Tal Kamin

This week I interviewed a peer of mine within the dance department: Tal Kamin. I have known Tal for two years and have had the amazing opportunity to watch her grow and develop into the artist she is today. Over a year ago she started her own non-profit: We Are Queens. I wanted to interview her and see how the first year of We Are Queens is going, and how COVID-19 affected this new and developing organization. She is a very impressive 20-year-old, and I am so honored to have the ability to dance and learn with and from her.

Tell me about yourself: majors, year, where are you from? 

“Hi I am Tal Kamin. I am a Junior double majoring in Dance and economics. I also am pursuing a minor in PAM. I was born in Israel but moved to New Jersey when I was 7 and have lived there ever since. I traveled to New York City to dance professionally ever since I was 15.” 

What do you want to do professionally? Dance, Business or both? 

Both, my dream is to be a radio city rockette, with a part time job with a marketing agency in New York City, I also would love to continue to grow We Are Queens. My dream is to be happy and celebrate those around me, so my goals may change to accommodate that.”

How do you balance your time between dance and business?

“What I have learned in pursuing a non-traditional path is that passion and resilience are the key to succeeding, anyone can learn time management, prioritizing, and balancing mental health, but at the end of the day what makes this so fulfilling is that I can wake up everyday and do what I love. Independently of what others think.”

How did you decide to major in dance in college? What led you to Michigan? 

Majoring in dance was never a choice, I knew that this is exactly what I wanted to do. I started dancing when I was 2 and started dancing professionally in New York City when I was 15 and my college application process was centered around a curriculum that would give me a rigorous dance training with a liberal education around business. Michigan had that, and the dance department had reached out to me so I already felt welcomed.” 

What is “We Are Queens”?

“We are queens is a female empowerment organization committed to fostering a groundbreaking future through the arts. The arts were more of a transformation because it’s a more powerful platform that brings people together, educates, and inspires change. It also gave me a personal outlet to employ my skills and talents. Focusing on art as a medium allowed us to be more specific in our mission, instead of branding for everyone we were being more diligent about our programming and audience.”

Did you ever think that queens would grow from one groupme of 300 people to this recognized organization today? 

“Absolutely not, it started with a very innocent goal: of spreading positivity and uniting girls to break the stigma against mental health through a 30-day challenge, however, the mass support and celebration of the women involved inspired me to recognize that this mission was way greater than me and it was a calling to continue and expand.” 

How did you start it? 

“Culmination of me as a person, I was born to a very big family in Israel where community is very important and I grew up dancing both competitively and professionally and saw how toxic the environment can be when competition is taken to the extreme. And both of these experiences always pushed me to spread positivity wherever I went.” 

Why did you decide to rebrand? 

“After Covid hit I felt a need to become more conscious in our organizations programming and branding, whether this means recognizing the social injustices in our world, the implications of Covid on our health and community, the lack of resources for artists and young women in developing countries. This inspired me, as a leader, to ask myself what our vision for the organization should be long term, and recognizing that this is a marathon and not a race. Consequently I became more focused, more open-minded, and more collaborative with my time to ensure that all voices are heard.”

Photo taken from We Are Queens first benefit concert

With the rebranding what was the most difficult challenge you faced?

I think the biggest challenge I faced was with myself, I am a perfectionist, problem-solver, and I enjoy getting things done and with every new idea or initiative it is not only important to dream big but also to take our time and fully fleshing out the details im implementation. As a result, I learned to abandon my mindset that I need to do everything all at one and all by myself, and learn to trust myself and my team within the beauty of the process to its fullest extent.”

What can we expect to see from Queens this year? 

With our newly implemented DEI plan to foster a more inclusive and empowering community of women, we are working on an upcoming music video that is focused on amplifying female BIPOC voices which will premiere in November. Be on the lookout for upcoming ambassador programs, music video submission, and merchandise as we continue growing.” 

Where can we find information about music video submission ideas for those that are interested?

Check out our website, for more information on how to get involved as well as our instagram. We would love to have you join our empire of kickass women!”

Tal:

Instagram: @tal.kamin

Website: talkamin.com

We Are Queens:

Instagram: wearequeens.joinus

Website: wearequeens.org

DSAworks: The Real Deal

The Dance Student Assembly (DSA) has been putting together monthly hour long workshops held by professional dancers working in the industry. Some have even been Michigan Alumni!

This past week we were lucky enough to be taught by Dee Tomasetta, a Michigan alumni. Dee has been working professionally in New York City since she left Ann Arbor. Some of her work includes: playing Peter Pan in the Broadway First National Tour of Finding Neverland, Starring in Broadway Labs and Pre Productions of Mrs. Doubtfire, Bliss the Musical, Kalevala the Musical, and the Storm, appearing on So You Think You Can Dance a top 15 female finalist, receiving the Emerging Artist Alumni Award from the University of Michigan’s School of Music, Theatre & Dance, and so much more. In addition to working professionally, Dee is also a faculty member at the American Musical and Dramatic Academy (AMDA) located in New York City. She continues to share her knowledge, love, and passion for the arts teaching at various dance institutions and conventions throughout the country.

