this, you actually have to use two strokes (shown in the picture), meaning you pick up your pen once in between. For the first stroke, the oval-ish shape, you start where I put the little 1 in a circle. From there, you start with an upstroke, then transition into a downstroke, and finish off with another upstroke that connects to the first. Then, you pick up your pen, and begin stroke two! This one is a lot easier–start at the same height as the top of your oval, and just go straight down, then kind of flick your pen back up for that final upstroke. I’m not going to guide you through every letter because we’d be here forever, but I did include a little sheet I drew of all the letters and some guiding arrows for each of the strokes involved. I also color-coded them, so the stroke you start with is in red, followed by a yellow stroke, and on a few letters there’s a third stroke which is in blue. Of course, there are tons of styles for writing the alphabet, and every lettering artist does it a bit different, but this is how I tend to do it!
First, I drew in the letters with pencil. Because this is just for fun and all freehand, it took me a few tries to get the spacing right. After that, I drew in outlines of a bunch of different types of leaves. Using references was really helpful here! As you can see, adding in the leaves kind of created a jumbled mess, but I was able to fix that a little bit through erasing.  
This way, you can lighten the graphite without getting those streaks or worrying about erasing too much.
