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Encore Company Spotlight

Encore is a hip hop student run company here on campus. In a normal year they perform at bar nights, other company shows as guest performers, and Dance Mix. Bar nights are exactly what they sound like. The company performs a set at a bar and asks other companies, traditionally hip hop companies to perform at the bar night as well. A set is a dance that is about ten minutes long and is curated of about six choreographed dances, essentially it is like a music mash-up but for dance. This year their company, like many others have operated differently. I was able to meet with one of the presidents, Dana Dean, and ask her how Encore has been affected and how they have preserved.

I know that Dance Mix is still occurring this year, it is just looking a little different, so keep your eyes open for that wonderful performance!

Adventure (song lyrics in progress)

You make me wanna take a train to you
when the weather man says it’s too cold to fly
and I
know it’s not right

you make me wanna take a risk or two
and figure out a better way to live my life
oh you
make me want to

you spin me round on my kitchen floor
playing country songs I’ve never heard before

it’s those crazy ideas that you have in your head
you grab my waist throw me onto my bed
all the checked-off boxes on my bucket list
those once-in-a life-times you don’t wanna miss
it’s the blood rush to my brain when I see
you looking over your shoulder smirking back at me
I can’t remember what life was before
with you by my side it’s always an adventure

You’re covered in flags and I know that they’re red
but my heart is so convinced that they are green
you see
you’re no good for me

you make me wanna change the way I’ve lived
every day of my life until the day I met you
I know it’s wrong
but I’ll still go along

you wash my hair when I’m just too tired
and though I know that I am playing with fire

I love those crazy ideas that you have in your head
when you grab my waist and throw me onto my bed
all the checked-off boxes on my bucket list
those once-in-a-life-times you don’t wanna miss
It’s the blood rush to my brain when I see
you looking over your shoulder smirking back at me
I can’t remember what life was before
with you by my side it’s always an adventure

They say time flies when you’re having fun
it seems our time is over before it has begun
they say don’t risk it all or you are bound to lose
but all I think about it how I’m missing you

and those crazy ideas that you have in your head
when you grab my waist and throw me onto my bed
you’re checking boxes off my bucket list
so many once-in-a-life-times that we haven’t missed
I miss the blood rush to my brain when I see
you looking over your shoulder smirking back at me
I can’t remember what my life was like before
it was a shadow of the life entwined with yours
with you by my side it’s always an adventure

 

 

 

Round green shapes of varying sizes glow against the black background. The text reads, "Immersive."

Immersive #5: Hades

Even though many centuries have passed since the decline of Ancient Greece and Rome, the mythology of the time still exerts a significant influence on present day works ranging from classic books to popular films. As such, it is to no surprise when the “forbidden romance” between Hades and Persephone or even the struggles of Sisyphus appear in our daily conversations and in the media that we consume. But while these mythic figures and legends are often spun into fresh new stories that adopt different perspectives, these adaptations often fall into the trap of generalizing their allusions, lacking the nuance and depth that the original stories hold.

As a result, it’s not often that we witness retellings of myths that spotlight lesser-known stories or figures, which is often a result of the lack of substance or conflicting narratives surrounding these tales. But, in the rare occasions that these neglected narratives are brought to light, our understanding of the mythology shifts for the better, a change particularly witnessed after the release of Supergiant Games’ Hades, a roguelike action role-playing game.

In Hades, players follow the story of Zagreus, a son of Hades who attempts to escape the Underworld by defeating enemies and bosses, all of whom originate from Greek mythology as well. And through playing as Zagreus, each player is able to interact with the various personalities of the gods, goddesses, heroes, and monsters through the branching narrative structure of the game, which customizes the dialogue of non-playable characters to the actions of the player, resulting in a personalized gameplay experience.

Achilles responds to Zagreus talking about Zagreus' love of history.
A Conversation with Achilles

It is through this ambitious branching narration style that allows for every character, familiar and unfamiliar, to be introduced to the player as if for the first time. Here, players are able to converse with Achilles, a mentor figure who slowly opens up about his relationship and separation from Patroclus, fight against Megaera, a potential love interest who is forced to battle Zagreus on behalf of Hades’ orders, and even barter with Chaos, a patron who offers various “power-ups” throughout the game, among many other storylines written for the player to gradually uncover over time.

Overall, the rich variety that Hades offers the player in terms of a unique experience with the Greek mythos is something to truly commend. It’s ability to balance the different stories of each character in a manner that closely resembles a charmingly dysfunctional family dynamic presents a fresh take on its mythological content that allows for players to endlessly replay the game without ever encountering the same narrative plot twice. Thus, it is because of this masterful adaptation that I must commend Hades for crafting an increasingly nuanced experience that goes beyond our present understanding of Greek mythology and its presentation in popular culture.

Experience Hades: HERE

the rose vine – “I Go by She”

“I Go by She”

I wear sunflower dresses

and draw black triangles on my eyes.

I love the smell of vanilla and honey

and the sparkle of stars in the moonlight.

So how can I blame anyone for assuming

my apparent femininity equates to womanhood?

I refer to myself as she not out of identity but out of 

passivity. Of course I’m a woman, I look like one.

 

I’m not a man but I don’t think I would complain

if tomorrow I awoke in the body of one.

Rather I think I’d feel the same; a stark indifference

to the very concept of my identity would not be new.

Perhaps that is my identity, indifference.

Because man I don’t think I feel like a woman

but nonbinary is reserved for short hair and androgyny.

 

I wonder

If I cut my hair and wore loose clothes

threw out my dresses and stopped wearing makeup

would I feel comfortable identifying with the identity

that I feel comfortable with? Would I feel comfortable 

escaping the binary and asking to be called they?

Would shedding my identity allow me to be true to it?

But I love my hair, my tight clothes and flowing skirts.

I enjoy my femininity yet feel disconnected from womanhood.

So I don’t have a clue what my preferred pronouns are,

but I go by she.

 

+KHAOS+ EP.17: TRAP

+KHAOS+ EP.17: TRAP

+KHAOS+ EP.17: TRAP

Right when Kira charges for Ingenium, she is ambushed by bullets from within the walls of Ingenium’s room that is designed and programmed to safeguard whoever is present in the room. Although Ed rushes to defend Kira, it was too late, as the bullets struck her.

+Author’s Comment+

Fight scenes are always interesting to draw. Also, Ingenium’s room is designed so that nobody can get harmed as long as they’re inside. This means that even if Ingenium tries to harm somebody, the room will automatically aim for Ingenium–just like what happened to Kira.

Feel free to follow my art Instagram Account: @kats.art.folder

 

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©SKETCHES BY MAKO: %^!*&*!^%


I’ve often dreamt of utopia

A pretty little pond and perfect petunias

A rose frozen over, trapped in a glass box


An aquarium of cells

Within cells, within cells Interlinked

Amoeba, the Zeitgeist


Phosphorous and fluorescents

A subtle scent that tastes like skin

We cry, “Death to the corporation!”


I’m dreaming of better days

In perfunctory nods, closed quarters

A locker that only takes coins


I don’t remember when it started

The voices

The empty gestures of hope


We weave in and out

Between traffic cones, metro rails

Like ants scattered for molehills


We make mountains from

Land mass and synthesis

Lakefill, landfill, the head of King Philips the Fourth


On a silver platter

Clementines, goat cheese

A basket of bread baked by Jackie Webber


At the local book club

She recommends “For Our Sons & Daughters”

But she hasn’t read a single page