Dee taught a 45 min class, challenging the dancers to a fast combination from the Broadway show Six, which was supposed to be opening this week on Broadway but of course was postponed. It was so great to be able to learn from and dance with Dee. She is extremely talented and dynamic in her movement. The combination was so fun, and despite having to be socially distant and limited to our small spaces, it was so fun to dance together as a department.

After class Dee lead a Q & A, where students sent in their questions to her before the workshop. It was so great to hear her insight on making it in the industry, as well as staying motivated during a time when our livelihood is on pause. She is constantly looking towards the future and her inspiring words gave the department the hope of life getting back to normal and dancers starting to go back to work. What an inspiring way to start the weekend!

A still image of me, Tal, and Dee all dancing together during the workshop.

There, I Will Wait

In the dance department, the first year dance majors are part of a company (first year touring company) their second semester. The department brings in two outside choreographers/professional dancers to set pieces, as well as,  three juniors are chosen to set choreography on the freshman. For the juniors chosen this is many of their first times choreographing and setting movement on dancers in a formal setting. I was one of the lucky juniors chosen. I was so excited to workshop my choreography with the group of freshman that I hand picked to be my cast, however, our time was cut short before I had the opportunity to finish and clean the dance, and before the freshman had the opportunity to perform any of the dances they had been working on for the semester.

Working with the First Year Touring Company (FYTC) was amazing. My cast was a group of open-minded, talented, and welcoming seven dancers. I wish I had more time with them in rehearsal to clean and polish this dance and I wish that they would have been able to perform it. With the help of Zachary Morris, we recorded all of the hard work that we have put in to this dance this past semester before everyone went home.

Thank you to my amazing cast for being so open-minded and willing to try new things. Thank you to Zach for coming in and recording these talented artists so last minute. Thank you Claire Difranco for helping me edit this music because I didn’t know what I was doing. Finally, thank you FYTC for allowing me to choreograph for you, it was a pleasure 🙂

Music: There Will Be Time- Mumford & Sons and Baaba Maal
I Will Wait- Mumford and sons
Music cut: Claire Difranco and Sara Fox
Videographer: Zach Morris
Dancers: Jack Randall, Grace Mahalick, Hallie Atzen, Brooke Ester, Alissa Rebagliati, Katey Besser, and Chloe Chodorow
Choreography: Sara Fox
Video edit: Sara Fox

Get To Know Me!

Hi! My name is Sara Fox, and welcome to my blog: Sara Grooves. I am a senior dance major with minors in biology and gender & health. I was born and raised in the northern suburbs of Chicago where I attended New Trier High School as well as danced at Extensions Dance Company under the direction of Lizzie Mackenzie. 

While in high school I was an avid participant in Special olympics, for all four years, where I created a bond and friendship with my partner, that I still have today. In college I have also continued my love forvolunteering through supporting patients at the St. Josephs Hospital in Ann Arbor. While volunteering I  play games and make the patients stay at the hospital more comfortable. This year, I recently went through training so that I am able to volunteer my time at the Planned Parenthood in Ann Arbor. I escort the patients into the clinic without the fear of protestors preventing them from receiving the care that they need and deserve.

In high school I was part of Extensions Dance Company for four years. While at Extensions I was able to learn from some of the best in the business, including: Seth Robinson, Mike Gosney, Taylor Mitchell, and Jared Baker. I have had the amazing opportunity to perform at many events around Chicago including Inaside Dance Festival. I truly cherish all of the knowledge that I have gained from all of my teachers and truly believe that without Lizzie Mackenize, I would not be the artist that I am today.

In college I have had the amazing opportunity to work with Judy Rice, Jillian Hopper, Ron De Jesus, and Peter Sparling. I had the opportunity to audition for many shows that the department puts on and was even selected to participate in the dance departments annual show held at the Power Center for the Performing Arts during my freshman year! I was also recently elected to be the president of my dance company:  Cadence Dance Company, a student run and choreographed dance company on campus that I have been a part of for four years. I also joined the HerCampus team at Michigan where I have the ability to write casual, fun articles for women on campus here at Michigan. I have thoroughly enjoyed exploring the opportunity of writing articles for this organization that showcase my personality and voice. I hope that this blog explores my voice in a different sense as well, a more artistic and creative sense! 

In addition, for the past three years I have been working at a local dance studio in Ann Arbor. The studio, Dance Theatre Studio, has been a wonderful and welcoming community. This has been my first job as a dance teacher, and I absolutely love it! I am so grateful that the staff at the studio saw my potential it has been a fruitful three years. I feel that being a teacher and a student has allowed my dancing to vastly improve. 

I was recently asked to be the creative director of a non-profit organization for women in the arts: We Are Queens. This non-profit was founded by the amazingly driven Tal Kamin, a student, peer, and friend, in efforts to create a supportive community of women. A year after its creation it has transformed into so much more than that- it has become a supportive outlet for artists to connect and create with one another. Mentorship relationships with people in the professional world as well as creative collaborative projects is the focal point of this supportive non-profit. 

I plan to take my readers along as I interview dance students, cover dance department events and shows, and hopefully post dance content! This will be an exciting year and I can’t wait for you all to join me.